Razorback: oltre l'urlo del demonio

One striking shot follows the next in this monster B-movie, and the overall tone of the visuals is beautiful, I think. And there is some thick, intense atmosphere. In those departments it's so stunning that the many flaws can't ruin the film. The acting is OK all in all but there are some moments that make you want to put your head through the next wall. The action scenes and especially the ones with the razorback, a huge boar, are more or less comprehensible in that you get the basic idea of what's going on but all the crucial scenes happen between cuts, so the editing is jumpy, kind of like a TV edit. The worst example is the movie's finale and the destruction of the monster, which after an exhaustingly loud, dark, monotonous battle between man and monster plot-wise also ends on a ridiculous and schmaltzy note and so the film leaves you with a bad aftertaste. But those visuals, man, those visuals... It's kinda like a more extreme 'Alien³'. Worse plot, more stunning visuals. What else could I do but consider this a new B-movie favorite?

Razorback is one of the best Australian horror/action movies ever made. The direction is dazzling, the cinematography is truly remarkable and the cast is brimming with quality actors. Mysteriously, no one seems to care.

There is no denying that Razorback's basic plot premise is pretty ridiculous. In short, a giant boar (a Razorback) goes on a killing spree in a small outback town. This is about as unlikely as a giant shark terrorising swimmers ("Jaws") or a wet Japanese woman climbing out of a television set ("The Ring"). My point is that even the most ludicrous storyline can be overcome by excellent film-making and this is certainly the case with Razorback.

Razorback was the film that launched Russell Mulcahy's film career after making a name for himself directing music video clips for AC/DC, Queen and Duran Duran. Razorback reflects the same sensibilities that Mulcahy brought to his best video clips: frenetic pacing, flashy camera angles and stylish visuals. These qualities are almost disorientating during the film's action and horror sequences, making them all the more suspenseful and eerie.

Mulcahy's dizzying direction combines brilliantly with Dean Semler's superb cinematography. Semler seems to thrive on barren landscapes and he captures the harsh beauty of the Australian outback magnificently. The scene with the wooden horse bobbing up and down on the salt flat is mesmerising, as is the entire sequence of Carl hallucinating in the desert. Put simply, Razorback is one of the most beautiful horror films not made by an Italian giallo master.

The cast is equally accomplished, offering a smorgasbord of excellent Australian character actors. Judy Morris ("Phar Lap") does well as Beth, not being hampered too greatly by an American accent. Bill Kerr ("Gallipoli") seems to have appeared in every second Australian movie. He has one of his best roles as Jake. Chris Haywood ("Muriel's Wedding") is also memorable as the ultra vile Benny. American import, Gregory Harrison, does respectably as Carl and the late Arkie Whiteley is sweet as Sarah, a woman who inexplicably monitors boar movements in the middle of nowhere.

The special effects still hold up reasonably well and the creature effects for the Razorback are great. I love the close-up of its eye in the finale. There is not much gore, but what the film lacks in blood, it more than makes up for with constant action. Razorback begins with an action sequence and simply never lets up. There are car chases, kangaroo shootings, beatings, home demolitions and that just covers the first half of the film. Razorback is not a particularly scary film, but it compensates for this with eerie atmospherics and relentless tension.

In addition to the fine film-making, I also enjoy Razorback for its political incorrectness. The outback characters are arch stereotypes and just about every animal in town comes to a violent end. Benny and Dicko even run over Jake's dog for fun, which would be unimaginable in a film made today. Furthermore, the irony of an animal rights activist being eaten by a giant boar was not lost on me.

Razorback is an excellent genre film that deserves much wider recognition. I wish the Australian film industry would make more films like this. If Russell Mulcahy's upcoming "Resident Evil" instalment does well, he should consider making the long overdue sequel to Razorback.

Plot

As a vicious wild boar terrorizes the Australian outback, the husband of one of the victims is joined by a hunter and a farmer in a search for the beast.

Cast

Not familiar with anyone involved except the ill fated Arkie Whiteley.

Verdict

This was recommended to me by a guy who likes throwing me the absolute most dire and cheesy monster flicks, it's because of him I'm pretty sure I've seen the entire Scyfy original catalogue.

Razorback most certainly comes under that category, namely a dire cheesy monster flick! Set in the outback we see our hapless hero teaming with a grizzled hunter who has history with porky and fending off two local miscreants who are more of a threat throughout than the beasty itself.

Our piggy is barely on screen and when it is it's generally ultra close up shots of its tusks/nose at no point do you really get a proper look at it and I'm sure the reasons for this are pretty obvious.

The plot is bland, it never reels you in. You never feel the threat of this creature, you're more annoyed by the other pair of antagonists who are just dreadful! And our lead? He couldn't have been anymore bland if they tried, awful awful character.

Razorback is not an 80's classic, it's a movie kept afloat in peoples mind by the power of nostalgia.

Rants

Oh Arkie, what could have been? There was a young talented actress with a successful career on the up! What a dreadful shame, so incredibly young, she hadn't even hit 40 before falling. I'd have loved to see how her career would have inevitably blossomed.

The Good

Arkie Whiteley

The Bad

Weak creature effects Awful finale Bland leading man Antagonist humans were simply too annoying Fails to engage the viewer.

It's not that scary with an abrupt ending and features some really annoying characters but Razorback is still overall a good thriller. Gregory Harrison and Bill Kerr are both great. There's a few effectively suspenseful scenes and it's surprisingly extremely well filmed with some really gorgeous shots. There are some laughably bad moments and the music by Iva Davies is really good.

Judging by the external reviews, quite a few people appear to hate this film. I can see why, but I think they're coming at it from the wrong angle.

I see it as - intentionally - trying to send up the whole genre of vengeful animals horror flicks. In truth, neither sharks nor grizzlies, and certainly not razorback hogs, are smart enough to conceptualize, let alone carry out, acts of vengeance on humankind. The film simply takes the "rules" of this particular genre and applies them to a ludicrously unfit vehicle: a giant pig. And there are some pretty funny scenes, notably one where the monster eats a nasty watchdog that's chained to the side of a house; naturally, the corner of the house to which the chain is attached comes off and Joe Couch Potato is left sitting in a wall-less abode, staring quizzically as his television disappears into the outback.

Treat it as comedy, and the film makes a lot more sense.