Aggiungi una trama nella tua linguaA motorbike riding loner rebel on the high school football team wins a date with a cute, rich cheerleader. At the high school dance, her boyfriend's behavior leads to a breakup - opening doo... Leggi tuttoA motorbike riding loner rebel on the high school football team wins a date with a cute, rich cheerleader. At the high school dance, her boyfriend's behavior leads to a breakup - opening doors.A motorbike riding loner rebel on the high school football team wins a date with a cute, rich cheerleader. At the high school dance, her boyfriend's behavior leads to a breakup - opening doors.
- Regia
- Sceneggiatura
- Star
- David Prescott
- (as Billy Jacoby)
- Marine Recruiter
- (as R.F. Colesberry)
Recensioni in evidenza
I believe if a movie you've seen only once can stick with you for this long, it must be good. And hearing many others, who also have seen it 20 years earlier, still talking about it, then I think it should become a classic and re-released.
His desire to leave their sleepy steel town, the little depressed, economically, hellhole with nowhere to go but down, is a catalyst for her, along with his seductive charms. He "wants" her, he tells her, and she wants him, but can't bear to let him know, without him forcing it out of her. He opens her up, sexually, mentally, he challenges her, and there are some really erotic scenes to show all of this.
Don't dismiss this film as fluff, or "plotless", there is a definite plot, it's an old one, used many times, but never quite to this effect, with these actors, with people this lovely to look at, this talented, with a soundtrack so perfectly fitting. It's a good movie, and has some really nice, creative camera work - the high school dance scene, camera swirling around Darryl Hannah and Aidan Quinn, is classic. A perfect little movie moment.
I recommend this movie, to anyone who likes erotic romances, or who wants to see a good example of why Aidan Quinn got so many parts in movies, or why Darryl Hannah was once so popular. These two light up the screen. The soundtrack is pure '80s, the tail end of the New Wave movement in music, and it's well preserved today.
Time and distance grant you clarity. So now, twenty four years later, I think I can review this movie with a much more critical eye. After seeing it again recently on a fairly good VHS copy, some of the strengths that I remember are still there. The beautiful cinematography that is reminiscent of "The Dear Hunter" is still there. Many of the shots in the film give the Pennsylvania mill town a bleak and forlorn look that matches Johnny's life. The editing is dead-on and lends this film an urgency that matches the story. The music is used effectively throughout. Inxs, Romeo Void, and Kim Wilde, just to name a few, give each scene the 'feel' it needs to enhance the story. The home coming dance scene where Johnny punks out to 'Never Say Never' is a great example of how bringing together great acting, editing, music, and energetic camera-work into a scene can get an audience's heart rate going. The scene still holds up after all these years. Fresh faced earnestness of the performances from Quinn and Hannah also make this movie very watchable.
Despite all of it's strengths, I couldn't ignore the glaring shortcomings. First off, Quinn's character, Johnny, is not really very believable. To be more precise, the way girls react to him in the film (with the notable exception of Tracey) is not really believable. Look at some of the opening scenes where some of Tracey's fellow cheerleaders treat him like a leper and call him a weirdo. Who are we kidding? Let's face it, as far back as James Dean, good looking, brooding guys on motorcycles have been babe magnets. Had I known this back then, I would have saved my money for a bike instead of blowing it on beer and fast food every weekend. I will pause this review briefly to kick myself . Okay, I'm back. On with my review. Johnny's relationship with the older lady at the bowling alley is never developed although it seems to hold promise for further developments. Perhaps a love triangle? I dunno, it just seems kinda weird how it is given attention, and then dropped. Aside from Quinn's character, all other characters are fairly two dimensional. Tracey feels underwritten. She's a perfect princess that decides to rebel just because her life is too perfect? Really? Huh. At least that's what a brief two minute scene tries to sell us on for her motivation for ending up with Johnny on her first night. Did I miss something? I attribute these anemic characters to an underdeveloped script that comes across as clichéd and formulaic.
In most instances, this would be the death of any film. At least for me it would be. But because of all it's other strengths, it actually turns out to be a pretty engaging little movie, even after all these years.
"Reckless" is a fine example of how style, and shameless pandering to the teenage psyche, can sometimes triumph over a substandard script.
Lo sapevi?
- QuizAfter seeing Aidan Quinn in this film, director Martin Scorsese hired him to play the lead central role of Jesus in the original Paramount Pictures development of L'ultima tentazione di Cristo (1988) (which later got canceled). Quinn has said: "Marty quite liked Amare con rabbia (1984). I mean, he said, 'I hate this kind of movie,' but he thought Jamie Foley did a real good job for a first try".
- Citazioni
Tracy Prescott: He's all upset and it's probably my fault.
Johnny Rourke: Well, I'm pretty fuckin' upset and it's definitely your fault.
I più visti
- How long is Reckless?Powered by Alexa
Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 8.289.916 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.446.016 USD
- 5 feb 1984
- Lordo in tutto il mondo
- 8.289.916 USD
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1