Osôshiki

This movie was written and directed by director Jyuzo Itami. He came up with the idea from his own experience of attending the funeral of his father in law, and wrote the story in 1 week. The movie was also the directorial debut for Itami.

The story is about the funeral of father in law of Takusuke (Tsutomu Yamazaki) , and his wife Chizuko Amamiya (Nobuko Miyamoto). They were on the location of shooting commercial where Chizuko was starring in when the news of Chizuko's father Shinkichi's demise comes in. Then all the practicalities of funeral arrangement begins. Then unexpectedly Takusuke's lover shows up at the funeral.

The story is what could happen in every day life told with humor and sincerity. Many unexpected things happens in the short time of the funeral that is the core of the drama. There are some sexual depiction as is common to Itami's movies.

The movie that was made on a modest budget of 1.4 million dollars became a hit, and established Itami as a producer, and director.

The movie sets the tone for future Itami's movies of people in compromising positions, and showing humor that goes with it. Interesting plot, and humor makes this movie worth watching.

. . . from the other comment on this movie. When I first saw THE FUNERAL, for the first forty-five minutes or so, I was disappointed. The video cover can lead one to believe it is a rollicking comedy, perhaps a sex farce. Yet the more I got into the movie, and went with its flow, and immersed myself in its world, the more I enjoyed it. There are parts that I find laugh-out-loud funny, but most of the humor is of a gentle kind, and there are parts that I find very touching. Since that first viewing, I have watched the movie several times, and enjoy it more each time I see it. And it is one of those movies that, each time I see, I notice some little detail that brings me pleasure. I have never been able to sit through A TAXING WOMAN, but I enjoyed TAMPOPO; and I like THE FUNERAL even better.

Entertaining and enjoyable are words that best describe the mechanisms set in motion reflected by the film's ability to hold a viewer's interest and curiosity. Funny and erotic at times the film creates a surreal atmosphere that offers surprises so that you end up watching because you're not certain what will happen next or, at times, the direction in which the film intends to take you. That the film was originally produced in black and white goes some way towards enhancing its surreal impact. While the acting is convincing, the people easy to relate and the background always worthy of note. This is a film that needs to be viewed several times in order to properly digest the complexities of its composition and successful depiction of aspects relating to death.

I am going to respectfully disagree with the above comments. Even though I am not Japanese and haven't been to Japan, I have studied Japanese culture (though I can't claim to be an "expert") and I believe that for the most part the humor is easy enough to follow. Like when the priest arrives in a Rolls Royce. It follows the same theme of the wealthy minister in many US comedies. And then there's the organization like how many cremation lunches to make at the crematory. And of course things that have nothing to do with culture like when the manager tries to get up to answer the phone and then collapses because he had been kneeling too long and his legs have gone numb. All the while, the rest of the family is trying to keep from laughing and disrupt the prayer service that's currently taking place. But even the cultural satire is easy to follow. Like when the deceased's brother stops the funeral so all the guests can pose while he takes pictures or then Aoki, one of the guests, brings his movie camera to film everything in order to preserve it. All in all, I rank this film with "The Gods Must be Crazy" is that it does a good job in satirizing a culture's transition from traditional to modern without being disrespectful to that culture. While I do not suggest that this film will teach the viewer about Japanese culture, it is still very enlightening on certain Japanese habits.

I had the good fortune to see 'The Funeral' in a real theater. The ultra-close-ups of the stockinged feet, magnified to 40 feet high, is unforgettable. Sadly, Fox Lorber has released 'The Funeral' on DVD using a scratched, pan-and-scan print. And since this film will never be a big best seller, I guess this is all we'll have. There's the inevitable comparison to 'Tampopo' and 'A Taxing Woman.' For me, 'The Funeral' is the best of the three because its humor is subtle and nuanced (the older brother in the foreground, trying to figure out which way is north, while the action goes on way off in the corner, is a perfect example). I still love 'Tampopo' (although it got the same rough treatment on DVD), but 'The Funeral' leaves me with more to feel, more to think about. I am certainly not Japanese, and I'm sure that much of the film flies by without my comprehending just what's going on. But I get more than enough from 'The Funeral' to make it one of my favorite films.