Il 'papa' di Greenwich Village

From the opening credits with that smooth Frank Sinatra hit "Summer Wind", this movie never lost my attention. A quaint story of two wanna- be rich guys from Little Italy who unsuccessfully stumble through life trying everything to make a buck without having to work for it. You can't help but sympathize however with the characters of ROURKE and ROBERTS. They leave a lasting impression with the viewer conveying how life can be brutal in all aspects; whether emotional or tangible. And how good guys really do finish last. It was nice to see a measure of revenge for the two in the last scene at the hands of crime boss BURT YOUNG. DARRYL HANNAH adds a great supporting role as ROURKE'S girlfriend who quickly loses patience with him. The one person I was most impressed with was MICKEY ROURKE. He showed such great promise as an actor in this film-his best, hands down. I still can't believe how he allowed himself to deteriorate through the years in the way he has. He truly could have been one of the greats in the industry. That is far from an overstatement. Anyhow, this is a can't miss film-a sleeper. In my opinion, as good or better then some of my other favorites like Goodfellas, The Godfather etc. Enjoy it over and over.

Mickey Rourke and Eric Roberts gets the chance to really shine. Two young up n coming actors who both put in a great performance. It is fantastic to see these two really get in to their parts. What we get to see is actors withe pure talent at their bests.Even Daryl Hannah is really strong. Even down to the smallest part the movie is great casted. This is a must for everyone who loves great acting! Geraldine Page was nominated for best supporting actress, other smaller parts include M. Emmet Walsh, Burt Young(Oscar nominated for Rocky), Jack Kehoe (known from The Sting and Serpico) and many many more. With New York City as a backdrop for the story, this is almost as god as it gets. A classic!

Mickey Rourke is "The Pope of Greenwich Village" in this 1984 film also starring Eric Roberts, Geraldine Page, Kenneth McMillan, Darryl Hannah and Burt Young. Rourke is Charlie, who, with his cousin Paulie, rob a mobster with the help of a safecracker (McMillan). Both Rourke and Roberts are in fine form against the New York background. Everything about this film is seedy. The detectives all look out of shape and overtired, everybody has smoker's skin or a drinker's red nose. As Charlie, Rourke wants a big score so he can buy a restaurant, but his fatal flaw is listening to his idiotic cousin Paulie, a total loser and a weakling, who gets him involved in the robbery of a vicious mobster where a cop is killed at the scene. The attractive Rourke uses his sweet smile to good advantage and underplays; it's a shame he underwent such severe plastic surgery and took his career off track. Roberts plays Paulie as completely pathetic, so pathetic that at times, he's funny, even when his circumstances aren't.

The mob movies were in their heyday when "The Pope of Greenwich Village" was made, so it probably got lost in the shuffle. It's not a big film, but the acting and locations are impressive. Look for Geraldine Page in a small but showy role as the dead cop's mother, a woman who can handle the police better than anyone.

Rourke & Roberts pre-fame.

Charlie Moran (Rourke) seemed more like an Irish hood instead of an Italian. Rourke basically set a trend on the type of characters he plays. He's basically re-did this role again and again. And why not? He's great at it.

Eric Roberts is a chronic over actor. But unlike most, he can be so entertaining. Watching him chew the scenery here was the most fun. The whole "He should die, die, die...." scene after they get fired in the beginning is still a corker.

Daryl Hannah is not the best actress, but she seemed to thrive here as Charlie's straight girlfriend.

And kudos to Walsh, Young, McMillan (R.I.P), and the brilliant Geraldine Page (also R.I.P) for their roles. Page almost stole the film.

And I think Bedbug Eddie (Young) was based on the late NYC mafia leader Fat Tony Salerno. He also conducted most of his business in a no frills back room. He also didn't drink.

Good character study.

Remember when Mickey Rourke was good? Remember Eric Roberts before the "Best of the Best" series? Remember Darryl Hannah at her finest? If not, this surprisingly good film will show you why they all were once established talents (or in Hannah's case, just nice to look at). The dialogue is New York street, but done so well it doesn't feel out of place. A must-see movie for anyone who loves NY, or just stories about endearing losers trying to make it big.