Il seme del male

My first IMDb review is very fitting. I saw this when I was about 7 years old and they kept replaying it on TV. I was terrified back then!!! I have been looking for this movie for over a decade searching various google searchs etc. Finally I found the movie I saw! I watched parts again and obviously there is a lot of cheesy stuff but the concept of evil skips a generation / wicked little girl etc. is still pretty awesome. I am glad I found a movie I had seen as a kid and couldn't find for a long time. It is still an awesome concept if it were to be done again in today's times - but there is no doubt cheesiness involved with this movie. David Carridine is in it which surprised me this time around.

I never saw the original "The Bad Seed", but I recall my mother telling me about it and how chilling Patty McCormack's performance was. It is possible that just hearing about the original clouded my judgment, but here's my opinion.

In this version, Carrie Wells was anything but chilling, she was just plain whiny, spoiled, and annoying. I never felt disturbed while watching her, I just felt irritated. She never came across as "evil", just bratty. I just kept wanting to slap the you know what out of her.

I didn't find any of the other actors to be all that impressive in their roles, either.

The reviews of this new version of "The Bad Seed" were so terrible that I watched the DVD to see what went wrong.

I saw the original film when it was released in 1956 and found it lacking--not in its story but in its acting and direction. Based on a hit Broadway show, which was inspired by a book, its origins were plainly visible. There was no attempt to adapt the play to the screen and give it movement and cinematic fluidity, and the cast, an ensemble of well-known and award- winning actors borrowed from the stage show, was still playing to the second balcony. The performances were so loud and over-the-top that they often made me wince. Even worse, the chilling finale of the play was altered due to the censorship of the times.

This new version puts the play's ending back into the script, which is a vast improvement. A few changes have been made to the script but nothing that harms the basic story of an outwardly sweet but amoral little 8-year-old girl with no conscience--a "bad seed"--who murders to get what she wants. Contrary to other reviewers, I did not find this version to be that awful. Granted, it's not what it could have been and it does have a cheesy look to it, but the concept of the story still makes me shudder.

I thought this new version would be more graphic, given the times we live in, but thankfully I was spared the grisly details. Unless you're a devoted fan of the original movie, I think you'll find this remake worth your time. It still has the power to shock.

In a disturbing trend that continues to this day, a classic film was remade into a distorted and less-involving TV version. Memorable, sometimes legendary films (like "Whatever Happened to Baby Jane?", "Notorious", "Indiscreet", "Night of the Hunter", "I Saw What You Did" to name just a few...) get updated for a new audience and inevitably lose something in the translation. Here is a potentially strong remake that goes awry mainly do to casting, but also due to script revisions that drain a lot of the emotion out of the story. For unknown reasons, the father has been eliminated from the story and a key role (which won Eileen Heckart and Oscar nod in the original) is shaved down and treated as a throwaway. The story concerns Brown (in a solid enough performance) whose preteen daughter (Wells) is increasingly suspected of wrongdoings at school and around her home. Wells is adored by her grandfather Kiley and neighbor Redgrave and loathed by the booze-soaked handyman Carradine. Soon, Brown starts to believe that she herself is indirectly responsible for some of the acts that have been perpetrated. The biggest problem with this movie is Wells. She is a weak actress and an expressionless prop through much of the story. Also, she lacks the primary thing that the character needs to begin with! She isn't in any way cute or adorable!!! The child should appear as an idealized, beautiful creature. Wells is not in this category. (Although the world can breathe a sigh of relief that Tori Spelling wasn't put in it!) Appearance aside, she just doesn't have the chops to pull the role off. Her presence hampers Brown, who actually could have done pretty well otherwise (despite some really unflattering pants.) Redgrave tries desperately to inject some energy into this rather dull affair, but unfortunately comes off as ridiculous much of the time. Decked out in a series of horrific '80's workout ensembles and headgears, she is a far cry from the original character who was more of a surrogate mother figure. Carradine is so-so. He is so obviously "acting" and occasionally looks as if he can't remember his lines as he tries to portray someone "slow". It's a lazy portrayal, one that SCREAMS for a Geoffrey Lewis-type. (Where was HE?) Kiley comes off well, but he has no chance of saving it and Haney (always enjoyably crusty) scores as the prim school administrator. This is worthwhile only as a demonstration of how great movies should be left alone or only to see a shrimpy, almost malformed, meek Allen get bullied by a girl.

I recently watched The Bad Seed (1985) on a streaming service. The film follows a 9-year-old girl whose disturbing behavior may have led to accidents and deaths in her community. Her mother suspects that some aspects of the family's troubled past have been inherited by the girl, driving her actions.

This film is directed by Paul Wendkos (Special Delivery) and stars David Carradine (Kill Bill), Blair Brown (Space Cowboys), Lynn Redgrave (Gods and Monsters), and Chad Allen (TerrorVision).

This made-for-television movie has some solid scenes and characters, along with clear missteps. David Carradine's performance is awkward and unsettling, and while the overall cast delivers solid performances, the child acting is strong. However, casting Carrie Wells instead of Drew Barrymore or Alyssa Milano was probably a mistake. The horror elements are minimal, with only a few kill scenes, and the film relies on the cat-and-mouse dynamic between Carradine and Wells to carry the narrative, which works reasonably well.

In conclusion, The Bad Seed isn't particularly remarkable overall, but it's worth a watch for those looking for something different or if you're a fan of Carradine. I would score it a 5/10.