Aggiungi una trama nella tua linguaTeddy, a troubled Vietnam veteran, has his car break down near a Texas roadside diner. He goes inside and subjects the diners to physical and mental torture.Teddy, a troubled Vietnam veteran, has his car break down near a Texas roadside diner. He goes inside and subjects the diners to physical and mental torture.Teddy, a troubled Vietnam veteran, has his car break down near a Texas roadside diner. He goes inside and subjects the diners to physical and mental torture.
Recensioni in evidenza
Most descriptions of this movie read something like "psycho Vietnam veteran terrorizes roadside diner patrons" or "bad movie adaptation of Medoff's stage play" and though these may be accurate surface descriptions, the movie deserves far more comment than that. As the movie progresses, each character's deepest motivations and fears are revealed and what is exposed is the shallow values, ignobleness and dark fears of mankind.
Marjoe Gortner's youthful rage manifest's itself strikingly as he rants on a each of the diner patrons. His cynism is directed at pretentious city intellectuals (Hal Linden and Lee Grant), small town folk (Stephanie Faracy), self-righteous do-gooder (Pat Hingle), bad-ass-wannabe (Peter Firth) and even the protagonist's girlfriend (Candy Clark). The film gives a whole new meaning to the American perception of machismo and much of this can be difficult as well as fascinating to watch.
The most interesting thing about this film however is that it has gone virtually unnoticed since the day it was released. It lasted in the theaters only a few weeks and the edited versions, which have only rarely appeared on non-cable TV, truly ruined the entire effect of RR. The movie was overlooked by the critics and the public for several reasons.
The critics labeled the movie "better as a stage play" and "it's been done before" and "overacted". For reasons that I have never completely understood, movie critics typically dislike stage plays made in to movies unless a lot of flashy camera work and new spirited locations make the play-now-a-movie fit more conventionally into the film art form. What critics fail to realize is that the general public does not have access to good theater and even if a movie is literally a play shot on film, one can now get the subtle nuances of close-up facial expressions and the quality dialogue that stage plays require and movies often go without. Some critics said the film was similar to other films such as The Petrified Forest yet these same critics can never seem to get enough gangster movies, boxer movies or movies about Hollywood professionals. Red Ryder has about as much in common with Petrified Forest as Platoon had in common with Green Berets. And the criticism that Gortner overacted ...... my god that WAS the point !!!
The public overlooked the movie mainly due to the marketing. A long non-descriptive title stunted audience draw and RR lacked the graphic exploitative violence that so often the public looks for in a movie that was touted as "he is getting even with every woman who slapped your face and every man that ....". A more accurate title (possibly "Unexamined Lives") and a descriptive byline like "he is here to prove to you that there is really nothing decent about anyone" may have at least got the right people in the movie house. Of all the mind pap available on video these days, such as Armageddon, it is a crime that this masterpiece has been lost to history.
Marjoe Gortner's youthful rage manifest's itself strikingly as he rants on a each of the diner patrons. His cynism is directed at pretentious city intellectuals (Hal Linden and Lee Grant), small town folk (Stephanie Faracy), self-righteous do-gooder (Pat Hingle), bad-ass-wannabe (Peter Firth) and even the protagonist's girlfriend (Candy Clark). The film gives a whole new meaning to the American perception of machismo and much of this can be difficult as well as fascinating to watch.
The most interesting thing about this film however is that it has gone virtually unnoticed since the day it was released. It lasted in the theaters only a few weeks and the edited versions, which have only rarely appeared on non-cable TV, truly ruined the entire effect of RR. The movie was overlooked by the critics and the public for several reasons.
The critics labeled the movie "better as a stage play" and "it's been done before" and "overacted". For reasons that I have never completely understood, movie critics typically dislike stage plays made in to movies unless a lot of flashy camera work and new spirited locations make the play-now-a-movie fit more conventionally into the film art form. What critics fail to realize is that the general public does not have access to good theater and even if a movie is literally a play shot on film, one can now get the subtle nuances of close-up facial expressions and the quality dialogue that stage plays require and movies often go without. Some critics said the film was similar to other films such as The Petrified Forest yet these same critics can never seem to get enough gangster movies, boxer movies or movies about Hollywood professionals. Red Ryder has about as much in common with Petrified Forest as Platoon had in common with Green Berets. And the criticism that Gortner overacted ...... my god that WAS the point !!!
The public overlooked the movie mainly due to the marketing. A long non-descriptive title stunted audience draw and RR lacked the graphic exploitative violence that so often the public looks for in a movie that was touted as "he is getting even with every woman who slapped your face and every man that ....". A more accurate title (possibly "Unexamined Lives") and a descriptive byline like "he is here to prove to you that there is really nothing decent about anyone" may have at least got the right people in the movie house. Of all the mind pap available on video these days, such as Armageddon, it is a crime that this masterpiece has been lost to history.
I recall thinking this movie would be uninteresting when I first saw it on HBO back in 1984, but this in not the kind of movie I could forget about a month later. No wonder so many stage recreations have been done. The many characters are so identifiable, so authentic in their behavior. I have to wonder where the writers got their material. As one who was born and spent many years in west Texas, this is like a compressed version of many years of my life. Thank God, the extreme bad guys like Teddy are rare, but they do exist. I recall a guy like him who started a serious fire at the school during the summer. It's too bad that this movie is not available anywhere or ever shown these days.
I seen this movie years ago on television and remember thinking then that it was too violent for TV. I wish I had seen the theatrical version. This lost gem of a movie stuck in my mind. Sure, like any movie it has it's tedious parts but as it progresses it just gets better & better.
The end of William Peter Blatty's "The Nith Configuration" borrows from this movie. The ending in RR is one of the most intelligent best endings I have seen in any movie ever. I noticed on other reviews nobody explains or tells of the "SURPRISE ENDING". So, I will not either. I just know it has probably one of the best endings in film next to "Dirty Mary, Crazy Larry".
The end of William Peter Blatty's "The Nith Configuration" borrows from this movie. The ending in RR is one of the most intelligent best endings I have seen in any movie ever. I noticed on other reviews nobody explains or tells of the "SURPRISE ENDING". So, I will not either. I just know it has probably one of the best endings in film next to "Dirty Mary, Crazy Larry".
This unique psychological thriller is a decent adaptation of Mark Medoff's brilliant play in which a psychopathic Viet-Nam vet holds a diverse group of individuals hostage in an isolated New Mexico diner in 1968. He then slowly exposes each of the their fears, faults, desires and ulterior motives while challenging American ideals, morals and heroism in transition.
This rarely seen film's box office was marred its long title, difficult to market subject matter and lack of well-known stars. However, each of the half dozen or so actors turn in brilliant performances as their fascades are slowly torn down by the vet (played by former child evangelist, Marjoe Gortner) whose intuition and captivating rants are exceeded only by his intimidating demeanor, and mind-blowing innuendo - the crux of which is born upon Red whose James Dean persona makes him an easy target considering the timeframe.
Comparatively speaking, this film can best be be described as a darker, grown up version of "The Breakfast Club" although much more fascinating and thought-provoking.
This rarely seen film's box office was marred its long title, difficult to market subject matter and lack of well-known stars. However, each of the half dozen or so actors turn in brilliant performances as their fascades are slowly torn down by the vet (played by former child evangelist, Marjoe Gortner) whose intuition and captivating rants are exceeded only by his intimidating demeanor, and mind-blowing innuendo - the crux of which is born upon Red whose James Dean persona makes him an easy target considering the timeframe.
Comparatively speaking, this film can best be be described as a darker, grown up version of "The Breakfast Club" although much more fascinating and thought-provoking.
I think this is a great movie. I've watched it over and over and it still grips my attention. I have a CENSORED copy that I made when it showed on TV but I have been searching for years for an UNCENSORED copy. If anyone knows of where I can find one, please, leave a note. I have not seen it on any of the cable movie channels. If anyone has any idea of how to obtain a copy, please leave a message or an email address and I will contact you. Thanks! The movie is psychologically tense but there is also abundant humor. I especially love the line when asked by the border patrol if he had anything to declare he said something like "just a couple of bottles of wine and a considerable amount of cocaine in my sock". This was so astonishing because it was guaranteed to get him searched and he was indeed smuggling drugs across the border. He was just really off the wall nuts. If you ever get a chance to see this movie, do it, but first leave me a note so I can also watch it!
Lo sapevi?
- QuizBrad Dourif played the role of Stephen in a stage production of the play. Dourif was asked to reprise the role for the film, but turned said offer down because he didn't want to work with Marjoe Gortner.
- Citazioni
Customs Man: Do you have anything to declare?
Teddy: Two gallons of rum, and a considerable amount of cocaine!
- ConnessioniReferences Adventures of Red Ryder (1940)
- Colonne sonoreYou're Nobody Till Somebody Loves You
Written by James Cavanaugh, Russ Morgan and Larry Stock
Performed by Andy Williams
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- Celebre anche come
- When You Comin' Back, Red Ryder?
- Luoghi delle riprese
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- Vedi altri crediti dell’azienda su IMDbPro
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- Budget
- 1.800.000 USD (previsto)
- Tempo di esecuzione
- 1h 58min(118 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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