Un giustiziere a New York

Before online streaming platforms like Netflix, Amazon, Hulu, et al. Began creating original content, the broadcast networks produced quality television series. Compared to today's standards this show doesn't seem too violent, but in the late 1980s it caused quite a stir. Led by classically-trained British actor, Edward Woodward, who plays a dapper vengeance-seeking vigilante, this series is a gritty crime drama that doesn't pull any punches; in fact, it lands quite a few. Woodward received five Emmy nominations for Outstanding Lead Actor in a Drama Series. It is a crime he lost one year to the acting hack Bruce Willis. Unfortunately, the 2021-reboot of this series is disappointing and verges on the comically absurd. Stick to the original.

I have seen all the episodes at least 3 times; first on CBS, then USA, and then on A&E. Now it is on Hallmark.

Like other reviewers, I found the show refreshing and unique. I thought the choice of Edward Woodward was curious (a Brit for a Yank?)But I was willing to let it slide through.

Robert Lansing's portrayal as a District or Station Chief was well cast. Like most American TV series, it takes a season or two to become really good. The show had good writing, good actors and actresses, and good cinematography. I think that it was one of the best series produced.

The Robert McCall character had the potential of becoming a cardboard character. Woodward's acting skills prevented that, thank God. I found the premise of a disillusioned CIA Case Officer to be believable. The look-and-feel of McCall reminded me of the legendary William King Harvey of Indianapolis. It is uncanny.

I found the story line of internal CIA `political' struggles to be realistic. Remember, this was just after the infamous Senator Frank Church Commission which effectively gutted the CIA. We built the CIA to prevent any more Pearl Harbors. Then through internal political dissention (and ideology sympathy) we made it a Hollow, blind Man. Many veteran Case Officers were `forced out' at that time.

In the Army I made the acquaintance of some Mickey Kostmayer types. I liked the acting of Keith Szarabajka. His naturalness made the character believable according to the real people that I met.

After Woodward's heart attack, I thought that the inclusion of Richard Jordan was well cast. I was sorry to see his character fade out. He was just starting to come into his own.

The technical aspects were, at the time, quite startling. The `Trade Craft' was superb. I never did learn if the writers had access to old Case Officers or not. There is one scene where McCall tracks down someone using recorded voices from the telephone system. The NSA must have had fits over that one.

I have several favorite episodes, but one of two that stands out in my mind is where McCall is trying to teach street punks about what death is all about. He takes them to a morgue to see a stiff. While there, he introduces them to an old colleague who tells them about Hell. It was quite chilling, but very accurate.

The other episode is where he is trapped in a wedding reception as a hostage. The techniques and tactics that McCall used were very real. It should be required viewing for future operatives. Like other reviewers, I was sorry to see it cancelled. I felt that it had a few more seasons left.

One of the other reviewers mentions that the Equalizer replacement was Wiseguy. Interesting that, like the Equalizer, Wiseguy was modeled after a real person (Donnie Brasko) and a real situation. Yes, very interesting.

I doubt that I could call this an objectively excellent show, but I loved it. We all have worries and concerns in this world, and when The Equalizer would come on, it was as if someone showed up to take care of it all.

The violence was gratuitous, the hero flawed, the premises and execution over the top. Yet the team, headed by an effective if somewhat hammy Edward Woodward who is in turn flanked by Mickey Kostmayer, and Jimmy and Sterno, and the regulars - Control, Pete O'Phelan, Lt. Smalls, Scott, etc. - grew on us. So many budding actors, now famous, guested on this show.

In a key conversation, McCall tells Control how he wished the rain pouring outside could clear away all the human scum and filth that terrorizes society. McCall took it upon himself to do so.

I often wished that longer-term plot elements would take hold. At one point, McCall says to Saul Rubinek's character, "Jason, you set me up. I don't know why, but believe me, I will find out" - but nothing came of this. Some of today's shows, Alias for example, show the potential for twists and turns in long-term plot elements. So, while there were serial elements (ex. McCall's family tribulations), the episodes were largely stand-alone. The Equalizer had huge potential for groundbreaking storylines, but failed to realize it. Still, it provided me with my weekly dose of valued escapism.

I like this show. Robert McCall was a company man with a guilty conscious who tried to find redemption through doing good works. Robert must have broken many cold war eggs to make many omletes. McCall's skills were now used to help the defenseless. This show like many other great 80 shows had a similar story lines. Where the Equalizer differed is with his method of intelligence. Like an intelligence officer Robert plotted, probed, planned, and visualized. Luck and the ability to out wit the opponent made for an interesting television show. Nice seeing this over the self centered tripe of todays TV. I never seen another show like this on TV. They should make this into a movie. I bet the old BBC show the Naturalizer was an influence for the shows producers. 8 out of 10 baby

"The Equalizer" was an action-adventure TV series unlike any that I had ever seen before. It effectively mixed espionage, crime drama, and the private eye genres into a wonderful film noir package. Robert McCall (played to perfection by Edward Woodward) was no Mike Hammer, nor was he meant to be. He relied more on brains than brawn and his plans worked like a game of chess. Whether he attended an embassy affair or was running down a lead on a guns dealer in the South Bronx, McCall seemed right at home.

Disenchanted with his cloak-and-dagger life in the CIA, and perhaps seeking some redemption for some of his darker exploits in the name of God and Country, he broke away from "the Company," and offered his services to people in trouble.

McCall's strength was his abilities as a strategist and tactician. Although he was quite able in shootouts and fisticuffs, he tended to leave the rough stuff to other operatives who sometimes took time off from their day jobs (usually in the CIA) to work for McCall. One of his most trusted colleagues was his comrade-in-arms Mickey Kostmeyer (played by Keith Szarabajka), a Company man who seemed willing to dive into any dangerous situation for the thrill.

Although McCall resigned from the CIA, he continued to maintain contact with his friend and former boss, a man known only as Control (played by Robert Lansing). There is a history of camraderie between Control and McCall, but Control's job tends to get in the way of that friendship. When one of Control's operations involved lying to McCall, and McCall confronted him, Control's only response was, "It's what I do for a living, Robert."

All in all, a wonderful show with high production values. I'm only sorry it lasted four seasons.