VALUTAZIONE IMDb
7,0/10
2646
LA TUA VALUTAZIONE
Due gattini intraprendono un viaggio metafisico su un magico treno ferroviario.Due gattini intraprendono un viaggio metafisico su un magico treno ferroviario.Due gattini intraprendono un viaggio metafisico su un magico treno ferroviario.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Mayumi Tanaka
- Giovanni
- (voce)
Chika Sakamoto
- Campanella
- (voce)
Junko Hori
- Zanelli
- (voce)
Kaori Nakahara
- Kaoru
- (voce)
Reiko Niimura
- Old Woman
- (voce)
Chikao Ôtsuka
- Birdcatcher
- (voce)
- (as Chikao Ohtsuka)
Seiji Kurasaki
- Milkman
- (voce)
Ryûnosuke Kaneda
- Teacher
- (voce)
- …
Amy Birnbaum
- Tadashi
- (English version)
- (voce)
Recensioni in evidenza
Kenji Miyazawa intended "Ginga tetsudo no yoru" as a book for children. But in it are truths that everyone big and small look to find. No one is comfortable with death. Everyone searches for answers. As I read the book before seeing the movie, I was amazed to see how accurately and wonderfully the director and animators were able to capture the feeling of this fantasy. It may be too arty for some, but I feel that more often than not, viewers will come away with a deeper sense of what death can do for life and what life can mean if given a chance.
As for the cat characters, this seems to be a consistent image that surrounds Miyazawa. Some of the stories he wrote were populated by cats that would take human roles. Interestingly enough, in Kenji Miyazawa's biographical anime (Shoji Kawamori's Spring and Chaos) Miyazawa is portrayed as a cat. Maybe the cats exist to shield children from the pain that these harsh truths might bring. But not shield too much
Sometimes it is easy to look at a work like Night on the Galactic Railroad and say, this is just a fantasy. Perhaps Miyazawa wanted us to think that, maybe at first anyhow. But the true beauty behind this animation is that by creating a fantasy world so wild and vibrant, it forces us to see who and what we really are.
As for the cat characters, this seems to be a consistent image that surrounds Miyazawa. Some of the stories he wrote were populated by cats that would take human roles. Interestingly enough, in Kenji Miyazawa's biographical anime (Shoji Kawamori's Spring and Chaos) Miyazawa is portrayed as a cat. Maybe the cats exist to shield children from the pain that these harsh truths might bring. But not shield too much
Sometimes it is easy to look at a work like Night on the Galactic Railroad and say, this is just a fantasy. Perhaps Miyazawa wanted us to think that, maybe at first anyhow. But the true beauty behind this animation is that by creating a fantasy world so wild and vibrant, it forces us to see who and what we really are.
The best thing about this movie is the dreamlike quality of it. Lots of fiction texts--novels, comicbooks, movies, whatever--take place in the world of dreams, but this is the first movie I've seen that really felt like it. Things happen one after the other in a drifting, diffuse pilgrimage on a train that goes to the end of the universe: migrating herons that fall to the earth and turn into candy, apples that reproduce themselves, an Italian village populated by cats. Being that they're passing through the night sky, some of the stations are named after constellations, and some are just...places. It's like reading The Old Man and the Sea--you feel like you're there for days and wake up to find that it was only a few hours. To me, that's a measure of a really good story.
One of the funnier bits was when the human characters appeared and didn't bat an eye at sitting next to anthropomorphic, pastel-coloured cats.
If you enjoy picking apart movie texts, you can always have a fun argument with your friends about the religious motifs that pop up in an oddball way throughout the story. Were the filmmakers taking stabs at Christianity, or just appropriating its symbols for the story's own kind of mysticism (a la Neon Genesis Evangelion, maybe)?
One of the funnier bits was when the human characters appeared and didn't bat an eye at sitting next to anthropomorphic, pastel-coloured cats.
If you enjoy picking apart movie texts, you can always have a fun argument with your friends about the religious motifs that pop up in an oddball way throughout the story. Were the filmmakers taking stabs at Christianity, or just appropriating its symbols for the story's own kind of mysticism (a la Neon Genesis Evangelion, maybe)?
Night on the Galactic Railroad isn't your traditional family film. It deals with some incredibly deep themes, as well as having a slow meditative pace. We follow a young cat (changed from human in the original book) called Giovanni. Giovanni has no time for himself. His father is away, his mother is sick, and when he isn't at school he has to work. One evening the family's delivery of milk never comes, so Giovanni goes to get it. He rests on top of a hill before being confronted by a train. He gets on and finds his friend Campenella. From there the duo encounter a number of passengers each with a strange story to tell. This film is certainly all about the metaphysical. Each story strengthens the themes of religion and sacrifice. It gets highly emotional at times. The imagery is often surreal but always memorable. The animation is calm in both colours and movement. This film is presented in chapters, which I think may be a better way to digest it. It's something no country but Japan would try, and the ending is so powerful it really does make the journey worth it. Mature and thoughtful, if sometimes a little slow.
This is a review of the English-dubbed version, and I'm sorry, but the voices aren't a great fit to the characters. However, the film as a whole is intriguing and beautiful. It also gets a little unsettling at times, but in a good way.
One shortcoming common to all versions, however, is the lack of facial individuality of the characters. They don't show much in the way of expressions and when they do, they are a bit samey.
But this is still something I'd recommend on the whole. A leisurely trip through a very strange galaxy.
One shortcoming common to all versions, however, is the lack of facial individuality of the characters. They don't show much in the way of expressions and when they do, they are a bit samey.
But this is still something I'd recommend on the whole. A leisurely trip through a very strange galaxy.
This by far is the best anime I have ever seen. With its slow moving and oft disturbing plot this is not a movie for everyone, especial the adolescent/short attention span types who have only seen slasher/action examples of anime.
This movie is so slow yet it sucks you in and you can't stop watching. I have never heard or seen anything like it and I don't think I ever will again. No movie I have ever seen has affected me half as much. Its amazing visuals, sounds and eerie plot make this fascinating movie hard to describe and do justice to it.
This movie definitely deserves a 10 out of 10.
P.S. If you are the crying type have tissues handy.
This movie is so slow yet it sucks you in and you can't stop watching. I have never heard or seen anything like it and I don't think I ever will again. No movie I have ever seen has affected me half as much. Its amazing visuals, sounds and eerie plot make this fascinating movie hard to describe and do justice to it.
This movie definitely deserves a 10 out of 10.
P.S. If you are the crying type have tissues handy.
Lo sapevi?
- QuizThe language depicted in texts/captions throughout the film is Esperanto, an artificial universal language that was created to be spoken internationally, and in which Kenji Miyazawa was deeply interested. The film even holds a title in Esperanto ("Nokto de la Galaksia Fervojo").
- ConnessioniReferenced in Îhatôbu gensô: KENjI no haru (1996)
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By what name was Ginga-tetsudô no yoru (1985) officially released in India in English?
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