Rappin'

Rappin has to be one of the most cliched hip hop films in history. The script is cheesy, the rappin is horrible and the soundtrack doesn't thump. Mario Van Pebbles may a good actor, but the man can't rap. I give this movie a -** out of ****

This movie is such a monumental collection of cheese and brilliance that I got to give it my highest level of fervent recommendation. It took a little while to grow on me, but once I saw it from beginning to end, I was sold for life. Everytime I watch this film, it gets funnier. There are so many funny scenes, it is endless amusement. This movie is epic. It ain't for everyone, but if you find the 1980s to be inherently funny, you will crack up at this monument of cheese. Mario Van Peebles is incredible, delivering his lines with bravado and soul ("Bathroom, Fool!"). Eriq LaSalle is great as the rightous tough guy Ice. Charles Flohe has a career making role as the villian. Tasia Valenza is enchanting as the love interest, Dixie. Melvin Plowden provides portly comic relief as Fats. Ice T wrote the rhymes that Mario spits. Simply incredible. 10/10

Vastly underrated, this gem was recently rediscovered after decades of hiding.

Mario van Peebles is Oscar worthy in this masterpiece. Turbo and Ozone could take lessons from him on this one.

Set in Pittsburgh, the cinematography certainly won awards. No need for CGI here, just raw talent in action.

If Van Peebles were a dessert, he'd definitely be a chocolate waterfall here.

Once you see it on You Tube, it'll forever remain in your heart. I've watched it 6x already and I suspect it'll be a mainstay in the rotation. It's not going to bump Smokey & the Bandit from its' all-time top status, but it did replace Breakin II: Electric Bugaloo from the throne. Enjoy with or without subtitles.

"I went to the movies, to see 'Beat Street' / it wasn't bad, it was kinda' neat / 'Krush Groove' was a flick, that I didn't mind / but when it came to 'Rappin', I drew the line." Word to your mother.

Want me to stop?

That's just a small sample of the stupa-fly style of rhymin' on display in this waste of film and location permits. This movie is seriously wack (thats 80s-speak for just f*cking awful). As an emcee, Mario Van Peebles is one hell of an actor. And as an actor, Mario Van Peebles is one hell of a bodybuilder.

Any film calling itself "Rappin'" had better deliver at that genre's highest standard of the time. So why were 6 year olds rolling in the aisles, even back in the day when standards were so knee-high-to-"Webster"-low? Because this rap is weak. So weak that not even B.E.T. or Comedy Central will touch it with a 10-foot gold-rope chain.

Blondie's "Rapture" is def poetry next to this bit of Dr. Suess in the hood. So don't be a boobie, avoid this movie!

With the success of "Beat Street" and "Breakin'", Hollywood felt it was the right time to exploit the world of rap music. Keep in mind that this was 1985, and the music was still being promoted by the music. No videos, no shiny record covers, just the music and the people. With that in mind, someone felt it was pretty good to make a film about a few people struggling for a better life, and doing it by having each character rap during key moments in the movie. I don't know what they were thinking, maybe a "West Side Story" for the breakdancers? While this movie could (and should) be exposed as weak, there's a small part inside of you that you eat up like cake. Sure it's cheesy, but at the same time their hearts were in the right place, just not doing it correctly. Mario Van Peebles tries to rap, but the high/lowlight has got to be the ending of the movie, when the entire cast is given a few lines to rap, including the "cowboy" character. And you thought Eminem was the first white wonder.