Aitbaar

this film has all the gripping qualities of the original attuned to an indian context and manages to combine an essential ingredient of mainstream indian cinema i e music and songs with other ingredients of quality world cinema namely emotion drama and thrills the latter being elements of the suspense category the intellignt use of flashbacks and continuity reveal the making of a future hihghly talented and extremely hard working artist alas gone away too soon a must for those viewers who would like to explore different avenues of indian cinema

Movie is a Masterpiece,, Excellent Performance by Raj Babbar, Dimple Kapadia, Danny,,, Superb Direction ,,Great Thrill & Suspense,,Beautiful Music,,, You will always wait for the next scene to come,, I gladly rate 9/10

Aitbaar is a remake of Alfred Hitchcock's 1954 classic thriller Dial M For Murder. Sadly and quite expectedly, the original source was not acknowledged by the makers, but the film is well attuned to an Indian context and is successfully gripping. The script is taut and complex and the film is overall very well shot and directed, with good camera work and a suitably chilling score. It is definitely a different mainstream Hindi movie for its time, as it leans more on the script and has much less melodrama and sentimentality than one would expect to see. Obviously, it includes several songs, but they are mostly situationally relevant and most of them are beautiful anyway. The acting is very good by one and all, and doubtlessly the film belongs to the ever gorgeous Dimple Kapadia, who makes for a great heroine. Confused, vulnerable and innocent, her Neha is quite different from the feisty and strong characters she does best, and Kapadia is more than effective playing the part. She is completely natural, and her fear, helplessness and uncertainty are aptly displayed. That she looks stunningly beautiful only helps and goes without saying. Raj Babbar does mostly a good job as the devious and calculating husband, though he is a bit hammy in some scenes. Suresh Oberoi is solid as Sagar, while Danny Denzongpa is excellent as the investigating officer. Overall then, Aitbaar is a highly watchable suspense thriller which is worth watching and revisiting.

As other have pointed out, it is a remake of "Dial M for Murder" directed by the greatest of all, Alfred Hitchcock. "Dial M for Murder" is a fantastic movie and "Aitbaar" pretty much remade the movie scene by scene, dialogue by dialogue.

However ..... the characters in "Aitbaar" are m_uch more talented than the ones in "Dial M for Murder". You have to watch them both to see that. Hitchcock's movie is very well made in terms of story, dialogues and direction in general. However, the cast could have been much better. "Aitbaar" is very well made as the actors have done a great job bringing out the characters in the movie really nicely. This goes to show that our actors are very very talented and they just need good directors to bring out the best in them.

Raj Babbar takes the cake for the best actor, if you ask me. While Danny is a very close competitor, he might have lost out by an infinitesimal margin due to the fact that Danny's role is very short in the movie. No fault of his really but the few scenes Danny got, he rocked it in a way that nobody else could have. But Raj, from beginning to the end, did a fantastic job of portraying the character of Jaideep.

If you have not seen "Aitbaar", do so right away. I promise you that you will not regret it.

After Neha is abused by her husband Jaideep, she goes back to her ex-lover. She is caught in a dilemma when Jaideep returns and promises to mend his behavior; however, Jaideep has his own motive.

A brilliantly directed remake of the Hitchcock classic "Dial M for Murder" where Raj Babbar assumes the Ray Milland role, the murderously scheming husband, and the exquisite Dimple Kapadia is in the Grace Kelly role. Suresh Oberoi plays her ex-lover whose shoulder she leans on when her husband's horrid behaviour hits the fan. The pace is nifty, the tension is unbearable at some points, and though it's a Bollywood film, any such masala style melodrama is kept at a minimum, and a touch of class pervades in the air as well as menace. There are good performances all around, even Naseeruddin Shah, whom I don't like, but the accolades has to go to Raj Babbar whose transition from a horrible husband to a caring one is effortless. He's cold, scheming and his lurking in the corner in Sagar secretly observing his wife and her lover is right sinister. The climax ends with a fitting conclusion.