VALUTAZIONE IMDb
6,8/10
4911
LA TUA VALUTAZIONE
Due giovani uomini single devono mascherarsi da donne per vivere nell'unico appartamento che possono permettersi.Due giovani uomini single devono mascherarsi da donne per vivere nell'unico appartamento che possono permettersi.Due giovani uomini single devono mascherarsi da donne per vivere nell'unico appartamento che possono permettersi.
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Recensioni in evidenza
Graphics artist Kip Wilson (Tom Hanks) and writer Henry Desmond (Peter Scolari) are best friends who work in an advertising agency in NYC. Ruth Dunbar (Holland Taylor) is their boss and Amy Cassidy (Wendie Jo Sperber) is the receptionist. Amy is desperately in love with Henry. When the boys lose their apartment to the wrecking ball, they find a place with Amy's help in her ladies-only Susan B. Anthony Hotel. Kip falls head over heels for Amy's roommate Sonny Lumet (Donna Dixon). The boys have to cross-dress as their fake sisters Buffy and Hildagar. In the second season, Kip reveals their secret identities to Ruth, Sonny and Isabelle Hammond (Telma Hopkins) who becomes the new manger of the hotel. The boys buy their own video production agency "60 Seconds Street" with Amy and help from Ruth.
The gimmick allows the boys to cross-dress but it doesn't take full advantage of its comic potential. Hanks and Scolari have great chemistry. Wendie Jo Sperber is great fun as a third wheel option. Donna Dixon is gorgeous and charming. Her character is great in the first season but diminishes without the chase in the second season. Telma Hopkins doesn't get much interesting material and Holland Taylor is a good boss character. I think revealing their secret to each character could be great fun. Doing it all at the same time takes away some comedic possibilities. Isabelle should have uncovered the ruse early on. Sonny could have discovered it at the end of the first season as a cliffhanger. I like The Reunion and its after-school special message. Most of this show's best stuff comes from the fun duo's great chemistry.
The gimmick allows the boys to cross-dress but it doesn't take full advantage of its comic potential. Hanks and Scolari have great chemistry. Wendie Jo Sperber is great fun as a third wheel option. Donna Dixon is gorgeous and charming. Her character is great in the first season but diminishes without the chase in the second season. Telma Hopkins doesn't get much interesting material and Holland Taylor is a good boss character. I think revealing their secret to each character could be great fun. Doing it all at the same time takes away some comedic possibilities. Isabelle should have uncovered the ruse early on. Sonny could have discovered it at the end of the first season as a cliffhanger. I like The Reunion and its after-school special message. Most of this show's best stuff comes from the fun duo's great chemistry.
....the show that launched the careers of Tom Hanks, Peter Scolari and Donna Dixon, one of the most beautiful women in the world. Inspired by the movie, "Some Like It Hot," two guys pose as their fictional sisters in order to live in all women's hotel. The boys were a funny comedy duo, and Dixon was their Monroe. However, once the premise and the uniqueness wore off, the series was stuck with trying to live up to its own hype which was impossible. The boys ended up losing their secret and starting their own business to try and keep the show going. A sad end to a great series !
And a delightful glance, at that. Hanks shines in this early television role, as does the rest of the cast. It may not be a classic, but it is good entertainment, and perhaps you can catch it on a Nick-At-Night type channel.
As a 14 year old boy, sitting in the studio audience of this show on quite a few occasions, many of my earliest Hollywood memories are wrapped around this show. The premise of the show was simple sure enough, but the lead actors really made it come to life. The moments before and after each taping were really memorable. Peter Scolari would always come out to the audience and hang out with us and chat. Sometimes juggle! He was a real sweetheart. Watching the show now brings it all back. How about a Bosom Buddies reunion show? I suppose Tom Hanks probably would like to pretend that the show never happened. Thankfully, the show is preserved on film forever.
These guys dressed up before it was cool and it was often hysterical. I have a feeling this show was a bit before its time. Great cast and top notch writing made this one of the few comedy shows on TV that actually made you laugh out loud and was a real cut above most of the shows on back then.
I dont know, maybe if it were done today, it may stay on longer but this went to rerun land much too soon. I have most of them on tape but would love them to be released on DVD someday. Hey, maybe they could even do Bosom Buddies: The Movie and Ton Hanks could direct. How about it?
I dont know, maybe if it were done today, it may stay on longer but this went to rerun land much too soon. I have most of them on tape but would love them to be released on DVD someday. Hey, maybe they could even do Bosom Buddies: The Movie and Ton Hanks could direct. How about it?
Lo sapevi?
- QuizIn summer 1984, Splash - Una sirena a Manhattan (1984) made Tom Hanks a household name. NBC bought the rights to the ABC sitcom and re-aired select episodes to lead off their Saturday night line-up.
- BlooperIn a second season episode, an opening shot of Kip and Henry's building shows a California flag flying outside. It's obvious stock footage of a downtown Los Angeles office building.
- Citazioni
Cop: Could I have your name?
Kip 'Buffy' Wilson: Well, you could, but it would be an incredible coincidence.
- Versioni alternativeThe DVD sets of both seasons that were released did not feature Billy Joel's My Life, which originally opened the show when it aired because of the reuse fees for the song. As in syndication, the DVD features the alternate theme by Stephanie Mills featured in the alternate opening throughout each set.
- ConnessioniFeatured in Entertainment This Week Salutes Paramount's 75th Anniversary (1987)
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