O-bi, o-ba: La fine della civiltà

Nothing for the post-apocalyptic action junkie but for those who like a story with some depth. Sadly, I had to watch a bad quality copy on YouTube, luckily that one got subtitles. Good if you are on the look out for something that provides a dystopian story that does not follow the path of Mad Max and its countless clones, but tries to give us a more realistic impression on a world after total mayhem. Recommended if you like movies a la The Day After, Thread etc.

I saw this movie in Hungary a long time ago, and it immediately became one of my all-time favorites, sharing this distinguished title with Tarantino's & Spielberg's films. (I haven't been successful in locating a dubbed or captioned English version so far. English language support would greatly increase the chances of this masterpiece for being recognized across the world.)

The movie is totally grotesque, and often shocking, spiced up with the perfect amount of cynicism & delicate humor. It is the ultimate depressing negative utopia; much superior in every sense to most flicks spewed up by Hollywood in the same genre.

I like Polish films, I've seen a lot, all of Andrzej Wajda's films, all of Polanski's, some of Jerzy Skolimowski's, some of Andrzej Zulawski's, some of Krzysztof Kieslowski's, some of Krzysztof Zanussi's, etc. They are not easy to digest, just as this "O-Bi, O-Ba: The End of Civilization" is not (the meaning of "O-Bi, O-Ba" is not clear at all). It is the first film made by director Piotr Szulkin that I have seen. I saw Jerzy Stuhr in the very special "Sexmission" (1984) and in "A Year of the Quiet Sun" (1984). I saw the beautiful Krystyna Janda in "Man of Iron" (1981), "Mephisto" (1981), "The Conductor" (1980), "Man of Marble" (1977). Another well-known name is Leon Niemczyk, probably the most prolific Polish actor of all time (325 films) seen by me in many, the most famous being "Knife in the Water" (1962). OK, about the movie now: I'm not going to narrate it like many do. I'll just say that it's worth seeing, even though it's just talk in a closed space, an underground bunker (where, strange situation, after the nuclear war, there is electricity, there are neon lights everywhere). The fact that it is filmed a lot in motion by the talented Witold Sobocinski, mitigates the phenomenon of claustrophobia.

A dystopian post-nuclear war society survives with enormous difficulties, while waiting for a miraculous rescue.

A dark but interesting vision, reminiscent of some comics from the 80s, such as Heavy Metal, of a post-nuclear future, condemned to crime and the fight for survival.

The faith of many and the madness of others is opposed to the skeptical lucidity of the elites, who seek an unlikely solution for an almost impossible survival.

Die now or live another day? It seems to be the essential question posed to these survivors, increasingly tired of their fortune.

It certainly deserves to be seen, especially by fans of dystopian and post-apocalyptic themes.

Stellar cinematography gives way to average narrative devoid of the visual "shock" similar films like Threads & The Day After possess. But because it lacks shock, it is a thoroughly more enjoyable experience.

Moreover, it differentiates itself by providing insight into a less discussed aspect of the post-nuclear world:

the obnoxious nature of the human condition.