Un androide apparentemente indistruttibile viene inviato dal 2029 al 1984 per assassinare una cameriera, il cui figlio non nato guiderà l'umanità in una guerra contro le macchine, mentre un ... Leggi tuttoUn androide apparentemente indistruttibile viene inviato dal 2029 al 1984 per assassinare una cameriera, il cui figlio non nato guiderà l'umanità in una guerra contro le macchine, mentre un soldato di quella guerra viene inviato per proteggerla a tutti i costi.Un androide apparentemente indistruttibile viene inviato dal 2029 al 1984 per assassinare una cameriera, il cui figlio non nato guiderà l'umanità in una guerra contro le macchine, mentre un soldato di quella guerra viene inviato per proteggerla a tutti i costi.
- Regia
- Sceneggiatura
- Star
- Premi
- 9 vittorie e 8 candidature totali
- Punk
- (scene tagliate)
- Policeman
- (as William Wisher Jr.)
Riepilogo
Recensioni in evidenza
An ontological, paradoxical and dystopian forecast of a future world that probably won't have time travel, but may well see machines used to ill affect - we are, after all, our own worst enemies.
An outstanding piece of film making that perpetually stands the test of time.
In the course of a few hours during which Sarah Connor realises that she is running for her life from a soul-less machine in human flesh that is implacably and violently determined to kill her, she transforms from a girl who can't balance her cheque book to a woman who can order a wounded, beaten man to "get on your feet, soldier." She is clear-headed, not panicky, focused in crisis and incredibly courageous. And it's not that she has lost her essential femaleness but that she's grown up.
It's relentless, heartless violence appals and fascinates me. It's gritty depiction of our society as a prelude to an even more horrific one in 2023 darkens my heart. It's quickly developing love story touches me. Its humor makes the dark places in me smile. But most of all I am touched and fascinated by Sarah's precipitous transformation. As a good life exercise, ask yourself this: Would you have the courage to do what she does?
9.5 out of 10.
Linda Hamilton Returns to Her Iconic 'Terminator' Role
Linda Hamilton Returns to Her Iconic 'Terminator' Role
Lo sapevi?
- QuizWhile shooting this film, James Cameron often resorted to what he called "guerilla filmmaking" as a way of getting around acquiring permits needed to film certain scenes. This involved the production crew and actors quickly arriving at a specified location, shooting the scene and leaving before the police arrived. As a result, some of the people seen in a few shots are actual everyday citizens completely unaware they're in a movie. This was also used for re shoots with Cameron even calling and waking Arnold Schwarzenegger once at 3am to meet him at a location already in full costume to quickly re-shoot a scene. Cameron also used this tactic to film the very last scene where Sarah drives off into the desert. Waiting for the heat to rise to the point that ripples could be filmed a highway patrolman appeared. Producer Gale Ann Hurd convinced him they were working on a UCLA film project and he allowed them to finish.
- BlooperWhen Sarah is in the night club she has to put change into the pay phone to call 911.
While 911 calls are free, many pay phones in the 1980s required you to insert a coin in order to obtain a dial tone.
- Citazioni
The Terminator: [59:15] I'm a friend of Sarah Connor. I was told she was here. Could I see her please?
Desk Sergeant: No, you can't see her she's making a statement.
The Terminator: Where is she?
Desk Sergeant: [uses his pencil to point to the bench] Look, it may take a while. Want to wait? There's a bench over there.
[points to bench]
The Terminator: [looks around, examining the structural integrity of the room, then looks back at him] I'll be back!
- Curiosità sui creditiThe opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself.
- Versioni alternativeNBC edited 7 minutes and time-compressed 4 minutes of this film for its 1987 network television premiere.
- ConnessioniEdited into Terminator: Scene tagliate (2001)
- Colonne sonoreYou Can't Do That
Performed by Tryanglz
Written by Ricky Phillips
Published by Ricky Lynn Phillips Music (BMI)
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- The Terminator
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Botteghino
- Budget
- 6.400.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 38.371.200 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.020.663 USD
- 28 ott 1984
- Lordo in tutto il mondo
- 78.371.200 USD