Ambientata nella Berlino del 1938, Louise Von Hollendorf è la moglie di un giovane diplomatico nazista che incontra e si innamora di Mitsuko Matsugae, artista e figlia dell'ambasciatore giap... Leggi tuttoAmbientata nella Berlino del 1938, Louise Von Hollendorf è la moglie di un giovane diplomatico nazista che incontra e si innamora di Mitsuko Matsugae, artista e figlia dell'ambasciatore giapponese in Germania.Ambientata nella Berlino del 1938, Louise Von Hollendorf è la moglie di un giovane diplomatico nazista che incontra e si innamora di Mitsuko Matsugae, artista e figlia dell'ambasciatore giapponese in Germania.
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- 2 vittorie e 5 candidature totali
Recensioni in evidenza
This film certainly has many flows, probably in the terms of script, but it definitely falls into the category of cinematic classics. If we celebrate The Night Portrait, or The Last Tango in Paris, than we should celebrate this movie, too. The performances of the two main female leads are marvelous. Passion, forbidden love, irresistible attraction to the unknown and potentially deadly field - all this makes this film unique. The script is somewhat weak - but it definitely is not what this film is worth for. In the first place, long shots without a word between characters - this is what makes this film unique. Definitely worth seeing.
In 1938, in Berlin, Louise von Hollendorf (Gudrun Landgrebe) is a well married woman frequenting art classes. Her husband Heinz von Hollendorf (Kevin McNally) is a successful politician in a pre-war German and they have an excellent relationship. During the class, Louise meets Mitsuko Matsugae (Mio Takaki), an exotica and very discreet Japanese young woman, daughter of the Ambassador of Japan in Berlin. They start a friendship that is followed by a lesbian love between them. Mitsuko indeed is a very seductive and amoral bisexual woman and seduces also Heinz. This relationship ends in a tragedy.
This dark and heavy romance has a wonderful photography, and a beautiful reconstitution of a pre-war period. The cast has a great performance and this movie is really very underrated, maybe because of the polemical and excellent director Liliana Cavani. She had the courage of making the magnificent 'Night Porter', which offended many persons, and since them certain cinema critics have decided to crucifixe her work. The manipulated public opinion, based on these unfair critics, sometimes is induced to 'not-like' any of her films. 'Berlin Affair' is a film not recommended for all audience. My vote is seven.
Title (Brazil): 'Berlin Affair'
Note: On 02 August 2021, I saw this film again.
This dark and heavy romance has a wonderful photography, and a beautiful reconstitution of a pre-war period. The cast has a great performance and this movie is really very underrated, maybe because of the polemical and excellent director Liliana Cavani. She had the courage of making the magnificent 'Night Porter', which offended many persons, and since them certain cinema critics have decided to crucifixe her work. The manipulated public opinion, based on these unfair critics, sometimes is induced to 'not-like' any of her films. 'Berlin Affair' is a film not recommended for all audience. My vote is seven.
Title (Brazil): 'Berlin Affair'
Note: On 02 August 2021, I saw this film again.
Liliana Cavani is a woman of literature. Here she takes Tanizaki's Japanese classic "The Budhist Cross" and transports it to Berlin in the oppressive 30ies. Nazi paranoia is on the look out, ironically, for deviants within German society. In this case High Society. As heads begin to roll more than one personality has something to hide. A study in juxtaposition of fire and ice, truth and falseness, faith and betrayal, Berlin Affair is not an 'easy' film but yes an intriguing one. All the characters seem to move and react with authentic 'period' ease, formal but never artificial. Gudrun Landgrebe is a revelation. Aloof but sensual she evokes the kind of respect usually reserved for the great 'stars' of Hollywood's heyday. Kevin MacNally reminds us of Dirk Bogarde, Mio Takaki is in no way the stereotype of Asian beauty, making her 'powers' seem all the more credible. Andrea Prodan as the 'blackmailing' Josif Benno creates an intriguing character with only a few scenes. In short, everybody is a 'victim' in this drama, which like a Webster play leaves us with a stage strewn with corpses. Adore the Sets,Costumes and pristine photography. A definite Visconti experience from Italy's dame of discomfort, Liliana Cavani.
It's simply one of the best darkest movie I've ever seen in my life. Very well told story. And the performance of Mio Takaki (Mitsuko Matsugae) is just exceptional. Perhaps is what Liliana Calvani use to do when she makes any film: to put her particular seal in each of them. And she put a huge one in "The Berlin Affair". Excellent!
This may not be as good as "The Night Porter", but it's a great film, and a pure Cavani: twisted plot, psychological dramas, attractions with no limits, and the characters trying to balance their lives between the beautiful and the ugly, the duties and the crimes... Once again the plot is complex and interesting; every twist of it kept me guessing - 'till the very end.
The actors are not as famous as in some of her other films, but play their roles quite well and are naturally belivable.
A film noir that may not be for everyone, but is a must for anyone who liked other works by Cavani.
The actors are not as famous as in some of her other films, but play their roles quite well and are naturally belivable.
A film noir that may not be for everyone, but is a must for anyone who liked other works by Cavani.
Lo sapevi?
- QuizBased on the novel Quicksand by Japanese author Jun'ichirô Tanizaki, originally published in Japan with the title "Manji." There have been four Japanese movie adaptations of the book.
- Versioni alternativeThe English language USA version runs only 96 minutes, 20 minutes shorter than the European version, which deletes at least one of the more explicit lesbian lovemaking scenes between Louise and Mitsuko as well as removes more subplots of Heinz's office work and Nazi social gatherings. Also, several other scenes are taken out of chronological order or shortened.
- ConnessioniReferenced in Manhunter: The Eye of the Storm - An Interview with Dante Spinotti (2016)
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