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Cocoon - L'energia dell'universo

Titolo originale: Cocoon
  • 1985
  • T
  • 1h 57min
VALUTAZIONE IMDb
6,7/10
71.549
LA TUA VALUTAZIONE
POPOLARITÀ
3736
588
Cocoon - L'energia dell'universo (1985)
Guarda Official Trailer
Riproduci trailer1: 27
3 video
99+ foto
Quirky ComedyComedyDramaSci-Fi

Quando un gruppo di anziani sconfinati nuota in una piscina contenente bozzoli alieni, si ritrovano pieni di energia dal vigore giovanile.Quando un gruppo di anziani sconfinati nuota in una piscina contenente bozzoli alieni, si ritrovano pieni di energia dal vigore giovanile.Quando un gruppo di anziani sconfinati nuota in una piscina contenente bozzoli alieni, si ritrovano pieni di energia dal vigore giovanile.

  • Regia
    • Ron Howard
  • Sceneggiatura
    • Tom Benedek
    • David Saperstein
  • Star
    • Don Ameche
    • Wilford Brimley
    • Hume Cronyn
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,7/10
    71.549
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3736
    588
    • Regia
      • Ron Howard
    • Sceneggiatura
      • Tom Benedek
      • David Saperstein
    • Star
      • Don Ameche
      • Wilford Brimley
      • Hume Cronyn
    • 116Recensioni degli utenti
    • 65Recensioni della critica
    • 65Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 2 Oscar
      • 7 vittorie e 11 candidature totali

    Video3

    Official Trailer
    Trailer 1:27
    Official Trailer
    Official Trailer
    Trailer 1:24
    Official Trailer
    Official Trailer
    Trailer 1:24
    Official Trailer
    COCOON Original Theatrical Trailer
    Clip 1:29
    COCOON Original Theatrical Trailer

    Foto112

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    Interpreti principali49

    Modifica
    Don Ameche
    Don Ameche
    • Art Selwyn
    Wilford Brimley
    Wilford Brimley
    • Ben Luckett
    Hume Cronyn
    Hume Cronyn
    • Joe Finley
    Brian Dennehy
    Brian Dennehy
    • Walter
    Jack Gilford
    Jack Gilford
    • Bernie Lefkowitz
    Steve Guttenberg
    Steve Guttenberg
    • Jack Bonner
    Maureen Stapleton
    Maureen Stapleton
    • Mary Luckett
    Jessica Tandy
    Jessica Tandy
    • Alma Finley
    Gwen Verdon
    Gwen Verdon
    • Bess McCarthy
    Herta Ware
    • Rose 'Rosie' Lefkowitz
    Tahnee Welch
    Tahnee Welch
    • Kitty
    Barret Oliver
    Barret Oliver
    • David
    Linda Harrison
    Linda Harrison
    • Susan
    Tyrone Power Jr.
    • Pillsbury
    Clint Howard
    Clint Howard
    • John Dexter
    Charles Lampkin
    Charles Lampkin
    • Pops
    Mike Nomad
    • Doc
    Jorge Gil
    • Lou Pine
    • Regia
      • Ron Howard
    • Sceneggiatura
      • Tom Benedek
      • David Saperstein
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti116

    6,771.5K
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    Recensioni in evidenza

    8blanche-2

    Sweet film that probably means more today

    1985's Cocoon, directed by Ron Howard, asks - would you give up the emotional, mental and physical pain of growing old if you could?

    Baby boomers today feel that death is optional and seek out whatever it takes to make them feel and look young - so if Cocoon came out in 2008, it would perhaps resonate even more.

    The story takes place in a rest home inhabited by a group of friends: Arthur (Don Ameche), Benjamin (Wilford Brimley) and his wife Marilyn (Maureen Stapleton), Joseph (Hume Cronyn) and his wife Alma (Jessica Tandy) and a perky red-head Bess (Gwen Verdon). The guys have taken to going to an abandoned pool house and swimming - without permission, of course.

    Then the building is rented by a man (Brian Dennehy). This same man also rents a boat from Jack Bonner (Steve Guttenberg), who is down on his luck and can use the money. He watches Jack, his beautiful assistant Kitty (Tahnee Welch) and some other people skindiving and bringing up huge silver packages. These packages are then dumped into the pool.

    After the men swim there one day, they find themselves suddenly rejuvenated and start having sex, staying up, nightclubbing and having more energy. Meantime, on the boat, Jack has gotten a look at Kitty getting ready for bed...and notices that she removes her skin as well as her clothes and glows in the dark.

    This movie has many poignant moments - Alma coming to grips with the fact that her husband has always cheated, and the saddest of all, when Bernard (Jack Gilford) who has been violently opposed to the whole idea of the pool as a fountain of youth, desperately brings his wife there.

    Howard cast this with an eye toward man's normal immortality - children - with Raquel Welch's daughter and Tyrone Power's son, Tyrone Power Jr. As Pillsbury - while telling the story of people who have a chance at a different kind of immortality. Both Power and Welch bear strong resemblance to their famous parents.

    The old-timers in the cast are among the greatest actors of their generation and sadly, we've lost nearly all of them now. Only Wilford Brimley remains. The film revived Don Ameche's career, and the cast returned for a sequel, "Cocoon: The Return."

    A wonderful film to see the old stars in a very touching story and to ask yourself - if you had the chance, would you take it?
    7emm

    A different breed of science fiction, with the warm touch.

    COCOON is not at all similar to every other science fiction movie (the ending is a pure exception), but this uses fantasy and magic as a way to express a heartwarmth feeling. What happens when the good elderly citizens of a retirement community discover the "fountain of youth"? It's movies like this going away from the perilous trap and concentrates deeply on our human characteristics. A large cast of older stars, including the late couple Hume Cronyn and Jessica Tandy, contribute to the warmth and amusement of a non-violent "sci-fi" picture that is a breed apart from the rest. They act as if they're "young again" with incredible energy, and the moments offer the kind and gentle possibilities that wouldn't redeem this as science fiction, but it is. Ron "Ritchie" Howard gives this a whole new acclaim for internally giving us the human spirit that lies within an outside force. For those who crave hard on science fiction, COCOON is a slight misunderstanding due to the light-hearted story it has to offer. What's more entertaining than seeing old folks push over the limits of their acting potential? As Wilford Brimley once said in Quaker Oats commercials, "It's the right thing to do.". Which also means COCOON is the right movie for showing off a different dimension of our feelings inside. And different is right!
    7raymond-15

    Interesting and thought-provoking

    Made 20 years ago with some former well-known actors, this film has stood the test of time very well and delivers a very interesting and thought-provoking story about the mortality of man.

    A group of people in a retirement village discover a neighbouring swimming pool which is out of bounds, but they have fun in it nevertheless. There are some strange objects lying on the bottom of the pool, but even more strange is the fact that after swimming there the old folk feel transformed and the vigor of their youth returns to their bodies. This makes for some light comedy as their hormones begin to take over.

    These old people have a very serious decision to make and it is not an easy one. This is probably the best part of the film. Should they accept or decline the invitation? Having made the decision there is no turning back! We ask ourselves...what would we do placed in their circumstances? We feel very much involved. Thinking it over, isn't this proposal very much like what the Christian churches are promising us?

    The final memorial church service by the sea is such a fitting ending and the little grandson David gives such a knowing smile as he raises his eyes to the sky.
    8steve-585

    gets better with age, literally

    I watched this when it came out in 1985. I was 32. It was good back then. I just rewatched it in 2021. I am now 67. I have experinced firsthand elder parents and now my own age in the meantime. This movie is much more meaningful now. A great movie.
    FilmFlaneur

    Charming fable that's still fresh

    Cocoon is a charming science fiction fable by the underrated Ron Howard. Howard is an amiable, frequently baseball-capped figure who, in the 70's, became a familiar face through his 6 year stint as Richie in TV's Happy Days. Cocoon followed immediately after Splash! (1984), another successful fantasy. It exchanges the Tom Hanks figure featured in that film with a similar one played by Steve Guttenberg, another romantic innocent. But whereas in the earlier film Hanks had a central role, here Jack Bonner (Guttenberg) has far less prominence. This is perhaps because of Guttenberg's modest acting abilities, but principally so the narrative can focus more securely on the characters that matter – the community of senior citizens facing their twilight years at the Sunny Shores Retirement Center.

    Cocoon's achievement as a film is all the more remarkable when one reflects upon the scarcity of active, old people in American cinema, let alone a group of them presented so positively in a state of sexual re awakening, then led to such an upbeat conclusion. Behind this apparent optimism, however, the thoughtful viewer can still reflect on some final doubts and uncertainties.

    The central circle of old people, around whom events turn, together prove a fine acting ensemble. Arthur (a still svelte Don Ameche), Ben (Selwyn Wilford Brimley) Jo (Hume Cronyn), Bernie (Walter Gilford), Alma (Jessica Tandy), Bess (Gwen Verdon) and the others are a convincing unit, squabbling, relating and facing the end of their lives with cantankerous dignity which is entirely convincing. Tandy and Cronyn were married in real life. Many of film's most poignant moments of the film spring from the relationships between these people. The quiet passing of Rose for instance, and her husband's grief by her bedside. Notable too is the wooing by former song and dance man Ameche of his new lady love, a process during which he shows no lessening of time-honed screen courtesy and assurance. During the opening of the film, Arthur and Jo's witnessing of an unsuccessful resuscitation is a stark reminder of the mortality of the principals, sadly off and on screen. Cocoon was a last hurrah for many of the elderly cast (although one or two survived advancing years to appear in the terrible Cocoon 2(1988)).

    The other major character group are the Antareans. Here too a refreshing leap out of the stereotypical is taken as the aliens prove reasonable, non aggressive and forgiving – perhaps characteristics inspired by Spielberg's influential and amenable ET (1982) or the religiosity of Close Encounters of the Third Kind (1977). Jack Bonner's near hysterical reaction to their initial unmasking ('If you try and eat my face off you'll be very, very sorry'), his following conversion then inevitable dalliance, are all handled with an effective lightness. Even Howard's depiction of an alien orgasm on screen as Jack romances Kitty (Tahnee Welch) without touching, in the life giving pool, is done sensitively. It is perhaps the most striking moment of its sort in Science Fiction cinema since Woody Allen's Sleeper (1973). Cocoon is a film in which sexual energy is equated closely to an amplified life force and is seen as both positive and welcome. Both young and old feel the replenishment of their passion, directly or indirectly, in connection with the cocoon tank. Here the items retrieved from the sea are settled at the bottom, somewhat ominous reminders of a life to come. The title itself is suggestive, not only of the typical dormacy of a chrysalis, but of impending rebirth such an object heralds. As the oldsters rejuvenate with the 'fountain of youth', they find new meaning and value in their lives, a belated development which even leads to the sad break up of families. The desire for life can be selfish, even when healthily expressed, and some prefer to 'stick with the hand nature has given' them.

    The Antarean's recovery of their 'ground crew' is what brings them to earth. While their leader's account of them having originally lodged themselves in what was Atlantis is slightly hoary (their bases apparently having sunk during the 'first great upheaval') the film wisely seers away from too much alien hardware. Apart from the pretty device on the deck of Bonner's boat, and the splendours of the returning mother ship, very little technology is glimpsed. The Antareans are certainly strange, but lacking much hard evidence of their difference enables the audience to relate to them easily. Even their unskinning, as they emerge as their true, shining selves, is a wonderous event, a shining transfiguration with no implicit threat to humanity.

    These are aliens associated with whiteness and with life, forgiving and considerate, exhibiting 'christian' values. They radiate and float like angels when emerging from human covering, and their ship takes the departing OAPs up into the light. Hollywood readily associates such light with the rewards of heaven (for other examples of the brilliance bestowed upon the departing see The Frighteners (1996) or Jacob's Ladder (1990). Substitute the pool of life for baptism, the smiling Walter (Brian Dennehy) for a prophet, and Cocoon's alien spaceship might just as easily be the Gabriel leading the faithful to paradise.

    But what of the end of the film? Is it really as happy and as affirmative as it first seems? Bonner has made great play with his responsibility as a skipper in an earlier scene with Kitty. At the conclusion he might, therefore, reasonably be held to account for his loss of a cargo of elderly transportees. At least one extended family is broken up by their leaving. And Walter has to return home, his mission a failure, together with a boatload of unexpected guests. At the least the final ascension is a complex event, leaving some tensions unresolved. That Cocoon manages to hold all these elements together in a satisfying whole is one reason to seek it out. To enjoy a warm hearted family film is another.

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    Trama

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    Lo sapevi?

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    • Quiz
      Hume Cronyn was a Golden Glove boxer and lost sight in one eye. In the scene where he hits the young orderly, without depth perception, he actually hit the young man and knocked him out.
    • Blooper
      Kitty massages Jack's right leg just after he bangs it. However, when they are talking, the leg left is the injured one.
    • Citazioni

      Joseph Finley: [to Alma] They say if we go with them, we'll live forever. And that's good. It's probably going to take you an eternity to forgive me... Alma, I'm sorry. I guess I was being ridiculous. I'm sorry. I love you. You're my whole life. I wanna go. But if it's a choice of only six more months here with you or living forever all by myself, well I'll take the six more months here with you. I don't want to live forever if you're not going to be with me.

    • Versioni alternative
      UK cinema and video versions were cut by 2 secs by the BBFC to remove one brief use of the word 'fucking' for a PG certificate. The Blu-ray is uncut, upgraded to a 12 rating.
    • Connessioni
      Featured in Michael Sembello: Gravity (1985)
    • Colonne sonore
      Gravity
      Performed by Michael Sembello

      Produced by Richard Rudolph (as Richard Rudolph) and Michael Sembello

      Courtesy of A&M Records

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    Dettagli

    Modifica
    • Data di uscita
      • 18 ottobre 1985 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Cocoon
    • Luoghi delle riprese
      • St. Petersburg, Florida, Stati Uniti
    • Aziende produttrici
      • Twentieth Century Fox
      • Zanuck/Brown Productions
      • SLM Production Group
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 17.500.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 76.113.124 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 7.936.427 USD
      • 23 giu 1985
    • Lordo in tutto il mondo
      • 85.313.124 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 57 minuti
    • Colore
      • Color
    • Proporzioni
      • 1.85 : 1

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