Papà... è in viaggio d'affari

A Shu-fan wrote: "The Zolj family is of Jewish origin. The circumcision scene and the later bath of the boy are absolutely comical. Though in difficult time, the innocence of children is expressed in great lovely details, Malik's interest in other sex, his father's predicament… The filming location was Sarajevo, Bosnia-Herzegovina, a place where the Jews and Muslims were killing each other. Kosovo is another long-stay pain. The body and soul of this region will take a long long time to restore." I just want to say that the family in the movie is not Jewish. They are Bosnian Muslim family and that is why they had a circumcision. Also, to people from ex-Yu is very clear when they hear their names. Their neighbor is Bosnian Serbian family (visible from the scene of the funeral); and Ankica is Bosnian Croatian (they are mostly Roman Catholics). Otherwise, I saw the movie 3 times in the last 15-20 years and every time I saw a different things in the movie, but overall - I just loved it! There is one thing that I have to mention - the subtitles are pretty bad and do not do the justice to the movie - they can be expressed much, much better! I am Kusturica's fan and it is too bad that we can not see more of his movies here in the US. This movie is just beautiful - political situation, family ties, relationships in ex-Yu... seen through the eyes of an innocent child. Beautiful, beautiful!

If you are familiar with Emir Kusturica's work, chances are you probably saw "Underground" or "Times of the Gypsies," or perhaps "Black Cat, White Cat." I guess this earlier film is a bit harder to get into because it is less eccentric than the usual Kusturica fair, and it focuses on a specific point of Yugoslav history, namely the time immediately following the break-up between Tito and Stalin. The film itself is very good, but it would certainly help your perception if you were familiar with historical aspect of it all. Some similarities can be drawn to "Tito i ja" because "Otac.." is seen through a child's point of view, but then it was made something like ten years prior to "Tito i ja," so I guess you should disregard that statement altogether. The film is a drama from start to finish, and like other Kusturica's films, it requires much of emotional involvement as well as some patience. But I definitely like it, although it's not for everyone. I still recommend it, though.

I saw this film one month ago for the first time and I've been really impressed! After having seen the film, I decided to go to Croatia, because I wanted to see what Communism created in ex-Yugoslavia. This film made me curious about history and people of Ex-Yugoslavia. It has been really a lesson for me; everybody should see this movie.

I was very impressed with When Father was Away on Business; it is more coherent and moving than Black Cat, White cat, which I saw last week. The family structure is very well evoked, with three generations living in the house. The grandfather just wants to be left out of politics--for him Hitler and Stalin are pretty much the same. Mesa and Sena, the couple doomed to be separated for two years, are up to their ears in party machinations. Zijo, the brother in law, has sent Mesa to the mines for re-education, because his soon-to-be wife Ankica denounced the feckless Mesa when he wouldn't divorce Sena to marry her. In a totalitarian state, a lot depends on not annoying your relatives.

Miki Manojlovic is great as Mesa; he reminds me of Raimu occasionally. The wedding scene, when he effects a reconciliation with Zijo, is very poignant. Slobodan Aligrudic plays Cekic, the party boss who oversees Mesa's rehabilitation and finally sends him home to Sarajevo: he is affable (always wants to share a drink, play chess and so on) but the brutality is always close to the surface. Little Malik, the boy who tries to make sense of what the adults are doing, communicates a lot of joy and sorrow.

I remember when I saw this movie back in 1986, the people I was with left the theater bored and puzzled because of my reaction to the movie. I can't explain quite well what was that fascinated me so much about the story. I think it was because you can breathe the reality of the story, I swear I was there with the little boy and the suffering of the family. I was there, understanding the complexity, but simplicity at the same time, of the people and history of that part of the world. It is a movie you have to watch to understand and let it take you where Kusturica wants to.