Le stagioni del cuore

This is a great film. I remembered just how it was when I was growing up. Every scene is magnificant. This is how Texas was during this era. Edna Spaulding could have been one of my relatives. Sally Field does not act Edna Spaulding, she is Edna Spaulding.

At the time this film was released I was 20 years younger. I liked it but it did not stay in my memory of good movies to watch. I just saw it again today and could not leave my seat. Was it the story? Yes. Was it the acting? Yes. More than anything it was the situations that the characters faced. Art imitating life and doing a very good job of it.

What I liked most is that I did not think that the performances took away from the story. It's about how your life can change in a split second. Change in a way that challenges you to look at yourself deeply. It's about personal values. It is the type of story that moves me most these days. Stories about humans. It is a stunning film.

This is a beautifully told story about life in a small Texas town during the Great Depression. Sally Field's husband dies and it's up to her to raise their children and harvest the cotton crop in time to save the farm. It's a fine story, but at the end, the film springs a surprise. Who'd have thought a movie could have a coda? The last scene of the movie is so powerful that when I left the theater I literally felt like my breath had been taken away. I suspect the scene is unique in the movies, and it affects me every time I see it. I've shown this film on videotape to friends a few times, and I always whisper, "Please don't say anything to me during this last scene." It never fails, though; my friends always begin jabbering away in astonishment right in the middle of the best scene in the movie. It's not a big problem, though. They always shut up in wonder and understanding just before the credits start to roll.

I was sad to find I didn't love this as much as I had remembered from its release nearly 30 years ago.

The acting is terrific, and the film looks great. But the main plot has elements of familiar melodramatic clichés that bugged me more now in a way they didn't in 1984. The race to save the farm, and the 'we'll do it despite the odds!' dialogue felt a little too Hollywood this time around, as did the 'perfect' gallery of downtrodden, oppressed outsiders (the single mother, the African-American, the blind man).

At the same time, the subplot of the romantic triangle between Ed Harris, Lindsay Crouse and Amy Madigan, while wonderfully acted, really seemed to have very little at all to do with the rest of the film.

That said, all the acting (Sally Field, Danny Glover, John Malcovich) is terrific, and the details of time and place are rich and vivid is slightly (intentionally) softened by the haze of the passing years (Benton grew up in the town where the story takes place).

And that wonderful long last shot, which gives the whole film a larger context, is still a powerful and brave way to end a story.

"Places in the Heart" is one of the more under-rated films of the 1980s. Somewhat based on director Robert Benton's experiences as a youth in Waxahachie, Texas, the film deals with one woman's (Sally Field in her second Oscar-winning performance) struggle to keep her land, house, and children after her husband is killed in a freak accident. She decides that the only way to keep her life is to grow and harvest cotton (not the easiest thing in the world to do, especially during the Depression). Drifter Danny Glover is the catalyst who can bring everything together and the blind John Malkovich (Oscar-nominated) also proves to be an asset. However, racists threaten to stop Field by eliminating Glover. On the other side of town Field's sister (Lindsay Crouse, in her Oscar-nominated role) is having troubles with her husband (Ed Harris). He is having an affair with a local school-teacher (Amy Madigan) and this development could ruin her life just as quickly as Field's life has changed. "Places in the Heart" benefits from great performances, but the direction and screenplay are also second-to-none. An excellent film that was nominated for the Best Picture Oscar in 1984. 5 stars out of 5.