Max Headroom
- Film per la TV
- 1985
- 57min
VALUTAZIONE IMDb
7,1/10
2388
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn the dystopic near future, a crusading TV reporter investigates news stories with help from a wisecracking computer version of himself.In the dystopic near future, a crusading TV reporter investigates news stories with help from a wisecracking computer version of himself.In the dystopic near future, a crusading TV reporter investigates news stories with help from a wisecracking computer version of himself.
- Regia
- Sceneggiatura
- Star
- Ha vinto 1 BAFTA Award
- 3 vittorie totali
William Morgan Sheppard
- Blank Reg
- (as Morgan Sheppard)
Recensioni in evidenza
For some reason unknown to me I received this video as a prize/gift from a company called 'Argus Press' who in the early '80's were one of many prolific ZX Spectrum games producers. Don't remember entering a competition, but there you go....
Anyhow, the film was brilliant, and not to be confused with the later TV series that, from the other write ups, I now learn of.
If this film is not on DVD then it should be. The dark urbun setting of some nightmare future is perfectly portrayed and the story is much as has been described in previous reviews.
Blipverts! - I'm surprised they aren't on Fox nowadays, in saying that the most indolent members of society may be most at risk there! The one thing that hasn't been mentioned, but that should be emphasized, is the fantastic soundtrack, coming as it did from the pen of Midge Ure who had recently departed the prolific 'Ultravox'. The setting, soundtrack, script and performance from a tremendous bunch of characters made this a film that, to this day, I still pull out of the loft and watch on my annual pilgrimage back home for Christmas.
To me its the urbun dystopia, the (then) futuristic use of desktop computers to track the action and the soundtrack that made this one hell of a movie and one of the most unsung of the 1980's.
Anyhow, the film was brilliant, and not to be confused with the later TV series that, from the other write ups, I now learn of.
If this film is not on DVD then it should be. The dark urbun setting of some nightmare future is perfectly portrayed and the story is much as has been described in previous reviews.
Blipverts! - I'm surprised they aren't on Fox nowadays, in saying that the most indolent members of society may be most at risk there! The one thing that hasn't been mentioned, but that should be emphasized, is the fantastic soundtrack, coming as it did from the pen of Midge Ure who had recently departed the prolific 'Ultravox'. The setting, soundtrack, script and performance from a tremendous bunch of characters made this a film that, to this day, I still pull out of the loft and watch on my annual pilgrimage back home for Christmas.
To me its the urbun dystopia, the (then) futuristic use of desktop computers to track the action and the soundtrack that made this one hell of a movie and one of the most unsung of the 1980's.
The original version of this film, which was titled 120 minutes into the Future (I believe) was by far one of the most impressive and subversive things I have seen on TV. The premise involves the idea that Blipverts, or high-speed advertisements, are allowing the TV stations to create more ad time, but are also at risk of causing the most indolent members of society to spontaneously combust.
This is absolutely wonderful!
The whole Max Headroom angle was never really exploited until this became a (too short lived) TV series shortly after. However, this movie is nothing short of being among the most impressive and visionary movies ever made, and by far one of the most interesting (and underrated) cyberpunk tales told.
The low-budget enhances the bleakness of this dystopic future, and the utter pessimism about the future of mankind is palpable at every moment. Watching the TV zombies wander the streets in search of more TV, the dark rooms where the future of man (and media) is decided... the burnt-out buildings, the police-state siege mentality. I have rarely seen anything this ambitious attempted in the past.
This movie warned us about the dangers of mass media, and managed to do it in a way that was not ironic and was highly entertaining. Run out and find this movie if you can (I have seen it on tape, and Sci-Fi channel runs it occasionally). Go... NOW!
This is absolutely wonderful!
The whole Max Headroom angle was never really exploited until this became a (too short lived) TV series shortly after. However, this movie is nothing short of being among the most impressive and visionary movies ever made, and by far one of the most interesting (and underrated) cyberpunk tales told.
The low-budget enhances the bleakness of this dystopic future, and the utter pessimism about the future of mankind is palpable at every moment. Watching the TV zombies wander the streets in search of more TV, the dark rooms where the future of man (and media) is decided... the burnt-out buildings, the police-state siege mentality. I have rarely seen anything this ambitious attempted in the past.
This movie warned us about the dangers of mass media, and managed to do it in a way that was not ironic and was highly entertaining. Run out and find this movie if you can (I have seen it on tape, and Sci-Fi channel runs it occasionally). Go... NOW!
Gloomy future. Deserted streets. Media syndicates. Edison Carter is a hard-hitting reporter. One day he indirectly traces the existence of advertising, which has a dual impact on the subconscious of its consumers. On the one hand, they become addicted to watching it, on the other hand, like a drug, it is quite capable of killing some of those who happen to see it. The undesirable effect itself is not purposeful, but rather a specific by-product of a technical invention, but, as usual, ratings come first. The people standing behind the scenes are trying in vain to intimidate the reporter. Ultimately, a combination of circumstances will lead to the appearance of an alter ego - a computer version of himself with, at first glance, a strange call sign - Max Headroom. It is this digital form that will be destined to bring a little justice to the world. Where such a strange name came from can be understood in one of the scenes.
The action in this television film is presented primarily in the form of a vague, sometimes semi-documentary chronicle, with many screens, equipment, three-dimensional projections and faces in the frame. To some extent, this makes it similar to FMV quests, which became widespread with the onset of the nineties of the last century, both on the IBM PC and the 3DO console that appeared in 1993 in particular. The short running time, just under an hour, puts it on the same shelf as short films. Otherwise, it's difficult to say anything about the movie itself without obvious spoilers, so instead I'll focus on two other components.
First, in 1987-1988, an eponymous series was aired that lasted for two seasons and fourteen episodes, about an hour each. Secondly, the work, which is not particularly well known in our country, largely received cult status due to an incident on real television that occurred on November 22, 1987. An unidentified hacker managed to go on the evening live broadcast of the WGN-TV television channel, which was operating in Chicago, USA in those years. For about a minute and a half, the man hiding under the mask of Max Headroom was fooling around in a very unique way, at the same time essentially ridiculing both the TV channel itself and the media in general. The story that same evening was repeated on the consonant name WTTW. Today both the entry itself and the description in detail can be found in the same Wikipedia.
The action in this television film is presented primarily in the form of a vague, sometimes semi-documentary chronicle, with many screens, equipment, three-dimensional projections and faces in the frame. To some extent, this makes it similar to FMV quests, which became widespread with the onset of the nineties of the last century, both on the IBM PC and the 3DO console that appeared in 1993 in particular. The short running time, just under an hour, puts it on the same shelf as short films. Otherwise, it's difficult to say anything about the movie itself without obvious spoilers, so instead I'll focus on two other components.
First, in 1987-1988, an eponymous series was aired that lasted for two seasons and fourteen episodes, about an hour each. Secondly, the work, which is not particularly well known in our country, largely received cult status due to an incident on real television that occurred on November 22, 1987. An unidentified hacker managed to go on the evening live broadcast of the WGN-TV television channel, which was operating in Chicago, USA in those years. For about a minute and a half, the man hiding under the mask of Max Headroom was fooling around in a very unique way, at the same time essentially ridiculing both the TV channel itself and the media in general. The story that same evening was repeated on the consonant name WTTW. Today both the entry itself and the description in detail can be found in the same Wikipedia.
10RichardS
Reporter Edison Carter discovers that an advertising medium developed by the TV network he works for is killing viewers. The network attempts to 'dispose' of him and replace him with a computer generated version. And so the story goes...
This is a really good film, taking the bleak vision of Blade-Runner and injecting a little 20th century realism. Set in a world where TV networks rule and the population is made up of couch potatoes who rarely venture into the desolation outside their doors, Max Headroom is frighteningly plausible and potentially very downbeat.
However, the story has enough lighter moments to balance the overall darkness of the film and together with a likeable and talented cast, this is a thoroughly enjoyable film that - like its content - was maybe a bit too ahead of its time. 10/10.
This is a really good film, taking the bleak vision of Blade-Runner and injecting a little 20th century realism. Set in a world where TV networks rule and the population is made up of couch potatoes who rarely venture into the desolation outside their doors, Max Headroom is frighteningly plausible and potentially very downbeat.
However, the story has enough lighter moments to balance the overall darkness of the film and together with a likeable and talented cast, this is a thoroughly enjoyable film that - like its content - was maybe a bit too ahead of its time. 10/10.
I loved this film back in the 80s, and its story of CGI characters to replace real people for TV is easily a possibility now. This is my favourite film ever, infact I only found out today that the its less than an hour long - theres so much going on Id swear it was 90 mins plus.
Anyone who is remotely into Sci Fi or computer graphics should see this, or anyone who just likes unusual films and fancies a break from the norm without being bored.
If this was a Manga cartoon instead of a British film, it would be massive!
Anyone who is remotely into Sci Fi or computer graphics should see this, or anyone who just likes unusual films and fancies a break from the norm without being bored.
If this was a Manga cartoon instead of a British film, it would be massive!
Lo sapevi?
- QuizAmanda Pays took a typing course to prepare for her role as Theora Jones.
- Citazioni
Bryce Lynch: You're looking at the future, Mr Grossman: people translated as data.
- Curiosità sui creditiThe credits roll over a shot of the overpass that our heroes just passed under. After a few minutes the van owned by the thugs that "killed" Edison passes under it - apparently going after our heroes.
- ConnessioniFeatured in Max Headroom: Blipverts (1987)
- Colonne sonoreYou Think You're a Man
Written by Geoffrey Deane
Performed by Divine
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Dettagli
Botteghino
- Budget
- 750.000 £ (previsto)
- Tempo di esecuzione57 minuti
- Mix di suoni
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