Prison Ship

My review was written in May 1987 after a Cannes Film Festival Market screening.

A thorough knowledge of sci-fi B-movies pervades "Prison Ship" (alternatively titled "Star Slammer" and subtitled "The Adventures of Taura Part I"), an affectionate camp effort made in 1984 by prolific indie helmer Fred Olen Ray. Target audience is buffs who will catch the various in-jokes and elements of spoof.

Pic is styled as a serial with four chapters. First segment is set on Planet Arous (a nod to the John Agar '50s classic) and has the look of a B-Western shot in some canyon. Sandy Brooke is Taura, a tough gal miner who runs afoul of Magistrate Bantor (Ross Hagen), who represents the hated Sovereign. She brutally burns Bantor's hand in a fight and is framed and set to Star Slammer (that's Chapter 2's title), the prison ship Vehemence.

Remainder of pic, recycling sets from such films as "2010", "Galaxy of Terror" and "Android", takes place in this Outer Space women's prison, with spirited mocking of the cliches of women-in-chains features. Brooke is thrown in with some very tough babes, but quickly establishes her own fighting prowess and trustworthiness. Teaming up with the gal's leader Mike (Susan Stokey) and a beautiful doctor who is working for the underground (Jade Barrett), she helps engineer a successful jailbreak, setting up a promised sequel titled "Chain Gang Planet".

On a minuscule budget, "Prison Ship" provides okay modelwork for space battles, cute little monsters called Jagger Rats and lots of assorted silliness. Acting is way over the top, with Marya Gant as the grotesque Rubenesque warden and Dawn Wildsmith as her right hand momma taking home hambone honors. Director Ray has gone on to bigger projects since making this one so the sequel is anything but certain. Film's cheapo production values are part of its charm but certainly will limit its marketability.

There is a leech-eating scene.... need I say more? At one point, during the requisite prison cafeteria food-fight scene, several of the actresses literally crack up and start giggling during their lines.

One of the actresses, a doctor, was actually not half bad (in comparison), and I felt very sad for her; the rest of the actresses didn't seem to take the script seriously at all, and who can blame them? They were probably coeds promised free beer if they showed up and read from cue cards.

This movie is so very bad that it's actually hysterically funny.

The appealing Sandy Brooke plays Taura, an Amazonian miner who is targeted by a bad guy named Bantor (Ross Hagen), a sadistic government agent. She is sentenced by a judge (John Carradine, in a VERY quick cameo) to prison time on a spaceship, the "Star Slammer" of the title. She earns the respect of fellow inmates such as "Mike" (Suzy Stokey), and gets on the bad side of the kinky warden (Marya Gant) and her eyepatch wearing henchwoman "Muffin" (Dawn Wildsmith).

There's definitely something to be said for movies by the likes of Fred Olen Ray, the director here. There's a complete lack of pretension, as Ray seeks to do no more than entertain the viewers, albeit in a low budget, cheesy way. He's essentially doing a W.I.P. (Women In Prison) exploitation feature, transposed to a science-fiction environment. There's unfortunately no shower scene, but there are the expected catfights, and the attractive female cast shows some of the goods while dressed in stylized, skimpy costumes. The gore and creature effects are wonderfully tacky; be on the lookout for a cameo by the monster in "The Deadly Spawn". Sets, special effects and music all do a suitable job of maintaining interest for a cult-movie loving crowd. Also look for a quick shot from John Carpenters' "Dark Star" and space battle footage bodily lifted from "Battle Beyond the Stars".

Stokey (who does her own harmonica playing at one point) and Brooke are engaging heroines, while Hagen, Gant, and Wildsmith all relish the chance to tear into the scenery. Aldo Ray is kind of wasted as a mutated sadist dubbed The Inquisitor, but at least he gets more screen time than Carradine. Screenwriter Michael Sonye (a.k.a. Dukey Flyswatter) also plays the supporting role of Bantors' flunky Krago. Johnny Legend gives a positively goofy performance as the wandering priest Zaal. Director Ray and Jack H. Harris, who produced the picture with him, have voice-only cameos.

While not one of Rays' best, "Star Slammer" (a.k.a. "The Adventures of Taura: Prison Ship Star Slammer") shows fans of schlock a good time.

Seven out of 10.

OK. So the line above is kinda silly, but so is this film.

Fred Olen ray is a master at spending no money, and somehow always having a film to show for it. Granted, most of his films end up being very static due to lack of monies for alternate takes and complex editing.

OK. So Ray isn't what you'd call Speilberg. His films concentrate on borrowed sets and costumes(this one's got them), has-been actors( Sid Haig, John Carradine, Aldo Ray, ect.), and some of the most stiff and lifeless dialogue this side of Ray Dennis Steckler.

PRISON SHIP( I saw this as STAR SLAMMER) is a piece of junk, filled with borrowed effects from BATTLESTAR GALLACTICA and BUCK RODGERS. There is some skin, but not enough. Mostly, there is talk, and as many a reviewer likes to point out, Fred Olen Ray makes very chatty pictures. That's because he either doesn't have the creativity, or the perspective, to realize that you don't need a ton of money to make a good film. You just need talent.

Why should I continue? PRISON SHIP is cheesy, and painful. Don't watch this unless you must see every film that John Carradine is in (or you really like train wrecks).

The beginning is awful: trying to convince us that we are on an alien planet, Fred Olen Ray shoots everything through a red filter - it worked in "The Angry Red Planet", it's a pain on the eyes here. But soon enough the action moves in the Prison Ship of the title, and the film turns into a cross between sci-fi and WIP - and furthermore, the kind of WIP I like: less focus on torture and humiliation, more on catfights (there are 2, both very good) and the final escape. The special effects are enjoyably cheesy, though I, for one, would prefer to see as a climax a hand-to-hand fight between the heroine and the female warden instead of the laser space battles we do get (some of them apparently lifted from other sources). The girls are pretty sexy and put a lot of spirit and energy into their roles, especially Sandy Brooke who should have had a longer B-movie career. (**1/2)