Fuori orario

I was 19 when I saw AFTER HOURS in 1985. Back then, I thought it was funny as hell. But as a 54-year-old man, I can appreciate it even more.

In my 3.5 decades between my viewings, I've been to New York City many times, read Henry Miller, become familiar with the doo-wop songs on the barroom's jukebox, and (unfortunately) dated women who reminded me entirely too much of Marcy, Julie, and Gail. On the other hand: to date, I've been lucky enough to never be stalked by a vigilante lynch mob (unless you count Facebook). And the Mister Softee truck was a riotous touch!

I agree with the reviewers who call AFTER HOURS the most underrated Scorsese film. It features elements of what already him a great director, as well as glimpses into the future career of this master filmmaker.

Reviews on the "After hours" are quite different, but here it is: once in a couple of years we see a nightmare of being stock in a never ending circle and don't know how to get out of it, but unless other nightmares this very dream turns out to be so adventurous, that it leaves a bitter sweet aftertaste once we wake up and tell about it to our friends. I think Scorsese had a similar nightmare right before he came up with the idea of the "After hours" movie. In spite of all the weirdness and troubles the main character goes through during one night, the movie itself is quite watchable thanks to Scorsese's magical skill of creating action and fun wherever possible and impossible. Oh, and the MOST important part is as follows: for one hour straight I've been thinking "what for God's sake it reminds me of? Have I watched this movie before?" Then, Catherine O'Hara appeared and lights turned on in my brain's memory card: BEETLEJUICE! Nothing from the script, but the genre, humor, weirdness and the whole vibe of the Halloween classics "Beetlejuice", as well as Catherin O'hara resembles the "After hours" on different levels.

Such a dark, ironic and uncomfortably funny string of events plus a large helping of bizarre, paranoid and unpredictable characters have never before been forged into one story.

The film follows Paul Hacket (Griffin Dunne) on a date from hell, where from square one it all goes horribly wrong. As we move on, the mood winds up into a frenzied nightmare as this poor mans' plight goes from bad to worse. "All I want to do is go home" he says, running for his life from an angry mob.

The story isn't complex, which you may think could bore, but the characters are so delightfully wacky that you can't help but be transfixed.

We've all had bad days when we've said "Phew! What a nightmare!" - well forget it, until you've taken half the knocks this guy does, you've had but a walk in the park.

Don't just rent this movie - buy it.

Out of all the Scorsese films - I would have to admit this ranks in the top five. After Hours draws you into it's dark and surreal world with fantastical wonder. The characters are all interesting, the acting superb - especially Griffin Dunne - and the pacing is great.

It was made in 1985, and I can already see the techniques Scorsese used in Goodfellas - and the quick editing. It is directed and edited really well. So if you were a fan of Scorsese's frantic camera work in Goodfellas and Casino, this film is for you.

It really does put you on edge - as a viewer, you really want Dunne's character to get back home - but everything possible that could happen to him - happens. This is not just a evocation of soHo in the early 80's - it is a deeply black comedy. All the rules go out the window for Dunne's character, because after all it is after hours.

Scorsese really is the best living director at the moment - so do yourself a favour and watch this movie - it's fantastic.

'After Hours' is a really dark, nightmarish comedy and is one of Martin Scorsese's most enjoyable films. Griffin Dunne is perfection as the computer operator who meets lovely but ditsy Rosanna Arquette in a diner and arranges to meet her late one night. His journey to downtown New York goes hideously wrong when he loses his taxi fare and spends the rest of the evening trying to get home. Along the way we meet feisty Linda Fiorentino, whimsical Verna Bloom, Gorgeous but hysterical Teri Garr and Dusty Springfield look alike Catherine O'Hara. We also get to witness suicide, murder, robbery and vigilante mobs in this tale of big city madness. The camera-work is stupendous and features every trick in the book. There is much to admire in this film and thankfully it now has a DVD release with a commentary by the Director and star.