Cercasi Susan disperatamente

As silly as the plot of this film is, it's gotten slightly better with age, containing as it does a little time capsule of the 1980's. There is Madonna's fashion sense and her song Into the Groove of course, but also little things, like how sushi was a new thing in America at the time, or a cameo from the triplets who were all the rage (see the documentary, Three Identical Strangers (2018)). As much as I loved seeing John Turturro and Laurie Metcalf in very early roles for them, I loved seeing comedian Steven Wright even more. He always cracked me up, though he isn't given a lot to work with here. Madonna was on top of the world at this time and is alluring as expected here, and there are feminist messages in both her character's strength and the bored housewife's (Rosanna Arquette) emerging understanding of just how disappointed she is in her husband's inattentiveness. There are massive plot contrivances, like the bonks on the head that conveniently produce amnesia and then later "no amnesia," but it's fun, light-hearted fare.

I really enjoyed the concept behind this movie and how all the characters sort of fall into place. The acting is good and the actors really fit their characters. The storyline is well developed, but it could have lost the stolen jewelry piece, it wasn't necessary. A fun mindlessly enjoyable and relatable movie, I think there's a Susan in all of us.

Desperately Seeking Susan (1985 Dir. Susan Seidelman) "Chicks" love this movie for the feminist, take charge of your life point of view, while guys enjoy this movie cuz there are plenty of bra shots. Madonna in her first starring (supporting really) role as a street-smart hustler being chased by some small time hoods. Rosanna Arquette gets mistaken for the Madonna character and therein lies the plot of this oh so '80s comedy.

Set in summer in Manhattan, the movie preserves like a time capsule so much of the decade: the hair, the clothes, the music. And of course there's Madonna clanking her balls from start to finish. Ms. Arquette (in the supposed starring role) had the movie not merely stolen, but ripped out of her hands by the unstoppable force of the 80s: Madonna!

Desperately Seeking Susan is one of those titles in a catalogue of definitive 80s movies. It is a fantastic little caper directed by the fantastic Susan Seidleman, and unfortuantely, was one movie that got pitched around a long time before someone finally picked it up.

Susan (played terrifically by Madonna in her pre-burnout years) is a sassy, flaky, and often witty young woman who's always looking for a good time, even when danger is afoot. Enter Roberta Glass (Rosanna Arquette) who could practically be her alter ego as she is everything Susan is not. She is shy and judicious and stuck in a boring marriage, looking for an escape. She is everything Susan is not, and wants to be everything that Susan is. And she will get her chance.

Roberta reads the personal ads frequently because that is how wordly traveller Susan reaches her boyfriend, Jimmy (Robert Joy). They place ads saying hello and telling each where to meet. Roberta is going to tag along when Susan posts a new ad telling Jimmy to meet her in battery park. This is where Roberta takes an interest in Susan, but not that in single white female kind of way, despite the sudden mix up that arises out of all of this. She follows Susan around the city and so forth.

Someone else is following Susan, too. A murderer (Patton) looking for a very expensive earring that was stolen from a museum. He is after Susan because he knows she has the earring. But, after an accident at the park and Roberta winding up with amnesia, the murderer is after the wrong Susan. With the help of Jim's friend Dez (Quinn), Roberta slowly has to figure out who she is, otherwise the murderer is going to kill her, thinking she has the find. In the meantime, Susan teams up with Roberta's totally idiotic husband, Gary (Mark Blum) to find out Roberta's whereabouts. Roberta is going to get exactly what she wanted: a little fun, a little adventure, and a little escape, that will have her rethinking her own course.

Desperately Seeking Susan is really a fun movie that takes place in New York City. Everybody in it, even Mark Blum as the obnoxious Gary Glass and Laurie Metcalf as his compulsive and mistrusting sister, Leslie. Rosanna Arquette is great in nearly everything I've seen her in for her 80s career of movies, and works perfectly as Roberta in her romance with Dez (Quinn). And, it is one of the few things that I actually like Madonna in. They tried to recreate her Susan image (and story) for the movie, Who's That Girl (with Griffin Dunne), but it just couldn't work as perfectly as it did here. Seidleman and writer Leora Barish did some good work in producing a fun film.

By the way, if you're ever in Greenwhich Village, 'Love Saves the Day' (the second hand clothing store that Susan goes into to buy boots) still exists. However, they mostly sell retro novelty toys.

"Desperately Seeking Susan" isn't so much a homage to the screwball comedy as it is a homage to the screwball situation. It doesn't try to be riotous or anything remotely Ernst Lubitsch — instead, it flutters by with half-smile as it discombobulates the at-first congenial attitude of the atmosphere. Never did I find myself laughing hysterically, but here, that's not the point. It wants to be an amuser in the same mindset as "Pretty in Pink", no knee- slappers to be found but charm spread aplenty. Because that's exactly what "Desperately Seeking Susan" is: a charming comedy of errors that likes to get its characters into as much trouble as possible for satisfactory diversion.

Rosanna Arquette portrays Roberta Glass, a bored housewife who spends her afternoons watching cooking shows and living vicariously through the lonely hearts in the classified ads. Most interesting to her is the recurring 'Desperately Seeking Susan' ad, which follows the romance between Jim (Robert Joy) and his sexy girlfriend, Susan (Madonna), both of whom are young, bohemian, and fiercely independent. As she twiddles her thumbs for the umpteenth time one afternoon, Roberta decides to act as onlooker, tracking the twosome down and watching their public encounter from afar. She becomes infatuated with the street stylish Susan and, after a series of complicated events I won't bother to explain, she bumps her head, gets amnesia, and falls under the impression that, she is, in fact, Susan.

Most housewives would want to be like the free-spirited woman, but Susan, as it so happens, is in a lot of trouble. Her boyfriend has just stolen valuable Egyptian jewelry, jewelry she enjoys wearing, and a gaggle of thugs are thirsty to get their paws on the collection. So as Roberta wanders around the city bearing Susan's name and wearing her clothes, the criminals begin to chase her, while the real Susan causes a ruckus elsewhere — eventually leading to Roberta's confused husband (Mark Blum).

"Desperately Seeking Susan" is the best kind of amusing: pleasant but not so much so that we become immersed in the fact that things aren't as zany as they could be. The film is smartly amusing, after all, with the comic scenario bettering as it grows increasingly convoluted. The screenplay sizzles in its ability to entice us into Susan's world of bohemian style, and the actors are all winning: Arquette, in particular, carries the movie with her sincerely warm characterization. But the best thing about "Desperately Seeking Susan" is Susan Seidelman's great eye for street life: I've never been one to figure a movie is better simply because of the decade it sits in, but Seidelman, intentional or not, finds all the best things about the 1980s and seems to cram them into one excitingly snazzy picture. The ghettos are effectively hip, the suburbs slightly tongue-in-cheek, like "Wild At Heart" if it wasn't crazy. Seidelman's vision is best reflected in Madonna, in her earliest incarnation and her most kitschily well-dressed.

"Desperately Seeking Susan" is slight when it comes to comedy but hugely successful when it comes to pure enjoyment. A product of the times, it has aged gloriously as a nostalgic piece snug in all the right places. And nothing's better than the boho sensuous Madonna (providing the soundtrack with guilty pleasure "Into the Groove") before she got all blond ambitious and stopped looking like the chic spunk who stole records as a pastime.