Scuola di geni

Real Genius is a hilarious political commentary of the 1980's. Mix greed, government corruption, college pranks and a truly talented cast, and you have the movie "Real Genius". This movie is a family favorite for us, and with good reason. Clean language, developed plot, and fun, the "Real Genius" is great for the family collection. There are scenes in this movie that will stick with you long after you have seen the movie. Kilmer is upbeat and charming in the lead role as are all of the supporting actors/actresses. The lighthearted movie is brought to real-life with the reality of laser technology and the influence of greed which infiltrates every aspect of life - even college campus'.

It is unfortunate that Val Kilmer so quickly "graduated" from the realm of youth oriented roles, as his work in Real Genius is by far the most enjoyable to watch. Kilmer proves adept at excellent comic timing, and he is given a motherlode of razor-sharp one-liners to fire off in every scene (I speculate that writer Pat Proft enjoyed watching The Marx Brothers in his formative years). Chief drawback of this film is the hammy, sneering villain played by Atherton -- as the old saying goes, just give him a mustache to twirl. But if you happened to see the film as a young person, the above-mentioned won't get in the way of your fond memories. I sure know that every time I see that slow-motion romp through the popcorn and hear Tears for Fears' "Everybody Wants to Rule the World," ramp up on the soundtrack, my cynicism just melts away.

First off: This is an 80s movie. It contains within it certain aspects of the 80s film genre which may cause you to cringe. A youthful, innocent boy gets corrupted by the feckless rebel; a vicious adult has his own agenda; boy gets seduced by teenage girl who may or may not be the current sex symbol. All generalizations aside, the roles in this movie are well-written and well-played. Val Kilmer is at his absolute best, William Atherton is as sly as Jeffrey Jones is oafish in "Ferris Bueller's Day Off." The supporting heroine is annoying and unneeded, but who needs her when you've got Jonathan Gries to laugh at? All-around fun and plenty of one-liners that'll have you wishing you could be so witty.

The imagination and quality of Hollywood movies in the early and mid 80's had regressed back to the pre "Bonnie and Clyde" days (the early and mid-60's being the worst ever period of American movie-making).

Fortunately there were a few gems like "Real Genius" to sustain audiences. Any film that features a memorable moment like Deborah Foreman's articulation of her standards for a male companion, a memorable character like Michelle Meyrink's hyper-kinetic Jordon, and the memorable sight of a house exploding from the force of a giant Jiffy Pop container can never be forgotten.

And who doesn't feel good just watching the neighborhood kids play in a mountain of popcorn to the sound of Tears For Fears' "Everybody Wants To Rule The World".

Although "Real Genius" has not totally escaped the ravages of the past 20 years, it has held up reasonably well. Now it can even be appreciated as a sort of time capsule, demonstrating rather strikingly the complete computerization of the applied sciences that has occurred during the relatively short time period since its 1985 release. Other than Kent's incidental use of an early computer in his dorm room and a mostly decorative monitor in the lab, these now essential machines are absent from this techno film. Amazing!

Then again, what do I know? I'm only a child.

This movie is in the genre of Animal House and Revenge of the Nerds but features a cast of geniuses working on a laser, with one of the professors and his minions being the opposition.

It is in my top 10 films of all time list.

The humorous dialog goes on between ALL the characters but Val Kilmer has center stage even though the story seems to be about Mitch, the new 15 year old, premature college geek.

It is a magical movie that can truly lift your spirits if you are depressed. You can watch it over and over again because its power is not so much in the story but in the superb and genuinely captivating interaction between Val Kilmer and the rest of the cast.