Il fiume dell'ira

The River features a decent portrayal of the harsh life of American farmers and delivers a fine message that stands as the epitome of genuine American virtues. It is the story of Tom Garvey (Mel Gibson) and his family. They cultivate land close to the banks of the Tennessee River and have to fight floods and financial crises while one of the local capitalists plans to build a reservoir and wants them to abandon their land. Tom and his wife Mae (Sissy Spacek) are unwilling to yield. They rather chose to continue their inhuman struggles and stick to the grounds of their ancestors. What follows is a desperate and almost destructive fight to survive against adversities that seem invincible.

Mel Gibson and Sissy Spacek are portrayed as a loving couple that would never back down. Despite mounting pressure and considerable setbacks it is a question of honor and integrity for them to hold on. Due to financial reasons, Tom takes a job as a factory worker and has to leave Mae with the work at home. Mae is a rugged but also very sensitive and determined woman. She is not as stubborn as her husband and does indeed show signs of wavering and despair. Yet she is as dogged as he is when it comes to defend their land and their family. This is where both get their strength from. Land and family. The most important values for Americans. As long as there is land, and as long as the family is intact, there is always hope. Whatever adversity is thrown upon you – natural or man-made – backing down is no option. The movie lives from this emotional and psychologically compelling commitment and brings these genuine American virtues to the fore with sincere authenticity and without glossing over the facts. The life of the family is portrayed in all its depressing hardships and stands as a symbol for the bold ambitions and the perseverance of the pioneers of the historical frontier. At the same time Tom and Mae embody natural virtues of not just Americans but all humans.

Apart from the very obvious emphasis on courage and steadfastness, the movie provides visually intriguing sequences. The camera work is sublime and manages to capture at least some of the most picturesque images of the Tennessee River. The entire movie is shot on location in the Volunteer State along the banks of the great river. The scenes shot at night and during heavy rain are stunning and require substantial experience.

The River is indeed more than an average movie. Its story is simple but compelling. The characters are decently portrayed and the message is both appealing and inspirational. Storyline developments are sometimes still too slow and some scenes are occasionally long-winded. It is a typical American movie, thus elaborating strongly on American issues and American virtues.

One of those Mel Gibson movies that no one has heard of and yet, is excellent. Sissy Spacek coming off of an Academy Award for Coal Miner's Daughter (1980) is excellent here too (nominated for this one as well).

It's always a tough go for farmers, but the 80's was particularly bad. Remember Farm Aid, 1985?

Scott Glen plays a good bad guy looking to push some farmers off their land. Mel and Sissy show that love is the tie that binds and resist giving up. Great cast and performances all around.

The River is really one of those lost gems from the 80's. The two main actors, Spacek and Gibson, show why their careers really took off during this time.

I'll agree with most of the previous comments on The River, but will also add that the focus of the very last confrontational scene defines for us the essence of the film and brings forth in the heartless protagonist, Mr. Wade, what he had so humanly (inhumanely?) failed to render throughout the entire story -- respect for those he was trying to selfishly destroy. If you've ever watched just one lonely individual (Mel Gibson in this case) do only what he/she could do (grab a couple mud bags) to make a difference against overwhelming odds, then to be joined in the task by those who were too paralyzed to even think, you'll find similar and inspiring action here, yourself caught up in the grittiness it all takes, and you'll almost rise from your seat to help patch the breached water wall with them.

One man prevailed, an entire valley's worth of beaten-down folk rallied, and what machinery couldn't absolutely guarantee, slogging feet and wet, muddy hands secured.

You just have to love it.

Tom and Mae Garvey (Mel Gibson, Sissy Spacek) are the owners of a small eastern Tennessee farm that has been in the Garvey family for generations. It is the early 1980s, when the staggering U.S. economy threatens the welfare of the American family farm. The Garveys' struggles are compounded by the fact that their property is in a flood plain, and by the enmity of Tom's rival Joe Wade (Scott Glenn), who is a wealthy and powerful foe. This is not lighthearted entertainment.

For me, the film's most powerful moments come when cash-strapped Tom has to leave the farm to find work elsewhere. He unknowingly becomes a scab in a factory where the regular labor force is on strike. At least there is a regular paycheck, but the contrast between the man-made hell of a iron foundry/steel mill and the natural beauty of the family farm is compelling, and you can see why the Garveys struggle to hold on to their agricultural way of life, however hard it is. The cinematography for this movie is way above average, a celebration of rural America.

Sissy Spacek delivers her usual fine performance. Mel Gibson is very good-- his Tennessee accent quite convincing. The two youngsters who play their children deserve special praise for their natural performances. This is a good, thoughtful movie-- not romantic, thrilling or exciting-- but one the family can watch together and think what sacrifices they would make to keep a heritage and a way of life preserved.

Continuing my plan to watch every Mel Gibson movie in order, 8 come to his first American movie. 1984's The River.

Plot In A Paragraph: Tom and Mae Garvey (Gibson and Sissy Spceck) struggle to keep their farm from the bank, floods and from local financer Joe Wade (Scott Glenn) who wants to buy up all the land, dam a local river which floods and generate some new jobs.

The river was Gibson's first American movie, and he is fine, but is over shadowed by Spaceck and a strong supporting turn from Scott Glenn, who is effectively the movies villain, it is a funny movie as the "Bad Guy" is right all along and Gibson and Spaceck's characters should have listened to him!! He was talking good common sense!! And that's when you know it's a weird move!! If you are rooting for who is essentially the bad guy.

It's watchable, but that's about it.

The River grossed $11 million at the domestic box office to end the year the 72nd highest grossing movie of 1984.