Endgame - Bronx lotta finale

A grizzled veteran of a futuristic battle game who is undefeated for 22 matches, is hired by a group of telepathic humans to take them to a safer location out of New York where they won't be persecuted. He gets together a band of five skilled warriors to act as their bodyguards, and they set out on the trail. Along the way, they have various encounters with perverted mutants and blind warriors, along with a army general and his platoon who is determined to find out just what the hell is going on. Can anyone save these poor bedraggled creatures from a life in a laboratory? Their saviour may yet turn out to be (surprise, surprise) a five year old boy with an extraordinary talent.

You can either take 'Endgame' one of two ways: as a reasonably effective post-nuke thriller with passable action scenes and a half-decent plot, or as a laugh a minute B-movie filled to the brim with laughable dialogue and bad special effects. Either way, it works. Me? I sit somewhere in the middle, there were some moments where I got quite involved in the action, and others where I could have almost slapped my forehead at the cheesiness of the whole affair. (Best moment: Our hero says goodbye to his sort-of girlfriend at the end with a true howler of a line: "Lillith, look inside me. You are the future, I am the past!" YUCK! Suddenly he doesn't seem to tough..) It certainly isn't a masterpiece but if you take the film for what it is I'll bet you'll find it quite enjoyable. There is just one thing that confuses me though..

One battalion of mutants that accost our protagonists on their way deserves further discussion. To all intents and purposes, they look the same as any other bunch of freaks: tattered clothing, old-fashioned weapons, inability to speak proper English. But check this out: mounted on their leader's tank like a couple of war trophies is TWO TOPLESS GIRLS. Now, usually this wouldn't be a problem, I love a bit of random nudity. But these ladies are UGLY. The kind that originated the phrase Coyote Ugly. (You know, when you'd chew your own leg off to get out of bed with them..) You'd think being the boss of these mutants he would have his pick out of a million pretty ladies, and he chooses those two trollops. Unbelievable. The radiation from his mutation must have fried his brain. Anyway, just thought I'd get that off my chest.

What? You're wondering why I bothered wasting a whole paragraph on that? Listen sister, this is my review, and if I wanted to discuss the Stock Exchange while discussing the finer points of E.T, it's my decision. SO THERE! *Blows raspberry at invisible critic and walks off in a huff* 5/10

Despite the slow-going and uninteresting first half, ENDGAME really picks up when a group of telepaths and mercenaries hired to guard them leave in a caravan to escape the city. The group's adventures in the wasteland are quite entertaining, beginning with an exciting low-budget battle sequence when a huge force of blind cultists with a vast array of odd weapons attack. Naturally, these blind types aren't the best at aim (or tactics) and are summarily mown town in waves much like ZULU or THE ALAMO. However, this scene alone is quite funny and stands out as a reason to see this movie above most of the rest of Post-apocalyptic dirge the Italians flooded out in the early 80's to capitalize off of MAD MAX 2.

Lots of cool shootouts, lots of cheesy gore and makeup, and a lot of silly dialog make this movie a winner for fans of Italian C-movies. On top of that, the cast is hard to beat with an odd assortment of Spaghetti Western, Polizioteschi, and Sexploitation movie veterans not seeming too out of their element wearing goofy costumes and fighting each other in the same abandoned rock quarry. Massacessi, who began and ended his career making smut, had a brief period in the 80's where he really tried hard to make non-lowest-common-denominator-type movies largely on his own under his Filmirage company (of which this film is one of the first and best examples). Eventually though the law of diminishing returns took hold and one of the company's final productions would be the legendarily noxious TROLL 2.

This film is pretty hard to find though, which is a bit of a shame, as with a cleaned up transfer may play a little better than the gritty old VHS tape.

So how many of those post apocalyptic movies did they make, its felt a bit like the running man for the first 20 minutes of the movie then it got into the usual mutant like looking 5 against 50 fights.

All in all it was an ok movie.

In the year 2025, a nuclear holocaust has left New York City ruined, inhabited by persecuted telepathic mutants. Keeping the people pacified is the reality television program Endgame, where a new hero must save a group of people and fight to the death.

Directed by Joe D'Amato (under the pseudonym Steven Benson) Endgame (Bronx lotta finale) is one of the better executed Italian post apocalyptic B-films. The action seems endless especially in the closing act as scavenger packs and telepathic mutants fight it out with hunters, gladiators and military elite. There's an unnecessary rape scene, this aside the majority of D'Amato's Max Road Warrior meets Beneath the Planet of the Apes is very watchable especially if you enjoy the likes of Rats: Night of Terror, Warriors of the Wasteland and Bronx Warriors.

The locations and costumes deserve a mention. Carlo Maria Cordio's music working best when it's borrowing cues from Vangelis' Blade Runner score.

Interestingly, the TV game concept (even though not fully explored) predates The Running Man a good four years before Arnold Schwarzenegger's scifi romp and was made around the same time Stephen King's pseudonym book was published.

Overall, not too shabby at all.

Wow, this is italian exploitation flicks at it's best. Guess this one came because of the post-apocalyptic hype after "Escape from New York" and "Mad Max", and got stuff like "Rollerball" also in it. Of course it's an awful movie full of missing links. But here is simply no need for explanations, this question would be stupid. It's the full atmosphere of 80ies italo exploitation thrash: good explosions (gas!gas!gas! - nothing digital! I reminisce in nostalgica), crazy overacted characters, some bare breasts, a setting full of cheap dirt. Those movies are so honest in their cheasiness and roughness, I love 'em. - And the eighties were best! Italy full ahead! A pitty the video-market got down and what is left is filled by the majors with hollywood-cheapos exploiting themselves with their own cheap ripp-offs which have no life of it's own; a pity, no good exploitation-scene nowadays...

And hey, wow, this one has them all in it: Joe d'Amato, Al Cliver, Laura Gemser, Michele Soavi and George Eastmen. - A Fest! Gets a nerdish 7 out of 10!