VALUTAZIONE IMDb
4,8/10
47.474
LA TUA VALUTAZIONE
Ancora ossessionato dal suo passato, Tommy Jarvis - che, da bambino, ha ucciso Jason Voorhees - si chiede se il serial killer sia collegato a una serie di brutali omicidi che si verificano n... Leggi tuttoAncora ossessionato dal suo passato, Tommy Jarvis - che, da bambino, ha ucciso Jason Voorhees - si chiede se il serial killer sia collegato a una serie di brutali omicidi che si verificano nella casa vicino alla sua.Ancora ossessionato dal suo passato, Tommy Jarvis - che, da bambino, ha ucciso Jason Voorhees - si chiede se il serial killer sia collegato a una serie di brutali omicidi che si verificano nella casa vicino alla sua.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Bob DeSimone
- Billy
- (as Bob De Simone)
- …
Jere Fields
- Anita
- (as Jeré Fields)
Miguel A. Núñez Jr.
- Demon
- (as Miguel A. Nunez Jr.)
Recensioni in evidenza
There are a few "Friday" fans out there that can actually enjoy this film for what it is instead of complaining about what it's not.
Yes, the plot is a big departure from the previous films, but once you get over it, it's a pretty fun '80s slasher film with plenty of creative kills and some great chase sequences.
The acting is surprisingly solid for a series' fifth entry as well. I really never understood the complaints about the acting in these films, as to me it's always been passable and certainly above most of the slasher rip-offs the decade was littered with.
This time, the action takes place at a halfway house in the sticks where Tommy Jarvis, survivor of the previous bloodbath, comes to stay after an undetermined amount of time in a mental hospital. But Tommy can't seem to catch a break, as the bodies of the troubled kids soon begin piling up after his arrival. Is it Jason? Tommy? One of the locals who has a grudge against the disturbed kids? I won't spoil that here.
This film has the highest body count in the series, with barely enough time to breathe before the next murder is set up. Thankfully, the series retains its creative flair when it comes to dispatching the victims. Some highlights include a head crushed against a tree with a leather strap, a road flare being improperly used, and a death in an outhouse. There's also a nice moment you can only get in '80s horror involving a girl doing the Robot dance in her bedroom to Pseudo Echo's catchy song "His Eyes." Terrific.
If there's anything that sets this sequel apart from its brothers and sisters, it's the overall tone of the film, which is much darker this time around. This can be good or bad, depending on what you prefer: a fun slasher sequel like part 3, this is not.
The final 20 minutes really get the action going as well. Fans of nudity will also rejoice, as this has the most pair of breasts shown in a "Friday the 13th" film to date.
I found this better than part four, which I realize puts me on a chopping block with other fans. But I call it like I see it.
Yes, the plot is a big departure from the previous films, but once you get over it, it's a pretty fun '80s slasher film with plenty of creative kills and some great chase sequences.
The acting is surprisingly solid for a series' fifth entry as well. I really never understood the complaints about the acting in these films, as to me it's always been passable and certainly above most of the slasher rip-offs the decade was littered with.
This time, the action takes place at a halfway house in the sticks where Tommy Jarvis, survivor of the previous bloodbath, comes to stay after an undetermined amount of time in a mental hospital. But Tommy can't seem to catch a break, as the bodies of the troubled kids soon begin piling up after his arrival. Is it Jason? Tommy? One of the locals who has a grudge against the disturbed kids? I won't spoil that here.
This film has the highest body count in the series, with barely enough time to breathe before the next murder is set up. Thankfully, the series retains its creative flair when it comes to dispatching the victims. Some highlights include a head crushed against a tree with a leather strap, a road flare being improperly used, and a death in an outhouse. There's also a nice moment you can only get in '80s horror involving a girl doing the Robot dance in her bedroom to Pseudo Echo's catchy song "His Eyes." Terrific.
If there's anything that sets this sequel apart from its brothers and sisters, it's the overall tone of the film, which is much darker this time around. This can be good or bad, depending on what you prefer: a fun slasher sequel like part 3, this is not.
The final 20 minutes really get the action going as well. Fans of nudity will also rejoice, as this has the most pair of breasts shown in a "Friday the 13th" film to date.
I found this better than part four, which I realize puts me on a chopping block with other fans. But I call it like I see it.
'Friday the 13th' may have been panned by critics when first released but since then it is one of the most famous and influential horror films, the franchise containing one of horror's most iconic villains. The film is popular enough to become a franchise and spawn several sequels of varying quality and generally inferior to the one that started it all of.
The fifth film in the series 'A New Beginning' is the most maligned 'Friday the 13th' film by critics and fans, although it has garnered a cult following and its fair share of defence over time. To me, 'A New Beginning' is better than its reputation and that it tries to do something different is laudable. Also do not think it's the worst 'Friday the 13th' film. Having said that, the disappointment is understandable. There are good merits here, but it also did fall short to me.
Starting with 'A New Beginning's' strengths, the best things about it are the as ever haunting music score and the terrific performance, both disturbing and moving, of John Shepherd. There are a few darkly funny moments, a few creepy ones and some of the death scenes are creative.
The nightmare sequences are stylish and as nightmarish as one would hope. It's a pretty decent looking film, not cinematic art (but in all honesty that can never be expected from a 'Friday the 13th' film) but not amateurish.
However, there are things that work against 'A New Beginning'. From my understanding, It is not that the film is different in the lack of Jason (this didn't bother me at all and is an insignificant issue), the more tongue-in-cheek tone and the idea it tried to introduce that irked fans, but the generally misguided way it was executed.
More problematic are the problems as a standalone. The acting is not good (Shepherd is the sole exception), Melanie Kinnaman being awful, and the clumsy and far too simple dialogue, that slips more into vulgar camp than darkly tongue-and-cheek, and the mostly annoying and dull stereotypes passing for characters fare worse (the only one to be interesting and get proper development is Tommy).
'A New Beginning' has the highest body count, and while there are some creative and unsettling deaths (others less so, hurt by gratuity and predictability) it was almost as if there were too many death scenes that gives one not that much time to compose themselves after each one. There is not enough suspense, the creepiness is too far and between and the story is thin and very hackneyed, with one of the series' silliest endings. The mystery elements don't work, being far too obvious, and neither does the identity of the killer, the killings committed by somebody that is not in it much in their real guise and doesn't have much presence.
In summation, not that bad and not deserving of its black sheep reputation but a long way from being great. 5/10 Bethany Cox
The fifth film in the series 'A New Beginning' is the most maligned 'Friday the 13th' film by critics and fans, although it has garnered a cult following and its fair share of defence over time. To me, 'A New Beginning' is better than its reputation and that it tries to do something different is laudable. Also do not think it's the worst 'Friday the 13th' film. Having said that, the disappointment is understandable. There are good merits here, but it also did fall short to me.
Starting with 'A New Beginning's' strengths, the best things about it are the as ever haunting music score and the terrific performance, both disturbing and moving, of John Shepherd. There are a few darkly funny moments, a few creepy ones and some of the death scenes are creative.
The nightmare sequences are stylish and as nightmarish as one would hope. It's a pretty decent looking film, not cinematic art (but in all honesty that can never be expected from a 'Friday the 13th' film) but not amateurish.
However, there are things that work against 'A New Beginning'. From my understanding, It is not that the film is different in the lack of Jason (this didn't bother me at all and is an insignificant issue), the more tongue-in-cheek tone and the idea it tried to introduce that irked fans, but the generally misguided way it was executed.
More problematic are the problems as a standalone. The acting is not good (Shepherd is the sole exception), Melanie Kinnaman being awful, and the clumsy and far too simple dialogue, that slips more into vulgar camp than darkly tongue-and-cheek, and the mostly annoying and dull stereotypes passing for characters fare worse (the only one to be interesting and get proper development is Tommy).
'A New Beginning' has the highest body count, and while there are some creative and unsettling deaths (others less so, hurt by gratuity and predictability) it was almost as if there were too many death scenes that gives one not that much time to compose themselves after each one. There is not enough suspense, the creepiness is too far and between and the story is thin and very hackneyed, with one of the series' silliest endings. The mystery elements don't work, being far too obvious, and neither does the identity of the killer, the killings committed by somebody that is not in it much in their real guise and doesn't have much presence.
In summation, not that bad and not deserving of its black sheep reputation but a long way from being great. 5/10 Bethany Cox
That wily rascal Jason Voorhees is at it again....or is he? Yes, this is the installment in the interminable "Friday the 13th" series that thought it would be a good idea to do without its only reason for existence...the hockey-masked Jason. Though you hardly notice the loss, since you don't KNOW it's not Jason until the film's final moments, and the copycat killer dresses like Jason anyway, so what's the difference? If you've seen one axe-wielding psycho in a hockey mask, you've seen them all.
Actually, I kind of like this entry. It provides the best nudity of the series....no fewer than three gratuitous boob shots, and nice boobs they are. And it's funny, sometimes intentionally so, as when the hillbilly mom calls her dufus son a dildo, sometimes unintentionally, as when the Michael Jackson look alike sings a duet with his girlfriend through an outhouse wall while he's on the crapper.
And the filmmakers outdo themselves with the body count this time around. By the end of the movie, there's no longer time to show them being killed off. Characters you've completely forgotten about just pop up as dead bodies. But what do you expect with all that plot to get through? Compared to the other films in the series, this is practically "War and Peace," what with the murder mystery story and the Tommy Jarvis plot line, which attempts to add a sense of continuity to the middle batch of movies (o.k. so Part 6 picks up Tommy's storyline in a completely different place and with a different actor, but for a series like this that's the best you can hope for in the way of consistency).
Grade: C
Actually, I kind of like this entry. It provides the best nudity of the series....no fewer than three gratuitous boob shots, and nice boobs they are. And it's funny, sometimes intentionally so, as when the hillbilly mom calls her dufus son a dildo, sometimes unintentionally, as when the Michael Jackson look alike sings a duet with his girlfriend through an outhouse wall while he's on the crapper.
And the filmmakers outdo themselves with the body count this time around. By the end of the movie, there's no longer time to show them being killed off. Characters you've completely forgotten about just pop up as dead bodies. But what do you expect with all that plot to get through? Compared to the other films in the series, this is practically "War and Peace," what with the murder mystery story and the Tommy Jarvis plot line, which attempts to add a sense of continuity to the middle batch of movies (o.k. so Part 6 picks up Tommy's storyline in a completely different place and with a different actor, but for a series like this that's the best you can hope for in the way of consistency).
Grade: C
I can already start by saying that this is just another film in this franchise. He is not the worst of the entire saga, but he is of such a low level of quality that he almost causes you depression. All the dumb choices that are made during this movie irritate in an inexplicable way. The worst part of the whole movie is in the characters, where in addition to being uninteresting, they are very forced. The actors manage to be so insufferable playing the characters that you get annoyed with them all. The way they try to act crazy becomes comical, but not in a way that makes you laugh, a humor you'd rather pierce your own eyes with than rewatch those scenes. Don't watch this movie if you're having a good day, it could ruin your day.
What a waste of a film. This was more like the Scooby-Doo type of movie where Fred says "let's see who this really is, behind the Jason mask". For those who have not seen this could watch it for interest, but Ii must say that it was a waste of a film. If you pay close attention to the film, the killer practically gives himself away.
Lo sapevi?
- QuizFriday the 13th producer Frank Mancuso Jr. didn't get on with the film's director Danny Steinmann. Mancuso called Steinmann a pervert and called the film a soft core porn sex movie rather than a slasher horror film
- Blooper(at around 1h 10 mins) When Pam is running through the woods, her sweater disappears then reappears.
- Versioni alternativeThere is an alternate version of the film which runs 91 minutes and contains several small and mostly inconsequential differences. These are:
- "Version 2" is in the lower right hand corner throughout the movie.
- There is no close-up of Jason pulling the machete out of Neil's stomach during the opening sequence.
- Duke's (the paramedic) line is altered when he sees Joey's body. In the original version he says "Bunch of pussies..." while in Version 2 he says "I'll be damned...".
- There is a different angle briefly used in Pete's death.
- The scene in which Ethel yells at Junior as he is eating his stew is re-edited to remove the profanity, and uses some different angles.
- When Demon is about to open the outhouse door, an alternate camera angle is used and some of the profanity he uses is cut from the scene.
- After Junior is decapitated there is an alternate angle of Ethel in the kitchen, and her dialog is slightly altered.
- The scene of Robin going to bed is re-edited to exclude some of her nudity and some dialog.
- Before the above scene is a scene of Violet in her room which originally was part of a scene which occurred a few minutes later. When the scene happens a few minutes later, the footage that was previously used is not present.
- When Pam fights off Roy with the chainsaw, she hits him twice in shoulder. Only the second hit appears in the original version.
- When Roy dies, the camera stays on Pam, Tommy and Reggie instead of showing Roy falling on the spikes.
- ConnessioniEdited from Venerdì 13 - Capitolo finale (1984)
- Colonne sonoreThe Drowning - Part I
Written by Daniele Amfitheatrof
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Venerdì 13: parte V - Il terrore continua
- Luoghi delle riprese
- Aziende produttrici
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Botteghino
- Budget
- 2.200.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 21.930.418 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.032.883 USD
- 24 mar 1985
- Lordo in tutto il mondo
- 21.930.418 USD
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