Il bacio della donna ragno

A bizarre, evocative film which seems strange even now -- I can't imagine what audiences made of it in 1985.

William Hurt and Raul Julia play cell mates, one gay, the other straight, rotting away in a Latin American prison under the iron thumb of a tyrannical dictatorship. At first, Julia's Latin machismo makes him repelled by Hurt's flamboyant femininity, but the two gradually bond, thrown together as they are, and discover a kind of love that transcends conventions about love and sex and that can probably only exist between two people surviving in extreme conditions.

Hurt, already known as a strapping leading man at the time, took quite a risk playing this fey character, especially at a time when movies still weren't comfortable with mainstream portrayals of gays, but his risk payed off -- he won that year's Best Actor Academy Award and became just about the hottest actor in town for a few years there in the mid-80s. Julia has a much less showy role, but the success of the film is dependent upon the strength of both male leads, and he delivers. Sonia Braga plays the eponymous spider woman, a dream figure cobbled together by both men from their imaginations and memories of old movies.

This film is a big downer, but if you enjoy well-acted, well-written stories, then the depressing ending is worth it.

Grade: A

"Kiss of the Spider Woman" is a fine portrayal of how two completely different men can come to understand one another and how unselfish love can transcend sexual preference. The story slowly reveals itself as the movie progresses, and in the end,the film is about much more than is first apparent. I admired the gutsy performances by Hurt and Julia, and the direction by Brazilian Hector Babenco, who uses long, involved shots, instead of cutting away quickly (which, unfortunately, is used so often). The film hasn't remained very well known since it was released in 1985, but it is definitely worth seeing if you can find it. 8/10

I know the film has a reputation for being a great film, but frankly this was never one of my favorites. It really boils down to a two-character study that was probably ideal for the stage but doesn't transfer that well to film. The only thing that relieves the static nature of the film are the dreams and flashbacks that add some much needed color to the story.

Otherwise, it's a study of relationships--a gay man and a straight man share a prison cell in South America and the only thing that keeps the gay man in a survival mode is recalling in detail tacky movies he's seen in the past--and thus the title, KISS OF THE SPIDER WOMAN.

WILLIAM HURT does the campy role well and was rewarded with a Best Actor Oscar while RAOUL JULIA is the straight man who gradually comes to love and respect his cellmate for the human being that he is, letting go of his homophobic attitude long enough to share a tender moment with a gay man who has come to love him and who decides not to betray him, as the authorities hoped he would when they planted him in the cell.

It's a strange, quirky story, certainly not for everyone's taste and it took courage to make the film in the first place, knowing it would have limited appeal at the box-office.

I just never found it to be the exceptional film some are calling it.

"Spider Woman", although an emotionally draining film, is a true classic. Right from the first scene, you feel the frustration of Valentin and Molina, both outcasts of society, yet for very different reasons.

The acting is nothing less than extraordinary. William Hurt as the lonely homosexual, Molina, the late Raul Julia, as the stern, but deeply caring political prisoner, Valentin, and Sonia Braga, who takes on three different roles, including the title role, and plays them all brilliantly, are what makes this film

so great.

Although Hurt deservingly won the Oscar for Best Actor, the same consideration should have been given to Julia and Braga for their contribution.

If you've seen it, see it again....if you haven't, I highly recommend you do.

Reading the other reviews, I see that homophobes have been duly warned about this movie, so I won't say anything about the relationship between the two men beyond that it is complex and beautiful.

What interests me more for the purposes of this little blurb is that no one has commented on how the "film within a film" (much like the "play within a play" in Hamlet) reflects the actual events unfolding in the prison cell. Molina (William Hurt) is ostensibly retelling his favorite film to entertain Valentin (Raul Julia) and make the time pass more quickly, but he himself admits that he "embroiders" the story to make it more real. So who is to say if this film exists except in Molina's mind, and if it does, what really transpired in the film? The story about the French woman who is in love with a German officer during World War II, and must decide whether or not to betray him, is an obvious parallel to Molina's decision to betray Valentin or not. Even Molina says that he most identifies with Leni La Maison (Sonia Braga) in this film of his, and it's not just because he is a drag queen. It's because he has to choose between the man he loves and "patriotism" (in his case, represented by the police/government as well as his ailing mother).

This storytelling tactic works brilliantly, in my opinion. Kiss of the Spider Woman is indeed original, quirky, and a must-see.