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IMDbPro

Dalle 9 alle 5... orario continuato

Titolo originale: Nine to Five
  • 1980
  • PG
  • 1h 49min
VALUTAZIONE IMDb
6,9/10
41.861
LA TUA VALUTAZIONE
POPOLARITÀ
4971
1639
Jane Fonda, Dolly Parton, and Lily Tomlin in Dalle 9 alle 5... orario continuato (1980)
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Riproduci trailer1: 34
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99+ foto
FarceComedy

Tre dipendenti donne di un bigotto sessista, egoista, bugiardo e ipocrita trovano il modo di capovolgere la situazione.Tre dipendenti donne di un bigotto sessista, egoista, bugiardo e ipocrita trovano il modo di capovolgere la situazione.Tre dipendenti donne di un bigotto sessista, egoista, bugiardo e ipocrita trovano il modo di capovolgere la situazione.

  • Regia
    • Colin Higgins
  • Sceneggiatura
    • Patricia Resnick
    • Colin Higgins
  • Star
    • Jane Fonda
    • Lily Tomlin
    • Dolly Parton
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,9/10
    41.861
    LA TUA VALUTAZIONE
    POPOLARITÀ
    4971
    1639
    • Regia
      • Colin Higgins
    • Sceneggiatura
      • Patricia Resnick
      • Colin Higgins
    • Star
      • Jane Fonda
      • Lily Tomlin
      • Dolly Parton
    • 142Recensioni degli utenti
    • 54Recensioni della critica
    • 58Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 4 vittorie e 8 candidature totali

    Video1

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    Trailer 1:34
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    Foto167

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    Interpreti principali46

    Modifica
    Jane Fonda
    Jane Fonda
    • Judy Bernly
    Lily Tomlin
    Lily Tomlin
    • Violet Newstead
    Dolly Parton
    Dolly Parton
    • Doralee Rhodes
    Dabney Coleman
    Dabney Coleman
    • Franklin Hart, Jr.
    Sterling Hayden
    Sterling Hayden
    • Tinsworthy
    Elizabeth Wilson
    Elizabeth Wilson
    • Roz
    Henry Jones
    Henry Jones
    • Hinkle
    Lawrence Pressman
    Lawrence Pressman
    • Dick
    Marian Mercer
    Marian Mercer
    • Missy Hart
    Renn Woods
    Renn Woods
    • Barbara
    • (as Ren Woods)
    Norma Donaldson
    • Betty
    Roxanna Bonilla-Giannini
    • Maria
    Peggy Pope
    Peggy Pope
    • Margaret
    Richard Stahl
    Richard Stahl
    • Meade
    Ray Vitte
    Ray Vitte
    • Eddie
    Edward Marshall
    • Bob Enright
    Alan Haufrect
    Alan Haufrect
    • Chuck Strell
    Earl Boen
    Earl Boen
    • Perkins
    • Regia
      • Colin Higgins
    • Sceneggiatura
      • Patricia Resnick
      • Colin Higgins
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti142

    6,941.8K
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    Recensioni in evidenza

    8Tweekums

    How to deal with a 'sexist, egotistical, lying, hypocritical bigot' boss in '80s America!

    It is Judy Bernly's first day at work and she is being shown around by Violet Newstead. She introduced to new workmates and boss Franklin Hart, Jr. It soon becomes clear that Hart is a 'sexist, egotistical, lying, hypocritical bigot'... he gives a man a promotion over Violet despite her greater experience and lets the office know he is having an affair with his secretary, Doralee Rhodes despite the fact that she has rebuffed all his advances. It all comes to a head one day and Judy, Violet and Doralee end up talking about how they would like to kill him... then, following an accident, it looks as if one of them has really killed him... their lives are about to get complicated.

    This office based comedy really stands the test of time; the technology and big hair may have long gone but the basic story still feels fresh and is certainly still funny. That are plenty of laughs throughout the film although most come after the women start talking about killing Hart and then deal with the consequences when they fear one of them has accidentally poisoned him. The fantasy sequences may be a little cheesy, one even feature Disney style cartoon animals, but I found them rather funny. The three female leads; Jane Fonda, Lily Tomlin and Dolly Parton are great as Judy, Violet and Doralee; three distinct characters whose developing friendship feels real. Dabney Coleman is equally great as Hart; he makes the character easy to dislike while still keeping him very funny. The film has a clear message about how women are treated in the workplace; this might not be subtle but it never felt like a lecture. There isn't much to offend in the film; just some comical sex references... I can only imagine the UK '15' certificate is because the three protagonists enjoy a joint together and are shown to have a good time rather than any negative effects. Overall I'd definitely recommend this to anybody wanting a good laugh who enjoys '80s films, especially ones with strong female leads.
    7lasttimeisaw

    as delightful and jolly as one can get in a comedy that has something to say but consciously eschews any trace of indoctrination

    Three female company employees wage war against their "sexist, egotistical, lying, hypocritical bigot" boss in this prototype 80s sisterhood comedy, 9 TO 5 is the late Colin Higgins' second feature film and flexes the muscle of female star power which not only brings down the house, but also sets alight its box office, the runner-up top-grosser of its year, second only to STAR WARS: THE EMPIRE STRIKES BACK.

    The Fonda-Tomlin-Parton trinity embodies three different types of career women, Fonda's Judy is a housewife grossly jilted by her ex-husband for his secretary, so she is the greenhorn in the workplace, prissy but not without wits and guts, her frilly entrance is remarkably incongruous with the rest, although her clash with the boss Frank (Coleman) is most tangential among the three, her personal victory climaxed when she blurts out to her feckless ex-husband that being dumped by him is the best thing ever happened to her.

    Tomlin's Violet is a widow with a brood of four, the assertive senior office supervisor who has plodded for years in the company, yet the promotion she deserves proves to be unattainable because of Frank's sexism, and aggravated by being ordered about like a servant by him, she has every reason to get back at him; Parton's Doralee (her maiden picture, who also pens and belts out the Oscar-nominated title song), a corn-fed, bosomy secretary repulses the derogated stereotype as a boss-hunting schemer, who is indeed happily married and only humors Frank's advancement for the sake of the job, but in the face of Frank blabbering blackmail, she is the one who is not hesitant to pinion him like a steer.

    Truly, the triad enjoys a real blast together, initiated by a joint-influenced brainstorm about how each envisions a scenario to vent their grievance on Frank - here Higgins makes a good fist of genre conventions, whether it is a black-white mob thriller, a lasso-tossing oater or a Snow White animation with a dark spin, all are given a reality simulacrum later in the plot - and hits the mark during their hilarious blunder with the wrong body, although the resultant kidnapping idea is less wholly engaging for its yawning implausibility, not least when the deus ex machina comes about in the form of Sterling Hayden's chairman of the board, publicly asks equal pay to be eliminated from the reform program, which is actually conceived by the triad and executed by forging Hank's signature.

    Nonetheless, 9 TO 5 is as delightful and jolly as one can get in a comedy that has something to say but consciously eschews any trace of indoctrination, all three leading ladies are having a field day, but for my liking Tomlin is the one gets an upper hand for her steely nerve and comedic timing; as the antagonist, a versatile Coleman eloquently exhibits shameless wickedness to the hilt, and lastly, Elizabeth Wilson has her own moment as a brilliant tittle-tattler, who perfectly encapsulates the entire farce with a precisely uttered "Holy merde!" to bring down the curtain in the coda.
    9ecatalan98

    Hilarious Comedy Stands The Test Of Time

    I never saw 9 TO 5 when it played in the theaters but saw it soon after on video. I was like 14 years old back then and I remember enjoying the film very much, even if I didn't get all the misogynistic humor and women's lib stuff. Fast forward to 2006 and I decided to buy 9 TO 5 on DVD and see the fun again. After all, I haven't seen this one on TV in a LONG time and my local BLOCKBUSTER is sorely lacking a "classics" catalog. I knew in my mind that some of the movies you hold so dearly when you're a kid simply don't "cut it" when you see them all grown up. I am very pleased to say that 9 TO 5 has stood the test of time quite well and its "it's a corporate world" underpinnings couldn't be more appropriate now a days. The movie was cleverly written and directed and the humor develops naturally without looking forced or too acted out. It's the story of recently divorced Judy Bernly (Jane Fonda). Her ex husband ran away with his secretary and now Judy, ironically, finds a job being one. The company is called Consolidated Companies, which by the way, we never really know what they do or what they sell. We only know that it is a big company and that each floor of the high building is a "division". Frank Hart (played wonderfully by Dabney Coleman) is the villainous boss and head of the division. He is, as his right hand aide might put it, an "egotistical bigot". Hart's overwhelming tyranny makes his aide, Violet, to snap and with her go Judy and Dorlee (Dolly Parton), his voluptuous personal secretary. The trio spend the afternoon together drinking and smoking pot and jokingly thinking how each of them would "kill" their boss if they had the chance. The movie visualizes each of the secretary's outlandish fantasies and this part of the movie is one of the most entertaining and hilarious. Next day it's back to the real world and back to the daily grind. From here on each of the secretaries' fantasies take real form in some way or another making the movie even more fun. You'll have to see the rest to know what I mean. Despite being a 25 year old movie, 9 TO 5 stands the test of time perfectly, with only some of the cars and some of the clothing fashion looking a bit dated. It is a very well made, fast paced comedy that never bores. My wife loved it and she had never seen it before (she was barely a year when this came out!). 9* out of 10!!!
    9peachesrox

    Perfect Performances all the way around!!!!!!!

    From the sparkling acting debut of Dolly Parton to the comic genius of Dabney Coleman 9 to 5 is one of the best acted comedies of the 1980s. Jane Fonda and the brilliant Lilly Tomlin round out the lead cast with hilarious performances in this screwball revenge comedies that was one of the first films to champion "girl power". Even the smaller characters like Marien Mercer (as Missy Hart)and Elizabeth Wilson (as office snitch/bitch Roz)get in good one liners and laughs. Rent this movie. No wait - BUY this movie. You can watch it again and again.
    7CinemaSerf

    Nine to Five

    I can't help but think that if some of the folks churning out the bad-ass "girl power" nonsense of the naughties were to look back at films like this; they might see a clear demonstration of what real girl power actually is... Jane Fonda, Lily Tomlin and Dolly Parton are three working women at various stages of the corporate food chain - presided over by their womanising , parasitic boss Dabney Coleman. Initially suspicious of each other, they unite over some of Tomlin's teenage son's weed and decide to take matters into their own hands. What follows is at times a laugh-out-loud comedy as they manipulate and reek revenge on their hapless, helpless boss. It could never be called subtle, but it does illustrate clearly that wits and guile are more than enough to achieve their aims without the need for long fight scenes; flashing their flesh and/or continuous bad language. The title song isn't bad, ether...

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    Trama

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    Lo sapevi?

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    • Quiz
      This was Dolly Parton's theatrical film debut. In preparation for her role as Doralee Rhodes, she not only committed to memory her own part, but the parts of every other role in the film. Apparently, the two experienced starring actresses, Lily Tomlin and Jane Fonda, burst out laughing when Parton let on that she believed that pictures were filmed in the chronological order of a film's script.
    • Blooper
      In some versions, when Doralee lassos Hart and he falls backward, the crash mat he falls onto can be seen.
    • Citazioni

      [a candy-striper, with a 'Buffy' nametag, approaches Violet who's hauling a dead corpse on a gurny under a sheet]

      Buffy: Excuse me. Could you tell me where the coffee shop is?

      Violet Newstead: [nervous tone] The what?

      Buffy: The coffee shop.

      Violet Newstead: The coffee shop? No, I'm new here, I don't drink coffee.

      Buffy: I'm new here too. Where do you work?

      Violet Newstead: Uh... downstairs.

      Buffy: In the morgue?

      Violet Newstead: [nervous tone] Yes, that's right!

      Buffy: [looks at the body on the gurny] How did he... ?

      Violet Newstead: Coffee... too much coffee. I'm just taking him out for some air. Uh, I mean fresh air for me, he's just coming along for the ride.

      [Buffy gasps]

      Violet Newstead: *What?*

      Buffy: Oh, you're a doctor! I'm sorry, I didn't see your badge.

      [Violet looks at the badge and finally realizes that the white lab coat she's stolen is a doctor's]

      Violet Newstead: Oh yeah... I'm a doctor. So why the hell am I talking to you? Piss off!

    • Curiosità sui crediti
      Doralee Rhodes quit Consolidated and became a country and western singer.
    • Versioni alternative
      HBO/Cinemax's version of the film on Closed-Captioning changes one word of dialogue. Violet says to Mr. Hart, angrily, "The boys in the club are threatened, and you're so intimidated by any woman that won't sit in the back of a bus." Closed-Captioning reads, "The boys in the club are threatened, and you're so intimidated by any woman who isn't submissive." HBO Max's showing of the movie, as of August 6, 2022, corrects this error.
    • Connessioni
      Featured in Sneak Previews: Any Which Way You Can/The Formula/Raging Bull/Nine to Five (1980)
    • Colonne sonore
      Nine To Five
      Written and Performed by Dolly Parton

      Produced by Gregg Perry

      ©1980 Velvet Apple Music and Fox Fanfare Music, Inc.

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    Dettagli

    Modifica
    • Data di uscita
      • 26 marzo 1981 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Francese
    • Celebre anche come
      • Dalle 9 alle 5
    • Luoghi delle riprese
      • 4370 Ocean View Boulevard, Montrose, California, Stati Uniti(Judy's apartment)
    • Aziende produttrici
      • IPC Films
      • Twentieth Century Fox
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 10.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 103.290.500 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 3.966.832 USD
      • 21 dic 1980
    • Lordo in tutto il mondo
      • 103.303.473 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 49 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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