Il vincitore

Knockout photography and a winning performance from Costner stand out in this well made film about a school dropout who rivals his doctor brother in Rockies bicycle race.

As a few other reviews have stated, this is a different kind of costner. An earlier, less-famous costner. He was very good in this, i didn't see the end coming either. The fact that there isn't many well known faces in this film is what makes it so watchable, because you have no pre-conceived biases due to not knowing any of the actors. You just concentrate on the storyline & what they're doing, instead of thinking about all the other stuff they've been in. The music was brilliant as well. Some f*cking breathtaking cinematography on the mountain race scenes. A simple film, executed well and with a satisfying ending. Also took me a while to realise his teacher was the guard from "lock up" & the owner off McDowells restaurant from " Coming To America" LOL.

OK. not a cinematographic masterpiece, but there are some great nuggets from a lost period in American bike racing. The film came out in 1985, the year that Greg Lemond broke into the Tour de France and beat his teammate Bernard Hinaut, though The Badger got to win it (Lemond won his first the following year). And the Coors Classic was the best racing outside of Europe, with Team 7-eleven breaking into the continent. The Muzzin character with 7-11 was modeled directly after Alexi Grewal, who won gold in the 1984 Olympics and won the Bob Cook Memorial race up Mount Evans twice. He also had emotional/anger problems. The Soviet team was brought in after the cold war tensions and the Olympics, though they should have been a French team to make it accurate.

You might even see a banner in the first stage south of Boulder with a Denver TV station logo and "Coors Classic" that didn't quite get hidden.

A mushy movie, predictable turns, geographic mistakes in the footage, and some weak acting, but a good movie if you are in, or love, American road racing--and remember how it started in the Rockies.

Don't write this off just because it's a bicycle movie; it's more than that. If you happen to like bike riding, this is an absolute must-see. But even if you can't even function without training wheels (like yours truly) there's still a lot to love about American Flyers.

If you liked Breaking Away (a bike riding movie from 1979), you'll be happy to hear American Flyers was written by the same person, Steve Tesich. In American Flyers, two brothers enter into a bike race, and during the training and the race itself, tensions run high! Of course, there's romance along the way, and some brother banter that leaves audiences conflicted about whose side to take.

John Badham's gentle directorial touch is seen in this film; the actors work off each other with a wonderful rapport and have a strong sense of their characters, part of Badham's signature in his directing. He's also known for creating interesting and intense action scenes. Watch the bicycle race scenes to see what I mean!

For me, this is a perfect movie. Don't get me wrong, it's not Godard or Kurosawa, but what makes it a winner is that is that is says exactly what it wants to - with some style and humor. Alternately exciting, sexy, funny, heartwarming and even heartbreaking (yes, really), Badham has created a complete story that doesn't ignore the hard edges of life, but chooses not to wallow around in them either. The acting is first-rate. I can't understand reviews that claim otherwise. This is Costner, Rae Dawn Chong, and even John Amos in their prime. And the cinematography, with wide sweeping shots of the American southwest and pedal-to-pedal racing footage is no less than breathtaking. Any criticisms of this movie seem to be a criticism of the genre in which it was made. But all movies are made within a certain genre. Once you understand and accept the elements of a genre you can get down to enjoying a film for what it is. And for me, this film is a real treasure, one I come back to often.