Stridulum

Affluent handsome doctor Raymond : Lance Henriksen and a powerful businessmen : Mel Ferrer, among others , conspire with grisly devil worshippers to conceive a devil child from a gorgeous divorced woman called Barbara : Joanne Nail . As the soul of a pre-teen : Paige Connor who has dangerous telekinetic powers becomes the prize in a violent fighting between two great forces , on a hand : God : Franco Nero assisted by Jerzy : John Huston and on the other hand , a nasty devil : Lance Henriksen along with hoodlums.

This is a strange film with suspense, thrills, chills, intrigue, demonic children and fantastic happenings. The picture takes parts here and there of famous films , as it catches scraps from The Exorcist by William Friedkin, The Omen by Richard Donner, The fury by Brian De Palma, Encounters of the third phase by Steven Spielberg and even The Birds by Alfred Hitchcock. The main amusement and excitement result to be the discovery about the images in which the movie is ripped off. The flick has a lot of absurd and embarrassing scenes and several thrilling set-pieces don't make sense. Support cast is frankly excellent with brief appearances of known actors and directors as Franco Nero, John Huston, Shelley Winters, and Glenn Ford as a detective who is attacked by birds at a thrilling scene. And filmmaker Sam Peckinpah who had problem remembering his lines and only worked a day.

Rare and anticlimatic musical score by Franco Micalizzi. Atmospheric but mediocre cinematography by Ennio Guarneri. The movie was produced by Samuel Z Arkoff from American International, though uncredited, and by Ovidio G Assonitis . Ovidio wrote, produced and directed a lot of B films, some of them were successful, such as Tentacles, Piranha 2, Choke Canyon, Lambada, Sonny boy, Out of control and Beyond the door.

The motion picture was lousily directed by Giulio Paradisi who uses the pseudonym Michael J Paradise. He has directed a few films such as Spaghetti story, Adventure in Montecarlo, Tesoro mio, and Ragazzi di Borgate. And he was a director assistant to Federico Fellini in classy titles as Fellini 8 1/2 and La dolce vita. Rating 4 /1o, inferior fantasy, Science fiction movie.

I understand how some (perhaps most) viewers found The Visitor an incoherent mess, but it may be due to poor editing since its U.S. release in 1979 which, evidently, was also released theatrically to international audiences. However, I am only speculating, but I do know the original Italian version is longer. That version may help to fill in the gaps and possibly extends some of the more emotional scenes in the film which have been severely cut. As I was watching The Visitor, I was disappointed at how abruptly some of these scenes concluded. I wanted and expected a deeper connection to the material and the characters. Regardless of these setbacks, the movie is unquestionably unique on many levels, and I didn't find it difficult to follow. Perhaps because it IS so outlandish, I enjoyed fitting the pieces together. There was never a dull moment with so many things happening throughout the course of the story line. The atmosphere was classic 70s style, and the acting was not bad at all despite (again) the poor editing.

The Visitor is an Omen copy to a degree, but instead of demonic forces at work, the film centers on an evil alien force. This alien force is actually an escaped prisoner named Zatteen, who finds refuge on Earth many years in the past after fleeing from a deadly battle in space. Before his eventual death, he impregnates a number of women, passing along his mutated genes and allowing his future offspring to possess telekinetic powers. Since Zatteen had evil intentions and only wanted to kill and destroy others, his children are of the same breed. In order to carry out his catastrophic deeds, a cohort of wealthy men led by Dr. Walker (Mel Ferrer) is assembled to ensure his plan of world domination succeeds. This mission is challenged when only one woman on the planet in the present day bears the ability to fertilize Zatteen's seed, and her name is Barbara Collins (Joanne Nail). Barbara has already given birth to Katie (Paige Conner), a now eight year–old daughter who shows us she is no angel with some of the wicked things she says and does. The cohort wants Barbara to give birth to a son so he can become the new Zatteen of his generation. This task of impregnating Barbara is given to Raymond Armstead (Lance Henriksen), who must convince her to marry him despite the fact she is unwilling to commit to marriage. Barbara, of course, does not realize she has the special gift of carrying Zatteen's seed in her womb, but she knows intuitively that something is wrong with Katie. That sets up the premise of The Visitor. Of course, there are birds that attack on command, a watchful babysitter (Shelley Winters), a police detective on Katie's trail (Glenn Ford), a mysterious butler, a Jesus–like character who tells tales of the evil Zatteen to a group of young bald–headed children, and the good–guy visitor himself (John Huston), who congregates his disciples on the roof of a large skyscraper. The first fifteen minutes of the film unravels the basis of the plot, but as the viewer, it's important to listen to the dialogue. A lot happens quickly.

Whether you like the film or find it a mess, to say it's not an entertaining effort would seem unfair. The only thing that really was annoying to me was part of the soundtrack dealing with the discotheque music. It was way over the top and out of place for this type of picture. I'm sure it fit the times and some people enjoyed it, but if the movie is to be taken seriously on any level, then that music has to go. If the movie was intended as hype – which doesn't appear to be the case – then the histrionic melody is warranted. On the other hand, the moody, ambient music was excellent, and the ending was solid. Give this cult classic a shot and be prepared to go on a strange journey of plot twists and turns. Watch it on a rainy day when you have the time or are feeling ambiguous and/or disconnected from the world. We all have those days sometimes. That's when The Visitor will leave you a little numb, confused, and scratching your head... but in a good way.

I find it hard to believe any U.S. distributor would actually take the time to release this to theaters, though the IMDb says that more than one handled this movie in theatrical release! True, the movie boasts an all-star cast, though looking at their brief screen time, it seems just about all these stars knocked off their scenes in not more than a couple of days.

It must be noted that the U.S. print is cut; I've heard from one source that the Italian print does make somewhat more sense. All I can do is judge this particular cut - which makes NO sense at all! People make schemes that are never explained, weird things happen for seemingly no purpose at all... it's a BIG mess! One example is with Italian superstar Franco Nero, who (because of the editing) only gets to appear for about 30 seconds at the end of the movie!

I will admit that at the very least you can salvage a decent number of unintended laughs. Not only is the movie so insane and incoherent that you can't help but laugh out loud, there are some individual delirious scenes that are wacked-out as well. The skating rink scene... John Huston impersonating a babysitter... John Huston playing pong with the mysterious girl (though it's clear that it's a one player pong game on the TV screen)... Shelley Winters overacting... and more. It's not a constantly hilarious experience, and you're bound to get frustrated to a degree with the garbled storyline, but the experience can't be seen as a total loss as well.

The plot, as I hopefully understand it, is that Satan (or Sateen, as this film calls him) fathers children with supernatural powers. One of these children is 8 year-old Katy, who has telekinetic powers and a heavy Southern drawl. An intergalactic traveler called The Visitor must battle the child for the fate of the universe....or something like that. There's also some stuff about an evil hawk, some bald aliens, and a crazy-eyed Jesus with a bad blonde wig.

Nonsensical Italian-made claptrap that combines '70s fascinations with the occult and aliens. It's an awful movie that rips off many better movies, made watchable by some striking imagery and interesting casting. John Huston, Lance Henriksen, Sam Peckinpah, Mel Ferrer, Shelly Winters, and Glenn Ford are all in this. That says more about the state of their respective careers at the time than it does about the quality of this production. Incoherent but good for some laughs. Dig that terribly out of place soundtrack, too.

Truly it saddens and astounds me how few comments (save ONE) of The Visitor are so drastically poor and give the impression of a commonly terrible low budget waste of time. Am I experiencing reality on such a drastically different

level or are people so cinematically ignorant it really

makes little sense to even bother living in this world (or this dimension) anymore? This film is brilliant beyond words. I repeat, this film is brilliant beyond words. Perhaps most of the viewers in here had only seen the badly chopped incomplete version of this film? (later released on video by HBO) If so it's an absolute tragedy,

the later video release had missing shots in sequences

which were among the best.

Ok, so this isn't an 'intelligent' 'coherent' prominently

received film in the realm of Friedkins Exorcist or Donners' Omen. I can say one thing, it is every bit as

entertaining and brilliant in it's own way. Why can't people see art for what it is? There are so many different forms of it. Is this a planet of completely inept, insipid, ignorant, robotically conformed brainwashed humans?