Purple Rain

Not terribly different from many of the 1930s-era "backstage musicals," Purple Rain sports a contrived plotline that sees Prince (in the film referred to only as The Kid) battling rival musician Morris Day for the affections of new-in-town beauty Apollonia and a shot at stardom through a secure spot on the bill at legendary Minneapolis club First Avenue. A secondary narrative thread concerns The Kid's violent home life and his attempts to protect his mother from his raging, abusive father. Anyone looking for nuance and subtlety won't find it in the acting or the direction, but Prince's stage presence is commanding, and the musical numbers are electrifying. The Academy Award winning song score (irrefutably one of the best rock albums of the 1980s) and Prince's enigmatic, magnetic personality are undoubtedly the chief components in Purple Rain's sturdy cult, but for viewers of the right age, the youthful angst, flip attitude, and bold sexuality of the film will prove to be irresistibly attractive.

You can debate Prince's acting talent, or even his choice to parody his own life in this film. There is no debate about his musical talent either then or now. He seems like a shadowy has-been twenty years later, but the music remains relevant and fantastic.

Having lived through the hype of this movie (graduated high school in'85) I can tell you that there was nothing bigger at the time. From Tipper Gore (Al's wife) trying to censor "Little Nikki" and every thing else under the sun via the PMRC (Parents Music Resource Center) to every "Air Band" at the time impersonating Prince, it was the absolute hottest thing out. For a few weeks at least, Prince was bigger than Madonna and Michael Jackson.

We all waited for the film and were soooooo excited when it premiered. It didn't disappoint. EVERYONE was caught up. I was an MTV junkie at the time(they actually played music then....all the time)Prince played at least once or twice an hour. I must qualify this commentary by saying that, at that time, my favorites were Billy Idol, Oingo Boingo, The Fixx, Flock of Seagulls and others in the Punk/ New Wave genre' The music of Prince at the time transcended all types and styles. One of the reasons that some of it seems so cheesy and contrite now is that it was SOOOOOOOO big then. All the things that remind you of the 80's were iconic then. It was mainstream and it seems like a cliché' now. It got so popular that it became ridiculous. It's like the rappin' Granny commercial for Wendy's Hamburgers.

It looks stupid now because EVERYONE was caught up in it (sadly, kind of like a bizarre purple macarena or something. Anyway, I hope this gave you all a little insight.

It's no use. Arguments about the potato-chip thin script, the haphazard direction and some of the most laughable non-acting ever photographed for a film, will prove ineffectual. Such conditions have existed in the realm of film vehicles for music stars since the genre began, (with some mind-boggling examples of the worst of the lot offered by every star from Elvis, to Frankie Avalon, to Vanilla Ice.) What you watch these movies for is not the deep plots, solid writing or impeccable direction. It's for those moments of electricity that leap off the screen, strike you right in the butt and have you dancing in your theater seat, as the magic of a performer at his or her peak, in their heyday, turns a few minutes of film into a literal celebration of life.

Such is the case with PURPLE RAIN, the one film that, as far as I'm concerned, effectively captured the raw essence of the good ol' "ME" Decade.

In a thinly-disguised version of the events that shaped his career and his life, The Purple One starred as a brilliant songwriter and musician simply known in Minnesota music circles as "The Kid." There are three distinct storylines, all of which have been around since Mickey and Judy put on shows for the neighborhood. One documents the intensive rivalry existing between Prince's band and the Time, fronted by the charismatic poseur and self-described "Lay-deez Man" Morris Day, (who in a satirical and self-effacing performance, manages to effectively steal every scene he is in.) The battle is waged nightly at Minneapolis' legendary First Avenue Club, (where Prince really did get his start with other leading lights like Andre Cymone, Jesse Johnson and Morris).

In the second, the two frontmen battle even harder for the affections of new-girl-in-town Appolonia (Appolonia Kotero, in her debut, and biggest screen role to date.)

The third reflects "The Kid's" struggle with his inner demons and the source of his problems dealing with his career and his personal relationships: the volatile, strained marriage between his equally brilliant but tragically broken father, Francis L. (Clarence Williams III) and headstrong mother (Olga Karlatos). The scenes between the three of them have provoked uncontrollable snickers with their over-the-top hystrionics, but those few moments they work, they do carry an undeniable power, and a window into "The Kid's" tortured psyche that fans were only privy to before through the music.

And ultimately, that is what PURPLE RAIN is all about: the power of music to transcend, transform and uplift everything it touches for good or for ill, though good is ultimately the strongest influence it exudes. Prince's chart-topping, Oscar winning song score found The Artist at his dazzling best, and director Magnoli made a wise call including as much scintillating concert footage as possible.

The Battle of the Bands sequences are wondrous to behold, with both The Revolution and The Time at their tightest, loosest and funkiest all at once. Even the vocally-deficient, amply-augmented Appolonia 6 (formerly Vanity 6) sparkles.

The remaining cast all do the best they can with what moments they're given, the standouts besides Williams III and Karlatos being the hysterical rapport between Day and Time mascot Jerome Benton, and some refreshingly confrontational moments between "The Kid" and former bandmates Wendy and Lisa, which threaten at times to edge into the territory of cinema verite, rather than just popcorn-driven melodrama.

But capturing one of the decade's defining cultural touchstones is the true purpose of PURPLE RAIN, and to this day, you can talk to people who can still remember where they were and what day and time it was the first time they heard "When Doves Cry." With "1999" running a close second, this was Prince's masterwork, and even though he still produces material with flashes of profane, profound, funk-fueled brilliance, he still has yet to top the creative bar he raised for himself and everybody else back in 1984.

No movie has ever has as much impact on me as Purple Rain. And isn't that one of the signs of a great movie? I remember a colorless year of what I considered very boring music. Then Prince came along with his music & movie and painted the world purple for a brief moment in time. I don't care how feminine Prince was, he was getting the best looking girls and he was my hero. I saw the movie in the theatres four times that year & I still long for the days when it was seen in widescreen format on the big screen being played LOUD. To me, a guy who normally marvels at the cinematography of Hitchcock and has a video collection of over 600 movies, Purple Rain is flawless. It is a movie that can be screened 20 years from now and will still survive the test of time. Prince, today, is too serious & strange to be fun anymore, but there was a time when he was alot of fun & this movie documents that time. From the very second the movie starts, it creates a mood with flashes of images that stay in the mind as much as the images of Citizen Caine do. Prince takes us on a journey & gives us a peek at what it was like to be around that great Minneapolis sound at it's birth. Morris Day & Jerome Benton were as good a comedy team as any. And they, with The Time, add two really good songs as well. But it is Prince's music that completes the movie & makes it what it is: a movie I can pull out every five years and really enjoy.

When I first saw this video in the video store, I didn't know what to make of it, being from Prince and all. Being an adventurous soul, I rented it anyway. Good decision! From the very first synthesizer-soaked note of "Let's Go Crazy," this movie takes hold of your attention, and doesn't let go until the ending credits. All the music has that '80s new-wave synthesizer sound goin' for it, but hey, it's an '80s movie! Besides, Prince's songs have a timeless quality that cannot be ignored. Some people may have their opinions of the Purple One, and I understand, but as for me, I think he's awesome! The movie as a whole is cool, with great performances by Morris Day and the Time, Apollonia (Sex Shooter) 6, and of course, Prince and The Revolution. Check this one out on a rainy afternoon!