Protocol

The very first scene of "Protocol" is all wrong: Goldie Hawn (again playing a sweet ditz) holds up traffic on a busy Washington, D.C. street when her car breaks down. Not only has her engine blown but she can't get out of the car because the door is also broken. Who wrote this? Buck Henry?!! Hard to believe, but it gets worse. Hawn saves a Middle Eastern leader from being assassinated and becomes the toast of the town--but only until jealous and nefarious White House insiders attempt to make her look foolish. Goldie Hawn only looks foolish when she's required to act too dippy for her age, but I cannot think of any "young" actress who could've gotten away with this role either. Early on there's a bouncy press-conference sequence with many funny lines, but too often the script is loaded down with groaners. An uncontrolled party scene near the finish brings everything to a screeching halt, with characters we don't like acting even more moronic than usual. It nearly makes "Private Benjamin" look like Shakespeare. ** from ****

Unlike many 1980s Hollywood comedies, "Protocol" has all but been forgotten today. It doesn't take very long upon watching it to figure out why. The main problem is simple: the script. It's hard to believe at first that Buck Henry, who earlier wrote humorous movies such as "The Graduate" and "What's Up Doc?", wrote this movie. But it doesn't seem to have been his fault, since he was working with a story outline written by THREE writers. Those three writers came up with a story that has been done many times before and since, concerning a ditz who is pushed into a position of power but proves in the end to be smarter than everyone thought. Oh, it could have been made to be funny, but it isn't, partly due to the predicable nature of the movie, but that it's been directed with a woeful lack of energy and snap. There's also a curious fragmented narrative at times, as if some key linking scenes were never filmed or cut out in the editing room. The only good thing about the movie is Goldie Hawn, who gives her character a good amount of spunk and sympathy, but it isn't enough to save things.

A pretty average movie but a brave one from Ms Hawn to promote this vehicle as Exec Producer & as a starring vehicle. Although she ends up vindicated, she is willing to portray herself as the dizzy bimbo. How many other A listed actresses have subjected themselves to butt injury pratfalls since this movie? Not many. Does this mean the female butt cannot be funny? Goldie surpasses other actresses as she has maintained a screen persona & ventures in projects other won't. Sandra Bullock occasionally goes there,for example, Miss Congeniality but Nicole Kidman would never cop the pratfall. A wonderful performer. Great to see some of my favorite actors, Chris Sarandon & Cliff DeYoung notably.

First the standard/boring parts. I am not particularly a fan of Goldie Hawn, or the other actors. As with many politics movies, this one has "a nobody" plucked from obscurity and thrust to the attention of the nation. International relations and diplomacy are 'the angle' to which this movie enters Hollywood's political lansdcape. It is not done particularly well.

Now to the reason I am writing this review.. a day after I watched the movie. The movie has a low key element to it. That is it does not attempt to be bigger than what it is. As a result, it helps to normalize politics. Makes a case that anyone can become a politician. I consider that to be an important message. Now in the 2020s.. more than ever.. there is this political class. Big money is more involved than ever.

I did not think I would be writing a review for this movie as the closing credits rolled up (I rarely write any). Let alone that it would be a positive one... or at least have a positive aspect to it. Yet, here we are. It is what it is.

If you like Goldie Hawn, you might like this story about a wide-eyed girl who happens to foil an assassination, then--because of her folksy charm--is hired by the Dept. of Protocol.

"Protocol" is a comedy with a moral. It's nearly impossible to miss the parallels with "Mr. Smith Goes to Washington" and, even more "Born Yesterday", (in which Judy Holliday plays the Washington neophyte who finds that civic duty requires her to educate herself in the basics of politics). Goldie plays the part of Sunny with her usual plucky charm. She is surrounded by a sharp cast, but she carries the film as she does most of her films. The writing, by Buck Henry, takes shots at the media, the government, foreign affairs, and the office of the Vice President. Its style is somewhat reminiscent of Elaine May.

Overall, this film is lightweight, even with its serious call for self-education in government affairs. It is not Ms. Hawn's best, but amusing nonetheless.