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6,4/10
24.651
LA TUA VALUTAZIONE
Un ragazzo ossessionato dai film di fantascienza degli anni '50 sugli alieni ha un sogno ricorrente su un progetto che disegna per il suo amico inventore. Con l'aiuto di un terzo amico costr... Leggi tuttoUn ragazzo ossessionato dai film di fantascienza degli anni '50 sugli alieni ha un sogno ricorrente su un progetto che disegna per il suo amico inventore. Con l'aiuto di un terzo amico costruiscono un'astronave. E adesso cosa?Un ragazzo ossessionato dai film di fantascienza degli anni '50 sugli alieni ha un sogno ricorrente su un progetto che disegna per il suo amico inventore. Con l'aiuto di un terzo amico costruiscono un'astronave. E adesso cosa?
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Recensioni in evidenza
Watching Explorers as a kid, sparked all the things I loved about freedom, and adventure. I was always into space, sci-fi, computers, and aliens even at a young age, and this film does a great job geeking any kid out when it comes to science, space, and adventure. I love how one of the kids had a dream about designing a circuit board, and after creating it realizes it creates a spherical force field that has virtually no speed limit, and is impossible to slow down (blasting through an entire stack of books with ease, leaving a perfect hole).
Although, once the kids get through the testing phase of the force field, and build the ship from old carnival rides (tea-cup thingie)--the movie takes another turn. Although still fun, the writer and/or director seem to lose track of the original flare, and the movie begins to wander off into a more childish, meaningless Hollywood push-out.
Over all, the film is very entertaining. I just Netflixed it so that my girlfriend could see it, and I could reminisce. It is one of my favorite childhood movies (along side the original Neverending Story).
--MR
Although, once the kids get through the testing phase of the force field, and build the ship from old carnival rides (tea-cup thingie)--the movie takes another turn. Although still fun, the writer and/or director seem to lose track of the original flare, and the movie begins to wander off into a more childish, meaningless Hollywood push-out.
Over all, the film is very entertaining. I just Netflixed it so that my girlfriend could see it, and I could reminisce. It is one of my favorite childhood movies (along side the original Neverending Story).
--MR
i watched this movie yesterday because i'm a good fan of Joe Dante and i had not seen this flick yet, and i loved it. it projects the same feelings that E.T. and The Goonies gave me, that's one thing i love about 80's movies they use to have new and exciting stories of materials used or nor used before with a unique style, the kids were wonderful in the movie and special effects very good for the time it was made, i love how River Phoenix refers to Poltergeist when he imitates the little girl by saying.."They're Here"...just rent it and you'll see for yourself what i mean when i say 80's hollywood fantasy at best!.
It just occurred to me, this would be a GREAT movie to do a fan edit on. Tone the goofy stuff way down, etc. I just might try it...
It's rather notorious for having one of the worst third acts because it started so wonderfully. Ethan Hawke and River Phoenix teamed together, the cop that wasn't a bad guy, etc etc.
Then-- they met the aliens. Terrible terrible.
Hawke's performance when they're on the alien ship is very authentically "this sucks." It's sad, but it's how we feel too. And his performance is so spot on, I'm skeptical studio interference impacted this movie as much as the director claims.
It's not just the alien sequence is so tonally inconsistent, the pop culture references the aliens use are 20 to 30 years to old for the target demographic. I was about the age of these kids when it came out, and even now am hopelessly bored during the sequence because though I generally recognize the pop references, it's only in a clinical way.
I will give it one prop though-- the alien ship act is so bizarre, when they come back to earth, it really feels like they've been somewhere, for a much longer time than they actually were.
It's rather notorious for having one of the worst third acts because it started so wonderfully. Ethan Hawke and River Phoenix teamed together, the cop that wasn't a bad guy, etc etc.
Then-- they met the aliens. Terrible terrible.
Hawke's performance when they're on the alien ship is very authentically "this sucks." It's sad, but it's how we feel too. And his performance is so spot on, I'm skeptical studio interference impacted this movie as much as the director claims.
It's not just the alien sequence is so tonally inconsistent, the pop culture references the aliens use are 20 to 30 years to old for the target demographic. I was about the age of these kids when it came out, and even now am hopelessly bored during the sequence because though I generally recognize the pop references, it's only in a clinical way.
I will give it one prop though-- the alien ship act is so bizarre, when they come back to earth, it really feels like they've been somewhere, for a much longer time than they actually were.
All kids should watch this - between the ages of 6 and 13. I saw this when it came out on video - I was 8 - don't know how I missed it at the cinema - it couldn't have had a big release in the UK. I loved the detail and imagination within this movie - like the one dream that the three boys all share, the sphere they create from their computer, the guard dog they give bubble gum to, the amusement ride seat they turn into their spaceship, with windows made from the fronts of washing-machines and TVs. And our three heroes make a great team. They are all very different in character, yet share that same dream of escape and adventure. Ethan Hawke is the main hero - the one that most viewers will relate to - the average 80's kid hooked on television, daydreaming during school lessons and a huge crush on the girl next door. River Phoenix is his nerdy computer-whiz friend with an Einstein-like crazy father (played by James Cromwell) and Jason Presson is the mature, yet weird kid with a troubled home-life. The magic of this movie is in its innocence and the dreams that the kids are able to turn into reality. The first half is pure 80's kids' adventure movie. The second half becomes pure "Dante", as it dives into 50's-style B-movie sci-fi - exactly what Dante is referencing and sending up, yet paying homage to at the same time. What our heroes find out in space is certainly not what they expect or what we expect. They feel let down by their discovery and in some way, we do too. But there are so many great scenes in this film - the chemistry between the 3 main actors is great - they really bond well together and we get drawn into the film because of Dante's attention to detail in these characters. It's a funny combination of child adventure and B-movie sci-fi but kids will love it, and as you grow up, you learn to see (like many great kids' films) many new details that pass you by as a kid but keep you entertained all over again from a different perspective. A highly overlooked 80's adventure movie, almost as good as The Goonies, but far less commercial, due to Dante's unique approach. Go and see it now, or see it again or watch it with your kids - you will all love it.
This film really has nothing to do with E.T...people seem to think it was a 'reaction' to it...I say that maybe it made a wonderful film gem like this, a sci-fi for and starring kids, possible.
Funny and inspiring. Probably the first film I ever saw with both of these qualities. I was 6 when it came out, and though it stars 3 boys, the tomboy in me came out...even as an adult (I watched it recently again) I become awed by the scenes of the boys constructing the 'scapeship'. The writer and Dante were good about packing in little extra details, like the "talking" mouse, Wolfgang's strange family, the kids using walkie-talkies, the dog who chews gum, the drive-in movie, Ben writing a will, one of the kids living in a trailer, etc. Without being hokey, these tidbits add more depth and charm to a story that could've been called a Mickey Mouse approach to E.T. These kids are older than Elliott and smarter and the film doesn't go for tearjerking scenes; EVER. Some of the direction reminds me of Spielberg, **however... instead of this film being a kid's approach to space-travel, it's a space-travel approach to a kid's film.
Then there are the aliens. Well, we feel the way the kids do about them; disappointed. But that is the point. What would you expect to see? It is kind of like the mataphorical satire of the grass being greener on the other side.
I tried not to get too emotional when reading the viewer comments on this film. I do not consider myself a Yank-I like to use the term American-but being 1st generation -born here, I still consider myself part-European, and the fact that the film did better in Europe than in the States, and from what I hear- Joe Dante's apology for the film- makes me sad. This film started my fascination toward the unknown and the general sciences. I happen to be one "Yank" who really enjoyed this movie!
Funny and inspiring. Probably the first film I ever saw with both of these qualities. I was 6 when it came out, and though it stars 3 boys, the tomboy in me came out...even as an adult (I watched it recently again) I become awed by the scenes of the boys constructing the 'scapeship'. The writer and Dante were good about packing in little extra details, like the "talking" mouse, Wolfgang's strange family, the kids using walkie-talkies, the dog who chews gum, the drive-in movie, Ben writing a will, one of the kids living in a trailer, etc. Without being hokey, these tidbits add more depth and charm to a story that could've been called a Mickey Mouse approach to E.T. These kids are older than Elliott and smarter and the film doesn't go for tearjerking scenes; EVER. Some of the direction reminds me of Spielberg, **however... instead of this film being a kid's approach to space-travel, it's a space-travel approach to a kid's film.
Then there are the aliens. Well, we feel the way the kids do about them; disappointed. But that is the point. What would you expect to see? It is kind of like the mataphorical satire of the grass being greener on the other side.
I tried not to get too emotional when reading the viewer comments on this film. I do not consider myself a Yank-I like to use the term American-but being 1st generation -born here, I still consider myself part-European, and the fact that the film did better in Europe than in the States, and from what I hear- Joe Dante's apology for the film- makes me sad. This film started my fascination toward the unknown and the general sciences. I happen to be one "Yank" who really enjoyed this movie!
Lo sapevi?
- QuizThe film was in a prolonged editing phase when the studio moved up the release date. The theatrical release was the result of accelerated editing and was not finished to the director's satisfaction. The studio told the director Joe Dante that he was finished and they were going to go ahead and release what he had at that point.
- BlooperOn the maiden voyage of the Thunder Road, right after the sphere-field activates, the camera cuts to the front of the ship for a brief second and a half, and we can see the boys, mainly River Phoenix in the middle, waving their hands very enthusiastically and out of character for the scene. It's possible that this was an outtake that was cut into the film by mistake. Joe Dante has always said that due to studio pressure, the film released is basically a rough cut.
- Citazioni
Heinlein the Mouse: [pressing buttons] I would like... cheese... go... to... hell...
- Versioni alternativeSome international video and television versions omits several musical cues from the soundtrack including a moment where Jerry Goldsmith's score accompanies the Mr. Ed theme sung by Wak and the 80s music Wak listens to on Darren's Walkman (in these versions, you can't hear the music at all). Several score cues are also missing aboard Wak's spaceship and in the first third of the film. It is unclear where this is a mastering issue or a music rights issue.
- ConnessioniEdited into The Phoenix Portal (2005)
- Colonne sonoreAll Around the World
by Robert 'Bumps' Blackwell (as R. Blackwell) and Monica Millet (as M. Millet)
Performed by Little Richard
Courtesy of Speciality Records, Inc.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Los exploradores
- Luoghi delle riprese
- 920 D Street, Petaluma, California, Stati Uniti(Lori Swanson's house)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9.873.044 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.607.340 USD
- 14 lug 1985
- Lordo in tutto il mondo
- 9.873.044 USD
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Proporzioni
- 1.85 : 1
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