VALUTAZIONE IMDb
6,7/10
1673
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTwo Soviet sailors meet Liverpool girls during a shore leave. Peter falls for Elaine but must leave with his ship. Missing him, she writes to Brezhnev hoping to reunite.Two Soviet sailors meet Liverpool girls during a shore leave. Peter falls for Elaine but must leave with his ship. Missing him, she writes to Brezhnev hoping to reunite.Two Soviet sailors meet Liverpool girls during a shore leave. Peter falls for Elaine but must leave with his ship. Missing him, she writes to Brezhnev hoping to reunite.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 2 vittorie e 1 candidatura in totale
Tracy Marshak-Nash
- Tracy
- (as Tracy Lea)
Recensioni in evidenza
10Jerome-5
Atmospheric, un-slick, and utterly unique, Letter to Brezhnev captures a slice of the 1980s which seems all the more extraordinary in 1999. Graced by realistic acting, deft camera work, and a superb soundtrack, one is successfully transformed to a period and a place, in this case wonderfully dreary Liverpool in the early 80s - New Wave music and the Cold War are in full swing. Such a movie is hip today but rarely achieved. The story may seem a little far-fetched - Liverpool girl (Pigg) gets Russian guy (Firth) with a little help from no less than the Soviet Premier - but some of us who grew up in the 80s like to think that it could. The 80s were like that. Now, we just have awful, cynical, formulaic pap - Reality Bites and Boys on the Side...whine, whine, whine. Why can't more movies like Letter to Brezhnev be made?
A multifaceted film about two English working class girls (Teresa and Elaine) and two Russian sailors (Peter and Sergei).
In the first half two couples spent a night together. Teresa and Sergei go for the plain vanilla one night stand. Elaine and Peter keep it Platonic, but in so doing get to know each other much better. After all it is Elaine who has the hardest time when the sailors have to get back on board again.
The second half revolves around the relationship of the two friends Elaine and Teresa. This relationship has much in common with the relationship between Elin and Agnes in "Show me love" (1998, Lukas Moodysson). Teresa (Elin) does have the bigger mouth, but Elaine (Agnes) is the one with more guts.
Between the lines the second half is also a little bit of a political satire. There are more films in which romances are disturbed by "big politics" ("The unbearable lightness of being", 1988, Philip Kaufman), but a romance resulting in a girl contemplating an emigration to the Soviet Union is quite new.
In this respect the film is very characteristic of the 80s. The Cold war was passed his prime, in fact (with hinsight) the Soviet Union was nearly dead. On the other hand in England it was the time of the Thatcher years with budget cuts that did hit the Northern part of England (the movie plays in Liverpool) disproportionately hard.
Just like in "Show me love" there is one scene in "Letter to Brezhnev" that is very characteristic of the relation between the two friends. In "Show me love" the relation between Elin and Agnes is defined in the "toilet scene". In "Letter to Brezhnev" the bar scene is equally important. On a given moment Elaine is captivated by doubt if she should go to Russia. She goes outside to make up her mind. When she comes back she orders two wodka's for Teresa and herself. She has made a decision!
In the first half two couples spent a night together. Teresa and Sergei go for the plain vanilla one night stand. Elaine and Peter keep it Platonic, but in so doing get to know each other much better. After all it is Elaine who has the hardest time when the sailors have to get back on board again.
The second half revolves around the relationship of the two friends Elaine and Teresa. This relationship has much in common with the relationship between Elin and Agnes in "Show me love" (1998, Lukas Moodysson). Teresa (Elin) does have the bigger mouth, but Elaine (Agnes) is the one with more guts.
Between the lines the second half is also a little bit of a political satire. There are more films in which romances are disturbed by "big politics" ("The unbearable lightness of being", 1988, Philip Kaufman), but a romance resulting in a girl contemplating an emigration to the Soviet Union is quite new.
In this respect the film is very characteristic of the 80s. The Cold war was passed his prime, in fact (with hinsight) the Soviet Union was nearly dead. On the other hand in England it was the time of the Thatcher years with budget cuts that did hit the Northern part of England (the movie plays in Liverpool) disproportionately hard.
Just like in "Show me love" there is one scene in "Letter to Brezhnev" that is very characteristic of the relation between the two friends. In "Show me love" the relation between Elin and Agnes is defined in the "toilet scene". In "Letter to Brezhnev" the bar scene is equally important. On a given moment Elaine is captivated by doubt if she should go to Russia. She goes outside to make up her mind. When she comes back she orders two wodka's for Teresa and herself. She has made a decision!
Frank Clarke is my favourite writer of British Films (Letter To Brezhnev, Blonde Fist, and I have just found out The Fruit Machine.) The film is set in Modern day working class Liverpool, where two friends Teresa (the one and only Margi Clarke) and Elaine (Alexandra Pigg) hit the town one night and meet two Russian Sailors. Elaine falls head over heels in love and when the sailors set sail Elaine writes a letter to president Brezhnev of Russia regarding her love and the need to see him again as she believes she is being prevented by the British authorities. It is not however a soppy love story, fast paced and again quite true to working class life in Britain in the 1980's. A Film Four production again, who have made the best low budget British Films of the last twenty years.
Ah, but if only it were realistic. Because if anyone knows anything about the way the Soviet Union dealt with sailors in those days, the regime would never have let these two guys go off by themselves on shore, not even for a short while. I hope no one has to explain to you why. And even if this sweet young thing did get her chance to get a letter through to Brezhnev, he would surely be wondering how this sailor was able to free himself long enough to get into this situation in the first place, and I can tell you he wouldn't like it — even if the propaganda value might otherwise be useful.
But of course, romantic notions of life in the Soviet Union were not exactly rare at the time — especially, perhaps, in a very depressed place like Liverpool in the '80's. I wished Elaine luck, but it's kind of like watching one of those old Science Fiction movies and hoping the aliens and the earthlings can learn how to get along, because you know that in real life you don't really have to or get to.
But of course, romantic notions of life in the Soviet Union were not exactly rare at the time — especially, perhaps, in a very depressed place like Liverpool in the '80's. I wished Elaine luck, but it's kind of like watching one of those old Science Fiction movies and hoping the aliens and the earthlings can learn how to get along, because you know that in real life you don't really have to or get to.
Theresa and Elaine are out on the town, they bump into two Soviet sailors Sergei and Peter. After spending the night together, Teresa spends a wild night with Sergei, whereas Elaine and Peter form a much deeper attachment. Unfortunately for Peter and Elaine, their ship is only docked in Liverpool for one night.
I have to start by saying I utterly love this film, it is totally enchanting, it's moving, funny, wonderfully poignant, and gives a window to 1985, culturally and politically.
The music is fabulous, very eighties, but wonderfully in keeping with the tone and emotion of the film. The acting is glorious, Margi Clarke and Alexandra Pigg are sensational.
Liverpool makes a fabulous backdrop, it looks amazing, particularly on the ferry crossing. It does help that I love the place. This film deserves to be a lot bigger and hold cult status.
Superb 10/10
I have to start by saying I utterly love this film, it is totally enchanting, it's moving, funny, wonderfully poignant, and gives a window to 1985, culturally and politically.
The music is fabulous, very eighties, but wonderfully in keeping with the tone and emotion of the film. The acting is glorious, Margi Clarke and Alexandra Pigg are sensational.
Liverpool makes a fabulous backdrop, it looks amazing, particularly on the ferry crossing. It does help that I love the place. This film deserves to be a lot bigger and hold cult status.
Superb 10/10
Lo sapevi?
- QuizAlexandra Pigg and Peter Firth are married in real life.
- BlooperElaine says the British embassy did nothing to help her. It is highly unlikely that that she as a British citizen in Britain would have contacted any British embassy, all of which would, by definition, be in other countries. She would have contacted the Foreign Office, which is the authority dealing with foreign affairs and international matters in Britain. The casual viewer might easily confuse the two, but Elaine, who has recently dealt with them, would not make this mistake.
- Curiosità sui creditiThe end credits roll to the background of a painted Moscow city landscape.
- ConnessioniFeatured in At the Movies: Desert Hearts/Mona Lisa/Letter to Brezhnev (1986)
- Colonne sonoreAlways Something There To Remind Me
Written by Burt Bacharach and Hal David
Performed by Sandie Shaw
(uncredited)
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