VALUTAZIONE IMDb
7,0/10
10.883
LA TUA VALUTAZIONE
Un marito e una moglie, entrambi sulla trentina, decidono di licenziarsi e vivere come spiriti liberi una crociera attraverso l'America.Un marito e una moglie, entrambi sulla trentina, decidono di licenziarsi e vivere come spiriti liberi una crociera attraverso l'America.Un marito e una moglie, entrambi sulla trentina, decidono di licenziarsi e vivere come spiriti liberi una crociera attraverso l'America.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Hans Wagner
- Hans
- (voce)
John Reade
- Casino Security Guard
- (as John C. Reade)
Garry Marshall
- Casino Manager
- (as Garry K. Marshall)
Recensioni in evidenza
After reading the reviews I couldn't believe that there are people that found this movie boring. To me it has some of the best dialog in any movie.
Favorite scene? hard to pick, but probably when Albert Brooks comes down to the casino in his bathrobe looking for Julie Haggerty and finds her chanting..."22,22,22,22." When asked how down she is she says "Down." When asking the casino operator how down she is he says "Down."
Another player says "She really likes 22"
I have seen this movie over and over again and it just keeps getting funnier each time I see it. I am a big Albert Brooks fan, Defending your life is very good and Real Life is also a favorite.
If you like dry humor and great dialog see this one for sure!
Favorite scene? hard to pick, but probably when Albert Brooks comes down to the casino in his bathrobe looking for Julie Haggerty and finds her chanting..."22,22,22,22." When asked how down she is she says "Down." When asking the casino operator how down she is he says "Down."
Another player says "She really likes 22"
I have seen this movie over and over again and it just keeps getting funnier each time I see it. I am a big Albert Brooks fan, Defending your life is very good and Real Life is also a favorite.
If you like dry humor and great dialog see this one for sure!
We have all wanted to do it.At one time or another we have all wanted to flee our drab,bottomless pit lives to see and discover the world.It's a very tempting idea.Fortunately,what we learn from films like Lost in America is that Winnebagos don't run on faith.Albert Brooks and Julie Hagerty teach us this lesson well,making us laugh at them,as well as ourselves when we picture ourselves in their position.When it comes to comedies,I tend to lean more toward the slapstick side of things.It's the way I have always been,but Lost in America gives us laughs and teaches us a lesson at the same time,making it worth seeing again.
Albert Brooks and Monica Johnson have fashioned in their Lost in America screenplay a spot-on portrait of upper middle class malaise and its correspondent affluence atrophy -- and skewered it all with perfect vignettes of accomplished comic finesse. Most fans of this film -- and it certainly has a cult following -- will gleefully cite scenes ranging from the legendary "nest egg" speech to the job service interview as examples of terrific comedy, and I wholeheartedly agree: Lost in America is very funny. Brooks, who not only co-wrote the film but also stars and directs, only falters a bit when it comes to the overall pacing (I thought the section that opens the film spends too much time in Los Angeles before the couple decides to head out for the open road), but this is a minor complaint. Most of the time I am laughing too hard to point out any flaws.
LOST IN AMERICA (1985) ***1/2 Albert Brooks, Julie Hagerty, Garry Marshall. Hysterically funny film by Brooks about his character, David Howard, a yuppie who loses his job after his dream of a promotion falls through as an ad exec and decides to take his scatter-brained wife (Hagerty) cross country a la "Easy Rider" but in a Winnebago but gets seriously side-tracked in Las Vegas. Brooks has never been finer and gives the ultimate scene in cinema's history of being fired and quitting at the same time!
Mild chucklefest about a bored ad exec approaching 40 who talks his wife into abandoning their jobs for life on the road. Your typical Albert Brooks offering, which of course, is not for all tastes. Some can take to his light style of humor like addicts to coke, while others will scream how mediocre this film is to be held up as an example at screen-writing classes.
Most of Brooks' humor in his films come from his characters being utterly flummoxed by life or his grinny observations about everyday people. You get that usual array here, but unlike some of his other efforts, this Brooks screenplay seemed oddly malnourished. He gets caught up in this whole "Easy Rider" nonsense and places the film's more humorous and intriguing moments at the front. The business with Hagerty and the casino happens so quickly, that it a) uses the best device too fast, and b) seems too out of character for her. Brooks needed more time spent on the road meeting goofy locals and emptying his RV's chemical toilet that would eventually prompt Hagerty to do what she does early. And therein lies the film's bigger problem: they only really have one predicament. Once they hit their financial nadir, they look for jobs, work them for one day, and the film ends with a cop-out minutes later.
Sorry to forward-project, but I was a GREAT admirer of Brooks' "Defending Your Life". It had his usual breezy, near lulling atmosphere on display, but with the life-after-death exploration as a great backdrop, that filmed worked better. "Lost in America" just sort of coasts along with random vignettes before breaking down at the side of the road.
Most of Brooks' humor in his films come from his characters being utterly flummoxed by life or his grinny observations about everyday people. You get that usual array here, but unlike some of his other efforts, this Brooks screenplay seemed oddly malnourished. He gets caught up in this whole "Easy Rider" nonsense and places the film's more humorous and intriguing moments at the front. The business with Hagerty and the casino happens so quickly, that it a) uses the best device too fast, and b) seems too out of character for her. Brooks needed more time spent on the road meeting goofy locals and emptying his RV's chemical toilet that would eventually prompt Hagerty to do what she does early. And therein lies the film's bigger problem: they only really have one predicament. Once they hit their financial nadir, they look for jobs, work them for one day, and the film ends with a cop-out minutes later.
Sorry to forward-project, but I was a GREAT admirer of Brooks' "Defending Your Life". It had his usual breezy, near lulling atmosphere on display, but with the life-after-death exploration as a great backdrop, that filmed worked better. "Lost in America" just sort of coasts along with random vignettes before breaking down at the side of the road.
Lo sapevi?
- QuizIn his autobiography, Garry Marshall, who played the casino manager, wrote that he was initially exasperated by Albert Brooks demanding take after take of their scene in the office. But once he saw the rushes and realized that his frustration made his character funnier, he deferred to Brooks' comic judgment.
- BlooperDuring the final cross-country montage, as they are approaching New York City, the Winnebago drives up the exit ramp from the Lincoln Tunnel with Manhattan visible in the background. That road is taking them away from Manhattan, into New Jersey, not to Manhattan.
- Citazioni
David Howard: Shut up Brad! Your song stunk, I hate your suit and I could hurt you!
- Colonne sonoreLove Is in Control (Finger on the Trigger)
Written by Quincy Jones (uncredited), Rod Temperton (uncredited), and Merria Ross (uncredited)
Performed by Donna Summer
Courtesy of Geffen Records
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Pubblicitario offresi
- Luoghi delle riprese
- Safford, Arizona, Stati Uniti(Corner of S. 8th and W. 8th horses in safford)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 10.179.000 USD
- Fine settimana di apertura Stati Uniti e Canada
- 154.877 USD
- 17 mar 1985
- Lordo in tutto il mondo
- 10.179.000 USD
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