La leggenda di Billie Jean

I recently purchased the special edition "Fair Is Fair" DVD version of "The Legend of Billie Jean". Partly because I thought it was a fun flashback to the 80s when I thought this movie was so cutting-edge cool when I was still a teenager, partly because it had a soundtrack commentary by stars Helen Slater and Yeardley Smith. I wasn't disappointed.

I will say I've watched this movie more than a few times. Each time I am kinda in awe of how blonde and stunning Helen is. She was (still is) a beautiful actress. "City Slickers", "The Secret of My Success" both cast her as the sexy co-star and for good reason. Her sexiness is without question in this movie. This is one of Christian Slater's (no relation) first movies and he's exactly what you'd expect him to be at 15 years old. Yeardley Smith is and always has been a gifted ugly duckling that is as adorable as they get. This is no different. Priceless casting.

The story is fairly silly and formulaic. A teenage girl and her brother have their motor scooter trashed by some bullies. The girl goes to the bully's father and demands money for the damages. The dad is worse than the son. They struggle. An accident occurs. The kids go on the lam. Good cop who can read between the lines trails the kids like a bloodhound. Kids become famous outlaws. Big climax at the end. Standard teenage 80s stuff. And it's worth every second of screen time!!!

Watching the DVD with the voice-over soundtrack by both Helen and Yeardley made me laugh out loud a few times. It was hilarious listening to these two friends banter back and forth about who did what when and where, the horrible 80s styles and hair now that they're mothers themselves, how their daughters won't even watch it out of sheer horror their mothers were rebellious teenagers (Helen - "We're five minutes into the movie and my daughter has already left." - funny stuff), etc... The fact Helen didn't remember the real actress' name of her own mother character in the movie (Mona Lee Fultz) tells you how raw this audio take is. No editing, just middle-age friends talking into a microphone. It's genuine and even better than this classic 80s flick by itself.

The movie is dated, even ridiculous in some cases, and totally awesome (yes, an 80s term)! How can you not sing a few bars of Pat Benatar's "Invincible" in this fantastically cheesy movie? It's self-consciously teeny throughout. Even the adults act more like enabling or overbearing parents than real adults. It's cheerful, uplifting, cool and just plain fun to watch. The writing is irrelevant. Holes in the plot are beside the point. Sit back, slide this piece of 80s nostalgia into your DVD player, put on your headphones, pump up the volume on the headphones at all the right places, and just enjoy the experience.

Billie Jean RULES!!! :-)

Why does everyone knock the Legend of Billie Jean so much? For me, it's one of my favorite 80s teen movies. And it's a good exploration into the concept of vigilante justice as a natural response to not only a cumbersome justice system, but also a discriminatory one.

Helen Slater is teenager Billie Jean, a nice girl from "the trailers" of Corpus Christi, Texas. When Hubie Pyat (Barry Tubbs) and some other local pranksters trash her brother Binx's (Christian Slater) motor scooter, she demands compensation. But Hubie refuses to pay and his father uses the opportunity to offer that Billie Jean trade some sexual favors to him for the cash. In the midst of her flight from the pervert, there's scuffle, and Mr. Pyat is accidentally shot. So, Billie Jean, her brother, and two friends involved in the accident, suddenly finds themselves on the run from the police.

Rather than surrendering, they use their new teenage fugitive status to stage something of a protest ("fair is fair"), and Billie Jean becomes their hero and icon for teenage rebellion as well as feminism. They become the martyrs of teenagers while the adults dismiss the entire thing as a bunch of rambunctious teenagers gone out of control. So, there is political significance in the story of Billie Jean in looking at the criminal justice system (although some of the discrimination against Billie Jean such as denying her any sort of expedited compensation occurs as a result of the system not intervening at all). If Billie Jean was an adult, would she have been taken seriously? What if Billie Jean were a male? Would that change the situation. Indeed, this movie suggests that it would.

In a decade filled with themes of teen angst, this one offers one story of the possibility of teen (and female) empowerment in a way that Pump Up the Volume or other movies like that did. I always thought it was a pretty good 80s movie and one that, judging by the message boards, still caters to a loyal audience as many of those long-lasting 80s movies do. Plus, as far as important 80s movie characteristic go, it's got good actors (Helen Slater, Christian Slater, Peter Cyote, and Kieth Gordon), and a good soundtrack (featuring Pat Benetar's "Invincible" and the Divinyls).

In Texas, the hot teenager Billie Jean Davy (Helen Slater) lives with her brother Binx (Christian Slater) and her mother in a trailer. In a hot day, she rides with Binx on his scooter to swim in a lake. However, the bully Huble Pyatt (Barry Tubb) steals the scooter with his friends. Billie Jean goes to the police but Detective Ringwald (Peter Coyote) does not give much attention to her. When Binx tries to retrieve his scooter, Huble trashes the scooter and beats Binx up. Billie Jean goes with her brother Binx and her friend Ophelia (Martha Gehman) to the store of Huble's father Pyatt (Richard Bradford) with the repair bill and the old man lures Billie Jean and brings her to his office. Then he harass and tries to rape her. Meanwhile Binx finds a gun in the cash register and her accidentally shoots Pyatt. Billie Jean, Binx. Ophelia and their teenage neighbor Putter (Yeardley Smith) flee from Ophelia's car. They meet the teenager Lloyd (Keith Gordon), who is the estranged son of the D.A. Muldaur (Dean Stockwell), he proposes to be their "hostage" so that the runaway teenagers could get some money for their journey. When Billie Jean watches Otto Preminger 's "Saint Joan" at Lloyd's television, she cuts her hair short and makes a video with her explanation and demands, becoming and icon worshiped by the teenagers. Meanwhile Detective Ringwald finds the mess, he realizes that he should have listened to Billie Jean and tries to fix the situation.

"The Legend of Billie Jean" is a super-cult movie from the 80's and maybe Helen Slater's best film in her career. The plot entwines action and drama and it is delightful to watch. In the 80's, many viewers believed that Helen Slater and Christian Slater were siblings since they have the same last name. The story of a wronged teenager that cuts her hair in Joan of Arc's style and becomes an idol of the youth has not aged and is still wonderful to watch. My vote is eight.

Title (Brazil): "A Lenda de Billie Jean" ("The Legend of Billie Jean")

I sort of look at this film as a cult classic. I see it as sort of a 1980s Rebel Without A Cause. Helen Slater is another actress who has really never been given just credit. She made her film debut the year before in Supergirl and it was a film everyone made fun of. I don't think thats fair to her, because she is a fine actress and proves it here. Unlike James Dean's character, she does "have the right to be angry" and fights back against a corrupt system. Some people may say this film condones vigilante activities, but I think this is a film with a positive message. I also loved Pat Benetar's song "We Will Be Invincible", it should have gotten an Oscar.

The British historian E. J. Hobsbawm developed the idea of the "social bandit," the peasant youth who becomes an outlaw after his honorable resistance to some outrage by the landlord ends with a landlord henchman dead. He calls to others who share his anger at injustice to follow him to the hills where they will lead the outlaw life, stealing only from those whose wealth comes from oppressing the poor, respecting the peasants and righting wrongs on their behalf, and seeking to restore a former condition when the great and powerful behaved decently and treated the poor equitably. (This equitable treatment is also close to what E.P. Thompson called "the moral economy of the poor:" the Honest Loaf, the Fair Day's Wage for a Fair Day's Work--a slogan of early labor unions--etc.)

The social bandit *isn't* a revolutionary--he has no vision of a transformed society, because his horizons are too narrow. He wants the Good Old Days back. He doesn't have a social or political theory; he wants simple decency and justice. He isn't Joan of Arc, fighting to restore a legitimate King, he's much closer to Robin Hood, resisting the oppression of a King who's forfeited the loyalty of the people by not acting as a good King should.

Billie Jean is a social bandit. The events that launch her "career," the actions she performs, and above all her simple watchword "Fair is Fair" clearly put her in the category that includes the Brazilian Lampiao, the Sicilian Salvatore Giuliano, and others. Hardly surprising, since this teenage cult script was written by a formerly blacklisted old Lefty in his seventies, Walter Bernstein, who surely had read Hobsbawm and Thompson and found, I think, a very ingenious way to illustrate their ideas in a 1980's US setting.