Stati di allucinazione

During a series of sensory-deprivation experiments, a professor devolves into a prehistoric form of life. This bizarre yet intriguing sci-fi offering comes from Ken Russell, a genre filmmaker who's made a handful of weak films, including The Lair of the White Worm (1988) and Gothic (1986). The script comes from Paddy Chayefsky, who also wrote the book upon which the film is based. Though Chayefsky disowned the film and Russell's direction, it remains among the best films in both they're careers. The best thing about the film is easily the script, which is intelligent and thought-provoking. Russell's direction is quite good as well; the editing on this film is truly top-notch. The actors gave great performances, especially a very young-looking William Hurt as the lead. In my opinion, Blair Brown's performance was at times a little uneven, but that never hurt the movie. The make-up effects, from Dick Smith, were terrific. The imagery—including visions of hell, a seven-eyed goat-man (how cool is that?), hideously mutated human bodies and a truly trippy vision of the creation of life—are startling. There's some decent gore too, included a nasty gutted lizard (which looks suspiciously realistic if you ask me…) and other goodies I won't spoil for you. Also worth mentioning is a great score from John Corigliano, which is unsettling and very suspenseful.

This film is NOT for everyone—some viewers might be lost by the scientific aspects of the film and the hallucinogenic scenes. If you like everything explained to you and you're afraid of a little ambiguity, this isn't for you. If you want a different, intelligent sci-fi film…see this.

7/10.

Just one complaint though—I'm no scientist, but wouldn't it be impossible for a human being to survive the physical and metabolic changes of a transformation like the one seen in the film? (I know, I know, it's just a movie…).

This is William Hurt's debut, and there's much to praise about it. Firstly, outstanding performance. The kind that lasts an impression and is thought of every time "William Hurt" is pronounced out loud. The film, in a nutshell could be summed up as a man's obsessive quest for the "truth". Truth about life, and the universe, why we're here, who created us? These are the core questions Ken Russel - more fairly, the original author Paddy Chayefsky - asks. All of that, is assisted by insane hallucinatory and downright horrifying visual sequences and music, which when combined, literally gave me goosebumps when I saw it all on screen. They take you on a surreal 'trip' and are a way for the viewer to experience what Hurt's character undergoes when he is in the isolation chamber. On another note, the pacing is a little slow in the first act, but sudden outbursts of surreal visual sequences get you back up in form.

If you're a thinker, this one's for you.

Bizarre cinematic head-trip that is far better and more entertaining than anyone could guess from a description. I put it on my Netflix queue without realizing it was directed by Ken Russell. If I had seen that earlier, I would have avoided it. Thankfully I didn't. It contains everything that is good about Russell, that is, his crazy imagery, and none of the bad stuff. That is, it's not an enormous bore. The script was written by Paddy Chayefsky, based on his own novel. Not the writer you would associate with horror or sci-fi, which is the proper genres to which Altered States belongs. He disowned the film before he even saw a cut of it, despite the fact that Russell was contractually obligated not to change a word of the script. The greatest asset of the film is the fantastic acting. William Hurt makes his screen debut as a mad scientist, a Harvard professor, actually, who is experimenting with sensory deprivation, mixed with some choice hallucinogens. He hopes to lose his modern mind in the sensory deprivation tank and regress to a primitive state. Unfortunately, some mushrooms that he finds in Mexico help him regress not only mentally, but physiologically. Blair Brown plays his estranged and worried wife, and Charles Haid and Bob Balaban (love the Balaban!) play colleagues who help Hurt do his experiments. The plot is silly, but it's legitimately eerie and frightening, thanks to Russell's surprisingly excellent direction. The film ends up in territory very reminiscent of 2001: A Space Odyssey, but I thought it all worked pretty well. Drew Barrymore makes her film debut at age 5, and also keep an eye out for John Larroquette.

This is one of Ken Russell's best films. He manages to balance plot and wild visuals as never before. The acting is also first rate. I watched it again recently I think it still holds up surprisingly well compared to many modern sci-fi movies. The plot is intriguing, I keep thinking that there might be some truth to the concepts presented, and the fact is that our own brains are still largely unexplored territory. A special mention to the extraordinary music written by John Corigliano, and for which he was nominated for an Academy Award. It dares to be loud and violent, and complements the visuals extremely well. This is a wild, original movie unlike any other.

It's been a quarter century since I first experienced Altered States, Ken Russell's take on Paddy Chayevsky's novel of the search for a common bond between all of us, the ability to love. I personally don't care if Chayevsky disowned the movie or if Russell resented him for it or how many angels you can set on the head of a pin, for that matter. Altered States is a harshly beautiful and intellectual movie based on a book with the same adjectives.

I'm not going to praise the fine performances, the dazzling special effects, or the painful, emotional epiphany that the lead character, Eddie Jessup (William Hurt) experiences as he fights his way past the roadblock of pure intellect. I want to praise Altered States for its emotional and intellectual message of the power of love to embrace us all and heal our wounds.

Altered States is not for the weak of stomach or the easily offended. The imagery is disturbing and, at times, repulsive. There are scenes of blasphemy that I know have put off Evangelical friends of mine. But the central idea of a commonality, a kinship that humans have with one another and the danger of setting oneself apart to avoid the pain of interacting and loving is, I believe, supremely satisfying at both an intellectual and emotional level.

Altered States isn't one of the very best films I've seen, but it surely has been a source of joy for me. And if it doesn't turn your crank--or turns it the wrong way--then find your joy in another film or other media . . . and remember to love.