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Max Headroom

  • Film per la TV
  • 1985
  • 57min
VALUTAZIONE IMDb
7,1/10
2388
LA TUA VALUTAZIONE
Max Headroom (1985)
Artificial IntelligenceCyberpunkSatireComedyDramaSci-Fi

Aggiungi una trama nella tua linguaIn the dystopic near future, a crusading TV reporter investigates news stories with help from a wisecracking computer version of himself.In the dystopic near future, a crusading TV reporter investigates news stories with help from a wisecracking computer version of himself.In the dystopic near future, a crusading TV reporter investigates news stories with help from a wisecracking computer version of himself.

  • Regia
    • Annabel Jankel
    • Rocky Morton
  • Sceneggiatura
    • Steve Roberts
    • George Stone
    • Rocky Morton
  • Star
    • Matt Frewer
    • Nickolas Grace
    • Hilary Tindall
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    2388
    LA TUA VALUTAZIONE
    • Regia
      • Annabel Jankel
      • Rocky Morton
    • Sceneggiatura
      • Steve Roberts
      • George Stone
      • Rocky Morton
    • Star
      • Matt Frewer
      • Nickolas Grace
      • Hilary Tindall
    • 15Recensioni degli utenti
    • 5Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Ha vinto 1 BAFTA Award
      • 3 vittorie totali

    Foto29

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    + 24
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    Interpreti principali20

    Modifica
    Matt Frewer
    Matt Frewer
    • Edison Carter…
    Nickolas Grace
    Nickolas Grace
    • Grossman
    Hilary Tindall
    • Dominique
    William Morgan Sheppard
    William Morgan Sheppard
    • Blank Reg
    • (as Morgan Sheppard)
    Amanda Pays
    Amanda Pays
    • Theora Jones
    Paul Spurrier
    Paul Spurrier
    • Bryce Lynch
    Hilton McRae
    Hilton McRae
    • Breugal
    George Rossi
    • Mahler
    Roger Sloman
    • Murray
    Anthony Dutton
    • Gorrister
    Constantine Gregory
    Constantine Gregory
    • Ben Cheviot
    Lloyd McGuire
    Lloyd McGuire
    • Edwards
    Elizabeth Richardson
    • Ms. Formby
    Gary Hope
    Gary Hope
    • Ashwell
    Joane Hall
    • Body Bank Receptionist
    Howard Samuels
    • ENG Reporter
    Roger Tebb
    • Helipad Reporter
    Val McLane
    • Eye Witness
    • Regia
      • Annabel Jankel
      • Rocky Morton
    • Sceneggiatura
      • Steve Roberts
      • George Stone
      • Rocky Morton
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti15

    7,12.3K
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    Recensioni in evidenza

    holahola47

    Max Headroom - 20 Minutes Into The Future

    For some reason unknown to me I received this video as a prize/gift from a company called 'Argus Press' who in the early '80's were one of many prolific ZX Spectrum games producers. Don't remember entering a competition, but there you go....

    Anyhow, the film was brilliant, and not to be confused with the later TV series that, from the other write ups, I now learn of.

    If this film is not on DVD then it should be. The dark urbun setting of some nightmare future is perfectly portrayed and the story is much as has been described in previous reviews.

    Blipverts! - I'm surprised they aren't on Fox nowadays, in saying that the most indolent members of society may be most at risk there! The one thing that hasn't been mentioned, but that should be emphasized, is the fantastic soundtrack, coming as it did from the pen of Midge Ure who had recently departed the prolific 'Ultravox'. The setting, soundtrack, script and performance from a tremendous bunch of characters made this a film that, to this day, I still pull out of the loft and watch on my annual pilgrimage back home for Christmas.

    To me its the urbun dystopia, the (then) futuristic use of desktop computers to track the action and the soundtrack that made this one hell of a movie and one of the most unsung of the 1980's.
    8A-Ron-2

    Absolutely Brilliant observation of post-capitalist corporatism

    The original version of this film, which was titled 120 minutes into the Future (I believe) was by far one of the most impressive and subversive things I have seen on TV. The premise involves the idea that Blipverts, or high-speed advertisements, are allowing the TV stations to create more ad time, but are also at risk of causing the most indolent members of society to spontaneously combust.

    This is absolutely wonderful!

    The whole Max Headroom angle was never really exploited until this became a (too short lived) TV series shortly after. However, this movie is nothing short of being among the most impressive and visionary movies ever made, and by far one of the most interesting (and underrated) cyberpunk tales told.

    The low-budget enhances the bleakness of this dystopic future, and the utter pessimism about the future of mankind is palpable at every moment. Watching the TV zombies wander the streets in search of more TV, the dark rooms where the future of man (and media) is decided... the burnt-out buildings, the police-state siege mentality. I have rarely seen anything this ambitious attempted in the past.

    This movie warned us about the dangers of mass media, and managed to do it in a way that was not ironic and was highly entertaining. Run out and find this movie if you can (I have seen it on tape, and Sci-Fi channel runs it occasionally). Go... NOW!
    6UnknownDoomer

    Garbage broadcast

    Gloomy future. Deserted streets. Media syndicates. Edison Carter is a hard-hitting reporter. One day he indirectly traces the existence of advertising, which has a dual impact on the subconscious of its consumers. On the one hand, they become addicted to watching it, on the other hand, like a drug, it is quite capable of killing some of those who happen to see it. The undesirable effect itself is not purposeful, but rather a specific by-product of a technical invention, but, as usual, ratings come first. The people standing behind the scenes are trying in vain to intimidate the reporter. Ultimately, a combination of circumstances will lead to the appearance of an alter ego - a computer version of himself with, at first glance, a strange call sign - Max Headroom. It is this digital form that will be destined to bring a little justice to the world. Where such a strange name came from can be understood in one of the scenes.

    The action in this television film is presented primarily in the form of a vague, sometimes semi-documentary chronicle, with many screens, equipment, three-dimensional projections and faces in the frame. To some extent, this makes it similar to FMV quests, which became widespread with the onset of the nineties of the last century, both on the IBM PC and the 3DO console that appeared in 1993 in particular. The short running time, just under an hour, puts it on the same shelf as short films. Otherwise, it's difficult to say anything about the movie itself without obvious spoilers, so instead I'll focus on two other components.

    First, in 1987-1988, an eponymous series was aired that lasted for two seasons and fourteen episodes, about an hour each. Secondly, the work, which is not particularly well known in our country, largely received cult status due to an incident on real television that occurred on November 22, 1987. An unidentified hacker managed to go on the evening live broadcast of the WGN-TV television channel, which was operating in Chicago, USA in those years. For about a minute and a half, the man hiding under the mask of Max Headroom was fooling around in a very unique way, at the same time essentially ridiculing both the TV channel itself and the media in general. The story that same evening was repeated on the consonant name WTTW. Today both the entry itself and the description in detail can be found in the same Wikipedia.
    10RichardS

    A realistic look at a bleak future not far from now

    Reporter Edison Carter discovers that an advertising medium developed by the TV network he works for is killing viewers. The network attempts to 'dispose' of him and replace him with a computer generated version. And so the story goes...

    This is a really good film, taking the bleak vision of Blade-Runner and injecting a little 20th century realism. Set in a world where TV networks rule and the population is made up of couch potatoes who rarely venture into the desolation outside their doors, Max Headroom is frighteningly plausible and potentially very downbeat.

    However, the story has enough lighter moments to balance the overall darkness of the film and together with a likeable and talented cast, this is a thoroughly enjoyable film that - like its content - was maybe a bit too ahead of its time. 10/10.
    10nathanjay

    Best film ever

    I loved this film back in the 80s, and its story of CGI characters to replace real people for TV is easily a possibility now. This is my favourite film ever, infact I only found out today that the its less than an hour long - theres so much going on Id swear it was 90 mins plus.

    Anyone who is remotely into Sci Fi or computer graphics should see this, or anyone who just likes unusual films and fancies a break from the norm without being bored.

    If this was a Manga cartoon instead of a British film, it would be massive!

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    Pump Up the Volume - Alza il volume
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    I viaggiatori
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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Amanda Pays took a typing course to prepare for her role as Theora Jones.
    • Citazioni

      Bryce Lynch: You're looking at the future, Mr Grossman: people translated as data.

    • Curiosità sui crediti
      The credits roll over a shot of the overpass that our heroes just passed under. After a few minutes the van owned by the thugs that "killed" Edison passes under it - apparently going after our heroes.
    • Connessioni
      Featured in Max Headroom: Blipverts (1987)
    • Colonne sonore
      You Think You're a Man
      Written by Geoffrey Deane

      Performed by Divine

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    Dettagli

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    • Data di uscita
      • 4 aprile 1985 (Regno Unito)
    • Paese di origine
      • Regno Unito
    • Lingua
      • Inglese
    • Celebre anche come
      • Sanningen om Max Headroom
    • Luoghi delle riprese
      • East Ham, Londra, Inghilterra, Regno Unito
    • Azienda produttrice
      • Chrysalis
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 750.000 £ (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      57 minuti
    • Mix di suoni
      • Stereo

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