This Is Spinal Tap

When it comes to the glorious stupidity of rock 'n' roll music, the whip-smart mockumentary gold standard "This Is Spinal Tap" has no peers. Sidesplitting on an epic scale, this is also a shortlist candidate for Greatest Comedy Ever, and can claim parentage of every self-aware music film made since, from the wildly inventive "24 Hour Party People (2002)," to recent Tap-evocative record label satire "Stadium Anthems (2018)."

"Tap" now transcends its early filmic and rock confines: Nigel Tufnel, David St. Hubbins, and Derek Smalls have burrowed deep into the cultural zeitgeist, holding sway in the very words we choose in conversations at the pub and by the water cooler (see: "goes to eleven"). And its commentary on the fleeting absurdities of fame have never been more relevant.

Almost forty years old and still swallowing everything in its path, "This Is Spinal Tap" is as enduring as it is the hilarious, and that's quite a feat. This is one of the most joyously experienced entertainment vehicles ever assembled. - (Was this review of use to you? If so, let me know by clicking "Helpful." Cheers!) - WATCHED IT? THEN WATCHLIST: "Essere John Malkovich (1999)," "Stadium Anthems (2018)," "24 Hour Party People (2002)"

The humor of "This is Spinal Tap" has a special time-release formula. I didn't find myself rolling on the floor laughing the first time I saw this but as the day went on my friends and I couldn't stop recalling the dialogue. This movie is a legend.

"See Spinal Tap" should be written in the dictionary next to satire. Lately satire has come to mean a simple mockery of pop-culture instead of "human vice or folly attacked through irony, derision or wit". Movies like "Scary Movie" claim to be parodies or satire without even trying to be witty. They just imitate something as opposed to commenting on it. True satire takes a bit more work by the writers and will make you laugh much harder.

Spinal Tap gives you the absurdity of the rock and roll world, yet still respects the music. I understood this when I saw a clip of the movie for the first time at the Rock and Roll Hall of Fame. It was the scene with amps that go to "11". I couldn't stop thinking about that scene until I finally saw the movie. Every aspect of the music world is lampooned; arrogance, absurdity, backstage crybabies, has-beenism, volume, even the Beatles. This movie is quoted like the Simpsons, which isn't always good but certainly proof of legendary movie. It's dry, deadpan humor and it may take a day to sink in but this movie is hilarious.

By many seen as the favorite cult classic (together with 'The Rocky Horror Picture Show') 'This is Spinal Tap' is truly a comedy masterpiece. The rockumentary about fake band Spinal Tap seems so honest and serious that the slightest joke gets a huge laugh. We follow the band together with a documentary filmmaker, played by director Rob Reiner, on a tour that must make sure they will have a comeback. We see some of their shows where things go wrong, we see how they argue about the cover of their album, and we see how a girlfriend almost destroys the band.

The movie handles all these events as serious as possible, presenting itself as a real documentary about a real band. The fact that the band members are not too bright makes it funny. Especially the scene where the lead singer talks about an amplifier that goes to eleven instead of ten and therefore produces louder sounds is hilarious. The scene where the band plays on a Stonehenge stage is a classic, very memorable.

Writer Christopher Guest recently wrote and starred in 'Best in Show' (2000) and 'A Mighty Wind' (2003), two hilarious and terrific fake documentaries, the so-called mockumentaries, but 'This is Spinal Tap' stays the classic example. He and his co-writers, including director Reiner, have created the ultimate cult classic.

A classic, scathing lampoon of every successful rock band that's ever been guilty of taking themselves too seriously. Rob Reiner directs (and plays an important supporting role) but it seems like all he really needed to do was point a camera in the right direction, then edit several hours' worth of golden improvisational delight into a concise, intelligible ninety-minute package. It's a roaring parade of nonstop laughs, some blunt and easy, others sharp and witty. Famous bits like Christopher Guest's "this one goes to eleven" have been played to death but still elicit smiles, while deeper cuts, such as the band's reaction to contemporary critics or their infamous Stonehenge performance, land as if they were brand new. And the music is great, too, not just as a cutting satire, but as a convincing love letter to the days when power rock was all the rage and flocks of buzzed, well-feathered teens would still pack a stadium to hear the loudest noise on the planet.

A fantastic mockumentary! I feel quite embarrassed that I hadn't seen it before. Seriously, hilariously excellent. It really could be real.

Michael McKean is unrecognisable and superb. Wow.

If you love music, enjoy a good laugh, you will love this.