Secret Honor

Made 11 years before Oliver Stone's "Nixon", with Anthony Hopkins, Robert Altman's direction of Philip Baker Hall in his gritty portrayal of Richard Millhouse on his last night in the Whitehouse, rehashing out all his problems over a bottle of scotch. Fumbling and bumbling around the office with tape machines and casting vague hints into the real motives and players behind the whole debacle. A very watchable and interesting film for anyone interested in Nixon/Watergate. A better film than Oliver Stone's version in spite of a much smaller budget.

A great film, if you can find it. I first saw it nearly ten years ago, and it still is fresh in my memory. This is a one man show (Hall is the only actor in the film) and an adaptation of a stage performance. The simple premise: Several years on from his disgrace, Nixon is in San Clemente and sits down with a bottle of Chivas and his old friend, the tape recorder, to spill his guts before he commits suicide. Hall is captivating in the role and his descent into drunken madness is a masterful performance. One of Altman's best. A bit of a history lesson, but one that is more interested in theater than in truth. Still, great theater reveals its own truths and there is plenty here to chew on.

Any individual is a puzzle, and Richard M. Nixon was no exception, rather living proof. To those who know him and his story (wether through a variety of books or personal experience or even through Oliver Stone's excellent "Nixon") this is a magnificent epilogue that instead of tying all loose threads together, reopens wounds and reformulates old and tired questions.

The film is a mix of fragments of a complex and important life (one that helped shape the modern world) and an equally complex mind. Since only a very long (and impossible, given the obvious budget) running time could grace this with a tight sense of structure, the performance becomes the binding element, which is the key element of this picture. Whether you are interested in history, Nixon himself, character suffering, paranoia, film or acting, this is a must-see, if only for the brilliant performance by Philip Baker Hall. His portrayal of Nixon blows Anthony Hopkins's away in terms of accuracy and is a mighty challenger in terms of acting alone. He may be less sympathetic than Hopkins, but such was one of the real Nixon's flaws (in interviews the real Hall is quite charming!).

Turning a play - especially a one-man-show - into a film is quite a challenge, but Altman, through simple yet effective means (notably the use of security-camera monitors and portraits), cranks up the intimacy and paranoia, ending the film in an uneasy and dark manner that would never be conceivable on stage.

In fewer words, suffice to say that this unusual little film is in truth a giant in movie-making resourcefulness and talent. Unmissable.

(for the Laserdisc notes: aspect ratio is 4:3)

It's interesting to know some background of the film. First, Secret Honor began as a stage play written by Donald Freed. Altman toured it around the country. These notes are derived form the commentary tracks on the laserdisc.

The filming occurred while Altman was in residence at the University of Michigan. The set was constructed in a residence hall and video cameras were installed so that students could observe the production. Graduate students in the film program filled many of the technical positions.

The play was shot on 16mm film, which was then enlarged to make 35mm release prints. Consequently, the photographic quality is rather flat. There's no denying the power and accomplishment of Philip Baker Hall's performance, however.

If you ever get a chance to see this film, grab it! Phillip Baker Hall doesn't simply portray Nixon, he inhabits him. The familiar hunched shoulders and odd poses employed by every Nixon impersonator, in Hall's hands seem less like imitation than brilliant artistic choices, revealing the inner struggles of a remarkable, tormented man. No disrespect to Anthony Hopkins, unquestionably a very talented actor, but his Nixon doesn't hold a candle to Hall's.

This is of course a work of fiction, but like the best fiction it lies in order to reveal a deeper truth. Nixon never made the tape we see him creating through the course of this film, but what is revealed through it is both psychologically and historically honest. The portrait that emerges is unsparing and sympathetic. Nixon emerges as a hero in a Greek tragedy with the same grandeur and the same tragic flaw.

Fans and critics both of Richard Nixon will find their judgements challenged by this complex, revealing portrait. Even someone who has never heard of Nixon couldn't help but be fascinated by this powerful, complex man.

Note to PT Anderson fans: According to Anderson, this was the performance that convinced him he had to work with Hall. It's no accident that Anderson's first full-length film, Sidney (or Hard Eight), was a showpiece for Hall's amazing talent.