Recensioni degli utenti

This is one of the quality films from Jackie's early years made the year after Snake in Eagles Shadow with much of the same cast and crew this built on the comedic style of Kung Fu action that Jackie was to make his own. Of the two films I actually prefer the earlier Snake in.... but its this later film that is more often considered Chan's earliest masterpiece.

This is a more traditional set kung-fu film than the later stunt fests that made his name. The fighting styles on show are unique, inventive and fascinating to watch. The showdowns are impressive and with no trick photography, CG or massive effects fueled blow outs and shows just how good a martial artist Jackie is. The comedy works well and Jackies on screen master is very funny and they spark well off each other as a team.

This is a really good old style kung fu flick fans of Jackies later work such as Rush Hour etc. may not find what their looking for here this is Jackie in one of his most pure kung fu movies. But for anyone who loves martial arts you must see this!! Great entertainment 7/10

Now I saw "Legend of Drunken Master" first which is a kung-fu film that blew my mind because of it's awesomeness. And since this film didn't seem all that notorious, I shunned this one sorta. Despite it being the film with Jackie Chan showing his drunken boxing and being kind of a pioneer of that style. I just wasn't expecting this film to be so darn entertaining. Sure, it doesn't have that much resources going for it. But Jackie did just about everything physically possible. And it really did pay off. I also wasn't expecting such high comedic moments even for a Jackie Chan film and I was wrong in every way. This film has all that trademark Jackie Chan elements and it's highly entertaining and humorous. Sure it is kind of cheesy but it actually works for a film like this. And for a Kung-fu flick from the 70's it seemed to be ahead of it's time. I was either smirking or laughing most of the way through while watching this amazing kung-fu film. The plot does seem a bit random at times and more bonding parts with Jackie Chan and the Drunken Master would have been cool. This is like the way better version of "The Karate Kid", comparing because it does have slight similarities. Except this film came first. The creativity in this is also top notch, especially when it comes to the fight sequences. This film was made during the prime of Jackie Chan and it does show what Jackie is capable physically and athletically. I saw this with English Dub and despite Jackie's British accent, it wasn't bad. "Drunken Master" is one of Jackie Chan's best.

8.4/10

Directed by legendary kung fu choreographer Yuen Woo-Ping, Drunken Master is considered by many martial arts fans to be one of the best films of Jackie Chan's career, but while it certainly displays the star's kung fu and acrobatic ability to great effect, and is a thoroughly enjoyable watch, I found the plot just a little too generic (and the comedy a little too broad) to rate it any higher than an 8 (I actually give it a 7.5, but I've rounded my score up for IMDb).

There really is very little going on here in terms of storyline, and what there is most seasoned fans of old school martial arts fans will have seen countless times before: a young upstart, Wong Fei-Hung (Chan), causes trouble in his local town and is sent by his disappointed father to train with a kung fu master, Beggar Su (Siu Tin Yuen). Beggar Su's techniques are harsh but very effective, so when an assassin named Thunderfoot (Hwang Jang Lee) is hired to kill Fei-Hung's father, the young man is able to step in and save the day.

Jackie Chan's comedic style is very much in evidence here, with buffoonery, slapstick action, and fart and poo gags, plus quite a few characters with peculiar facial features (a hairy mole, a red nose, drawn on freckles and goofy teeth), and the humour will not appeal to all (I nearly always struggle with Chinese comedy). Thankfully, the excellent fighting more than makes up for the silliness, with Jackie performing some mind-bogglingly amazing feats of physical prowess, making the absolute most of his Chinese Circus training. He leaps, he flips, he tumbles, he kicks, and he punches, performing snake style, monkey style and—of course—drunken style, all with incredible energy, speed and split second timing; it's absolutely breathtaking to behold.

Naturally, Beggar Su and Thunderfoot are no slouches in the chop socky department either, the old drunken beggar pulling off some very cool moves against a baddie called The Stick King (Hsia Hsu) and Thunderfoot more than living up to his title: with his technique 30% hands and 70% legs, Hwang Jang Lee is given plenty of opportunity to show off his legendary kicking skills. Also very impressive in her small role as Wong Fei Hung's auntie is Linda Lin Ying: I don't know much about her, but the one fight scene she shares with Jackie is quite stunning—her flexibility and leg control made my jaw drop (I must check out some of the other titles in her filmography—Dance of the Drunk Mantis also stars Hwang Jang Lee, so that would seem like an obvious place to start).

I am not very familiar with the true story of Wong Fei Hung. I've read about him before, and from memory, he was an exceptional martial artist (he practiced Hung-Gar) and became a folk-hero to the people of China, much like his father, Wong Kei Ying. So there is the true story, and then there is the 200 or so movies made about him. 'Drunken Master' is one of these.

I haven't seen most of those 200 movies, except for the Drunken Master movies, Jet Li's 'Once Upon a Time in China' series, and 'Iron Monkey'. The 'Once Upon a Time in China' movies and 'Iron Monkey' may be somewhat over-the-top wu xia movies, but they portray Wong Fei Hung as a serious hero. 'Drunken Master' features a very different take on the character.

Jackie Chan's Wong Fei Hung is a rebellious trouble-maker. His father, Wong Kei Ying, has given up on disciplining him, and sends him to his uncle, So Hai, the master of drunken boxing, hoping that a year of training with So Hai will sort Fei Hung out. Fei doesn't seem to learn his lesson until a chance encounter with Thunderfoot (Hwang Jang Lee)...

Story-wise, it is a bit of a standard kung-fu plot. However, in a documentary on Jackie Chan (I can't remember the name, I know that as of this review, it isn't listed on IMDb, but it was shown on SBS in 2003), 'Drunken Master' was mentioned as his breakthrough hit that nearly killed his career: Apparently Chinese viewers were insulted by Jackie's portrayal of Wong Fei Hung and nearly boycotted him when he was just gaining fame as an actor.

Onto more important matters. Like kung-fu. 'Drunken Master' is one of the kung-fu classics. Boosted by the presence of martial-arts star Hwang Jang Lee, this pretty much made or solidified the careers of Jackie Chan and Yuen Woo Ping (in his directorial debut). 'Drunken Master' features some very well choreographed fights and training scenes. 'Drunken Master' is very funny too, and is one of two movies I know where a young main-character gets beaten by an older middle-aged lady (which is always funny, more movies need a scene like this) - the other movie is Battlefield Baseball.

As a matter of interest for Jackie Chan fans: 'Drunken Master' signaled the end of Jackie Chan's work with director Wei Lo. Yay. In fact, the Columbia Tristar DVD release of 'Drunken Master' includes audio commentary by experts on Hong Kong cinema. I will check that out sometime, but it sounds like it would appeal to fans of kung-fu movies. Some more trivia - the latest release doesn't have the complete Cantonese sound track, and so the English dub is used where the Cantonese track is incomplete.

'Drunken Master' features awesome kung-fu scenes, and has some interesting historical perspectives. Ah, kung-fu movies and history, some of my favourite hobbies together at last - 10/10, a must see for any fans of Jackie Chan or kung-fu movies, 'Drunken Master' is kung-fu perfection.

This for me is Jackie Chan's finest, and is the film which propelled him to super stardom in Hong Kong. Whilst other martial artists were trying to be the new Bruce Lee, Jackie did something different. Why replace the irreplaceable when you could do something completely different? What Jackie did was introduce slapstick into the Kung Fu formula, the rest as they say is history.

Jackie stars as Freddy Wong aka (Fong Sai Yuk) depending upon which dub you watch. A juvenile delinquent with a penchant for feeling up immediate female members of his family. His father, fed up of his delinquency hires Sam Seed aka The Drunken Master to teach him some discipline as well as his secret fighting style. Naturally the two get off on the wrong foot but learn to respect each other as the film goes on whilst of course getting into the obligatory scrapes and japes. There is of course a villain of the piece in this case its the Tae Kwan Do master Hwang Jan Lee as the underworld assassin "Thunderfoot" who in real life was just as badass as he is in the film.

So it's all pretty derivative then? Well yes and no. There is a genuine rapport between Jackie and Yu Su Tien as pupil and teacher. The martial arts is brilliantly choreographed and inventive (the scene in the restaurant is probably my favourite) and the whole thing has a "joie de vivre". Watching it, it seems to me that the actors had a ball making the film. Which is just as well as I had a ball watching it.

It is said that this is the film that made Jackie Chan a star, but that isn't really true, since Snake in Eagle's Shadow actually had a bigger impact at the time, and allowed Chan to make this film. One way we know this is that there are some two dozen films made in the late '70s- early'80's designed to imitate Snake in Eagle's Shadow, and only a couple imitate this film. By the time Drunken Master had become legendary world-wide, the chop-socky cycle (to which it still belongs, to an extent) had passed into history, and Chan himself had abandoned historical 'fu films for contemporary comedy-thrillers.

It should be noted that the idea of making a film based on the early years of Wong Fei Hong was not original to Chan; at roughly the same time this film was being made, well-known martial arts choreographer Liu Chia Leung made a straight (non-comic) version of the story (without drunken boxing) over at Shaw Brothers, Challenge of the Masters, with Gordon Liu as Wong Fei Hung.

The defining moment for the Chan-Yuen version of the film is the use of Drunken Boxing. There is no real evidence that the historical Wong Fei Hung was a master of this style; his more famous innovations involved the development of the shadowless hand technique and the no-shadow kick. Interestingly, in order to highlight Chan's use of Drunken Boxing, these other two techniques, better identified with Wong, are assigned in the film to the villain, "Thunderlegs" played by Hwang Jen Lee.

At any rate, it would not be clear that one could consider this a Wong Fei Hung film at all - if it weren't for the fact that this film effectively redefined the Wong legend, so that it has since become pro-forma to assume that Wong was a bit wild in his youth. (Just to set that record straight, Wong was actually extremely studious, and recognized as a real child-prodigy in the martial arts, winning his first major public duel at the age of thirteen.) Drunken Master is solid martial arts entertainment. There are decided weaknesses in the plot and over-all staging of the film, but these can easily be ignored, as the film thrusts us along with kung fu and comedy to the grand final fight at the end. It must also be noted that these characters - even the villain - are well acted and quite likable and familiar, and thus add a credibility to the film. And Yuen's direction is also very professional and a couple notches above the average for a Hong Kong genre film of the time.

Lives up to its own legend, and well-worth the viewing.

Being a fan of Jackie Chan and never having seen "Drunken Master" before 2012 is sacrilege, I know, but I just never gotten around to it, not even with all the high praises for this 1978 movie.

Well, I finally got around to watch it and it was with some expectation and anticipation to it. Was it worth it? Well, yeah it was, but at the same time it wasn't all that I had expected.

The story was fun and well-thought through, about Wong Fei-Hung who is a rascal, dishonoring his father who is a Kung Fu master. As a punishment he is to train with his uncle who is said to be ruthless and mean. The young Fei-Hung is in for some rough training, but eventually comes to see the meaning of the tough training.

"Drunken Master" is more of a comedy (or Comedy Fu, if you will) than it is an actual Kung Fu movie. There is a lot of slapstick comedy in this movie, as is to be expected from a Chan movie. But it also shows off the grace, dexterity and skills of Jackie Chan quite well. However, for the Kung Fu, well it was fun to watch, lots of great movies and funny situations, but wow it was so horribly staged that it was painful to watch at times. It just lacked that natural flow to it, to make it seem realistic and natural. I am not saying that it wasn't enjoyable, far from it, just don't expect it to be all that and a bucket of chicken, because it was really staged from start till end.

This Jackie Chan movie is a definite must have in any DVD collection of any Jackie Chan fan, just don't do the mistake that I did that compare this movie with the movies from the last two decades.

I got a Sony DVD release of the movie from Amazon, and despite playing the original Cantonese language track, it kept changing between Cantonese and some seriously doubtful English dubbing. The dubbing was so bad it was beyond belief, they were even doing racial, stereotypical slur at the dubbing - it was just horrible. Luckily the DVD was in Cantonese most of the time, but when it changed to English dub (by its own will) it was just painful to listen to. These movies are meant to be watched with the original language track. English dubbing always has, and always will, be a horrible experience.

And the ending of the movie, well I was stunned at that. It just ended immediately after the final showdown. It was the most abrupt and sudden ending to any movie that I have ever witnessed.

Wong Fei-Hung (Jackie Chan) is a cheeky young student who knows how to fight and stand up for himself. But after a public situation gone poorly, Wong is punished by his father. Wong will now be trained and disciplined by a man named, Beggar So (Siu Tin Yuen). Beggar So is a master of "Drunken Martial Arts" and Beggar begins to train Wong in a way he believes will correct Wong's path in life.

I personally have always been a huge fan of Jackie Chan films (especially from the 90's). I recently discovered this film had been remastered (thanks to Umbrella Entertainment) and I must personally confess, this film has been on my watch list for many years.

As a plot, I enjoyed this movie as all it does is follow a simple formula. Our leading character Wong (Jackie Chan) will generally start a conversation or some sort of trouble, and shortly after the situation will result in humorous fight scenes (aka Kung Fu). The method of storytelling is A, B, A, B until the credits roll.

Needless to say, the biggest highlight of this film was the action by Jackie Chan. The style and humour by Jackie Chan is something I can't say I've seen in films before, even in today's films. The stunts and action here are real. This film was also completed before actor's started using wires or visual effects. I found myself at countless times during this film feeling impressed by Jackie Chan's ability as an actor, fighter and his ability to deliver funny jokes along the way. It's no wonder the film managed to return again with a sequel in 1994.

Overall, this would have to be one of my top 5 favourite Jackie Chan films. Drunken Master delivered a new style of Kung Fu which is great to see remastered on Bluray. There are many elements present here including action, humour and an easy plot, but its biggest draw card is naturally the fight scenes which are incredibly entertaining. As the credits rolled all I could say was "Wow, Jackie Chan is such a legend".

8.7/10 Walkden Entertainment

Let's make this clear: "Drunken Master" has less sophistication than an episode of "The Smurfs" and less plot than a porn movie. The comedy is unbearably stupid at times, the dialogue is hokey and the sound effects are too silly for a live-action film. The fight scenes seem too rehearsed, too "choreographed"; they look less like real fights than like shows that have been carefully set up to demonstrate the various kung-fu techniques. Nevertheless, it is a fine showcase for the skills (comedic and otherwise) of Jackie Chan, and he remains funny and likable throughout. (**1/2)

What a wonderful film. This film has to rank amongst Chan's ultimate. There are so many incredible fights in this film, that you will certainly feel you're getting your money's worth.

The action is entertaining and beautiful. The comedy is rich and memorable.

I love the different factors that make a Hong Kong movie what it is. One of these factors is the quick zoom out from a shocked face, to the completed action. My favourite of these is in the restaurant, when Yuen Woo Ping's father laughs, then stops, as a fist comes into shot. The punch is blocked, and the camera zooms out, for the rest of the moves in the take. It's wonderful to watch, as it adds personality to the film, and tells you, "I'm from seventies Hong Kong, and I'm not gonna change for you!" Overall, one of my favourite films, and definitely one of Jackie's best.

It's not a masterpiece, not even by that time standards, but it's super fun and if you love old kung fu movies from Hong Kong, you'll love this one.

This movie is easily one of Jackie's best, even if it is one of his first roles where he plays a significant part. The fighting was amazing, and the training sessions with the red nosed master were funny as hell. I don't see Jackie complaining as much as he did as his character, but that didn't hurt it too bad.

The only thing I didn't like about this movie was in the English dub, they refer Wong Fei-Hung as "Freddy Hung". Seriously, Freddy?! That doesn't even sound like a name a martial artist would have! The kid that got his father knocked down also kind of irked me, as his voice sounded like it was being done by a older guy trying to imitate a kids voice. It just doesn't work.

The movie also had some kind of annoying sound effects, as was accustomed to older kung-fu movies. That loud whip-cracking noise whenever someone threw a blow, or got it blocked or hit someone. And there was also that wind cutting noise whenever someone threw a strike or moved their hands or feet. Besides these little annoyances, this was a great movie.

I actually tried to see if there were teachers that could teach me Drunken Boxing, but I found out the style can take many years to learn as it requires much former training in previous martial arts.

i have seen other jackie chan movies and have been glued to the wonderful choreography of the fights and laughed at his henny youngman-type humour but this is by far the BEST jc movie. i would have to say it's one of the best all around kung fu movies, too.

there is LOTS of humour, LOTS of shtick, and of course LOTS and LOTS of kung fu... crane kung fu, snake kung fu, tiger kung fu- i didn't know there were so many types of kung fu! seeing jc go through the "disciplines" is painful to watch, and auntie is cool! she makes sailor moon look like a power puff girl. this chick kicks a** with so much grace and style - and not a hair out of place! great, fun, popcorn-popin' movie.

Wong Fei-hung as a young man has a reputation different from that awaiting him as an adult. With a nickname of Naughty Panther, Fei-hung is in constant trouble with people and, no matter his intentions to help out just makes things worse for himself. When his father has had enough he sends Fei-hung away to be trained by a wine-guzzling master Su who is not only famed for his 8-Drunken Genii style but also for crippling many of his students. Fei-hung tries to get away from this fate but it is not long till his drunken teacher tracks him down and teaches him, whether he likes it or not. However, when he is humbled by the mighty killer Thunderleg, he decides to train to be better no matter what it takes.

I've not given up on modern releases totally but a real death-march of uninspiring films of late has seen me using my DVD rental subscription to get in touch with older films and also genres that do not often show up on my basic TV package. Recently this has seen me getting some old-school martial arts films and of course Drunken Master had to be one of the first to be seen. When watching it, it is important that you keep your genre frame of reference because as a "film" (with no riders or expectations) it could be dismissed as having no substance to speak of - an accusation that I myself level at many blockbusters that offer me nothing to engage with. In this case though one does have to wonder if it matters because in terms of pure entertainment value there is just about sufficient story to pull a basic frame together for an amusing and exciting film.

I say this because the plot doesn't do much other than set up the many fight sequences that the film has and really these are the reason why we are all here. Without exception, these are technically and visually impressive. The physical strength and control of the actors is just as impressive as the choreography and, unlike modern films, the camera sits back so we can see and doesn't get into the close and frantic editing which reveal the actor perhaps could only do one short movement at a time and needed lots of help from the camera. Speaking of camera movement, one of the joys of the film is to see what has now become the genre-defining zooms in on faces and other such clichés.

Speaking of which, the acting also fits this mould as it is the wonderful OTT style of acting, with big hair and exaggerated performances that owe a debt to silent cinema. Chan is not at his funniest here (partly because his character necessitates a degree of arrogance that takes away a little) but he is still very comic and self-effacing in his comedy. He is well supported by Yuen, who is also very skilled and able to do comedy, while Hwang's villain is wonderfully 1970's martial arts and full of camp menace. The support cast features some familiar faces who bring stuff to the table such as the high-kicking Linda Lin and the amusing Dean Shek.

Drunken Master is very much a genre film and those who do not like the conventions of the genre should not be too shocked to find that they don't like it here. However for martial arts fans and the casual viewer, this is a great film with plenty of brilliant action blended with a genial and comic tone that allows it to be solid good fun.

Proof you don't need big budgets/production values for fantastic film making. In fact, the opposite is often true, as big budgets often hamper creativity. This was the case of when Golden Harvest, one of the biggest Hong Kong film studios at that time - who had tried to manipulate Chan into being a replacement for Bruce Lee - subcontracted/outsourced him to a smaller filmmaking unit. This provided more breathing room for creatively, and Chan was able to have his desire of physical comedy unpinned by amazing fight choreography and stunts fully realised.

First came 'Snake on the Eagles Shadow', which put Jackie Chan on the map. Then, shortly after, with the same director at the helm, came the first 'Drunken Master', which catapulted Jackie Chan into Chinese film stardom. It's not difficult to see why. I've seen these film countless times over the last two decades, and they never grow old. The comedy is pure comedic innocent and sillyness. It's lack of contrivance and self-parody is what makes it so funny. And the choreography, stunts, and directing is sublime. In this regard, it's saves the best till last, with some truly breathtaking acrobatics from Chan. The music is always aptly chosen for each scene, comedic or otherwise. A Kung-Fu masterpiece. Of all the great Chinese/Hong Kong Jackie Chan, this is probably my overall favourite. Sure, some of his other movies display more amazing death defying stunts, but 'Drunken Master' entertains as all round. Pure genius!

Let's not beat around the bush: this is an outstanding classic, proving in no time at all why it's held in such high esteem, why Jackie Chan is such a big star, and why Yuen Woo-Ping, Yuen Biao, Yuen Shun-Yee, Corey Yuen, Brandy Yuen, and Hsu Hsia earned such great reputations for their stunts and choreography. True, some scenes of pure comedy are a little too abjectly silly for their own good, and some characters too cartoonishly exaggerated, yet by and large the combination of comedy and action here is fantastic, and superbly entertaining. Even more than that, the action is so sharply executed that even on that basis alone the title stands significantly taller than many of its kin. 'Drunken master' really is a blast, and absolutely remains an exemplar of kung fu cinema.

Unless one also has the misfortune of watching the dubbed version, it's hard to even drum up other critiques just on account of how exquisitely the feature is crafted. We see this in action sequences especially, where all involved illustrate skills more carefully honed than what we get elsewhere. In some like fare the cinematography and editing may be prone to overzealous, overly excitable application, chopping up the best value and reflecting stereotypes about action flicks generally and the genre specifically; between the direction and choreography, fights and stunts may bear a marginal looseness, or appearance of restraint, as if the filmmakers just weren't taking every last step. This is hardly to speak ill of other contemporary works in and of themselves, yet in watching this, the disparity becomes very noteworthy, for all these elements - cinematography, editing, direction, choreography - are tremendously tight, focused, and precise. At all times, and most discretely with any demonstration of martial arts techniques or training, 'Drunken master' is given to a level of careful, intense detail, and detailed intensity, that's immensely gratifying. Even for just this reason the picture holds up as an indelible classic, never mind the inherent supremacy of the stunts and action that are extra varied and dynamic as they blend incredibly fluid movements with a delightful playfulness. In fact, not least for its ingenuity and artistry, the choreography here might be some of the best that I've ever seen, and that's no small feat.

I suppose if one were really looking to pull apart possible flaws one might point to repetition of moments from a scene we just watched, or marginal imbalance in tone as an antagonistic figure is sidelined and only sparingly given prominence. Otherwise, this is terrifically well made in every capacity. It takes awhile for the iconic "drunken kung fu" to make its appearance, but the wait is absolutely worth it - and up until then, we're given a steady stream of action-comedy that's worthy in its own right. The storytelling can boast genuine strength as our kind yet buffoonish protagonist splits his time between making an oaf of himself and training with master Beggar So, with additional narrative elements providing fuel for the plot to come. The story is equally entertaining and compelling, filled with as much flavor as the scene writing, and the characters are penned with splendid personality. Meanwhile, the filming locations are utterly gorgeous, with marvelous production design and art direction to boot. Much the same goes for the costume design, hair, and makeup, and any effects that are employed are just about as swell as the stunts.

Truly, everything here looks and sounds fabulous; even the acting, broadly less important in films of this nature, is pretty great. I'd stop short of saying it's wholly perfect, primarily just because of the excessively ridiculous frivolity of some moments; some jokes and gags are simply cheap. Yet for as remarkably smart, clever, calculated, and nevertheless lighthearted and fun as it is in every way that matters most, the imperfections are forgiven easily enough and are far outweighed by the stellar value. Like other niche genres, martial arts flicks saw a glut of entries over a select period, and the quality ranges all too widely from the stupendous to the awful. This, I'm happy to say, is stupendous, and it's no wonder why it and those involved are regarded so well. By one means or another plenty of movies earn a label as a "must-see," and for how enjoyable it is, how brilliant it is at its best, and how shrewdly it was crafted, I think 'Drunken master' is another. Whether you're just a fan of kung fu or an ardent cinephile, even forty-five years later this is something everyone should check out if they have the chance.

Drunken Master was the title of this movie when I first saw it 12 years ago. As a movie fanatic I think every type of Movie can be interesting. The Hong Kong Movie Industry has produced Masterpieces from a design, a choreography and a physical performance point of view. Drunken Master (Zui quan) may be considered as one of these very good movies. The story is a very classic (poor) one and the acting is not the best ever from a western view point but is very "Chinese" (almost like a drama play), however and as I stated the choreography and the physical skills of Jacky Chan are amazing. The extraordinary fighting scenes (90% of the movie) make this movie worth watching and probably one of the 10 legendary "Kun-Fu" movies made so far.

Fei Wong (Jackie Chan) was a perpetual screw up. Being the son of the kung fu school instructor probably made him believe he could get away with anything. After screwing up one too many times he was sent to be trained by his uncle, Su Hua (pronounced So Hi). He dreaded the prospect of training with the well-known Su Hua. Not having a choice in the matter he trained and learned the ways of the Drunken Master.

It's definitely one of the funnier, if not the funniest kung fu movie I know of. I think Kung Fu Hustle may be the only kung fu movie funnier. The acrobatics of Jackie Chan, Siu Tin Yuen (or whoever did his acrobatics), and even Linda Lin (playing Fei Wong's aunt) were stellar. There were some cool fight sequences even if the story wasn't the strongest. But who watches kung fu movies for a strong story anyway?

A mesmerizing mix of silliness and skill. Loved the ass-kicking Jackie Chan receives at the hands of his flexible aunt (Linda Lin), the torture he endures from his alcoholic tutor (Yuen Siu-Tin), and the brilliant sequence of him practicing the martial arts moves of the eight "drunken immortals." So much body control, so much joy here.

Not to be confused with "The Legend of the Drunken Master", the Drunken Master follows Freddy (Jackie Chan) in his quest to become a better martial artist.

I just love how Jackie Chan combines slapstick with martial arts so perfectly. The fights are hilarious and very well choreographed may I add.

The story is pretty basic and the characters are not that good. But we are not here to see that are we? We are here to see the martial arts and slapstick.

The slapstick is very fun, specially when the character is drunk. Jackie Chan's reactions just make the film a whole lot more fun to watch.

There is really not a lot to say about this film. If you like martial arts movies and want to have a good time. Just take in mind, this is a movie to have fun, don't over analyze it! Enjoy!

Drunken Master (1978) is a movie in my DVD collection that I recently watched on Prime. The storyline follows a young man who is good at kung fu but painfully undisciplined despite all of his father's efforts to train him. When the young man's antics puts his family at risk there's no choice but for the young man to learn a new form of martial arts from a local drunk who is also a master of a strange form of martial arts. Once the young man masters the drunken style, he can return home and save his family.

This movie is directed by legend Woo-Ping Yuen (Magnificent Butcher) and stars Jackie Chan (Rush Hour), Siu-Tin Yuen (Snake in the Eagle's Shadow), Jeong-lee Hwang (The Invincible Armour), Dean Shek (A Family Affair) and Hsia Hsu (Roar of the Lion).

Everything about this movie is magnificent. The cast, dialogue, choreography and comedy are all a 10/10. The training sequences are unique and very entertaining. The storyline has a worthwhile plot with excuses to weave in martial arts sequences. The soundtrack is underrated and the idea of drunken martial arts was both wild and fun. The insults at the end and final two fights were tremendous.

Overall, this is a martial arts masterpiece that is an absolute must see. I would score this a 10/10 and strongly recommend it.

This for me is Jackie Chan's finest, and is the film which propelled him to super stardom in Hong Kong. Whilst other martial artists were trying to be the new Bruce Lee, Jackie did something different. Why replace the irreplaceable when you could do something completely different? What Jackie did was introduce slapstick into the Kung Fu formula, the rest as they say is history.

Jackie stars as Freddy Wong aka (Wong Fei Hung) depending upon which dub you watch. A juvenile delinquent with a penchant for feeling up immediate female members of his family. His father, fed up of his delinquency hires Sam Seed aka The Drunken Master to teach him some discipline as well as his secret fighting style. Naturally the two get off on the wrong foot but learn to respect each other as the film goes on whilst of course getting into the obligatory scrapes and japes. There is of course a villain of the piece in this case its the Tae Kwan Do master Hwang Jan Lee as the underworld assassin "Thunderfoot" who in real life was just as badass as he is in the film.

So it's all pretty derivative then? Well yes and no. There is a genuine rapport between Jackie and Yu Su Tien as pupil and teacher. The martial arts is brilliantly choreographed and inventive (the scene in the restaurant is probably my favourite) and the whole thing has a "joie de vivre". Watching it, it seems to me that the actors had a ball making the film. Which is just as well as I had a ball watching it.