Le stagioni del cuore

At the time this film was released I was 20 years younger. I liked it but it did not stay in my memory of good movies to watch. I just saw it again today and could not leave my seat. Was it the story? Yes. Was it the acting? Yes. More than anything it was the situations that the characters faced. Art imitating life and doing a very good job of it.

What I liked most is that I did not think that the performances took away from the story. It's about how your life can change in a split second. Change in a way that challenges you to look at yourself deeply. It's about personal values. It is the type of story that moves me most these days. Stories about humans. It is a stunning film.

This is a beautifully told story about life in a small Texas town during the Great Depression. Sally Field's husband dies and it's up to her to raise their children and harvest the cotton crop in time to save the farm. It's a fine story, but at the end, the film springs a surprise. Who'd have thought a movie could have a coda? The last scene of the movie is so powerful that when I left the theater I literally felt like my breath had been taken away. I suspect the scene is unique in the movies, and it affects me every time I see it. I've shown this film on videotape to friends a few times, and I always whisper, "Please don't say anything to me during this last scene." It never fails, though; my friends always begin jabbering away in astonishment right in the middle of the best scene in the movie. It's not a big problem, though. They always shut up in wonder and understanding just before the credits start to roll.

I watched this movie because from the short synopsis on Sky's information page it sounded as though it would be a good one. Plus Sally Field and John Malkovich are two of my favourite actors.

And it was a good one. Not once throughout the course of the film did I find myself glancing at the clock in boredom. It's a remarkable movie from start to finish, although I must admit - the end scene somewhat confuses me.

The movie in short, a woman (Sally Field) is widowed and will be forced to sell her farm unless she can pay off the debts her husband left. The movie is set in 1935, and the woman takes the advice of a Negro traveller (played by Danny Glover) and sows acres of cotton. She also takes in a blind man (John Malkovich) as a border to make a few extra dollars. The events which follow are extremely well written, and excellently played by the chosen cast. Sally Field is the perfect choice for the role that she plays, as are Danny Glover and John Malkovich, who is ever so believable as a blind man.

I thoroughly enjoyed it and recommend it to others. If you enjoy heart-warming, touching stories, you'll definitely enjoy this one.

I was sad to find I didn't love this as much as I had remembered from its release nearly 30 years ago.

The acting is terrific, and the film looks great. But the main plot has elements of familiar melodramatic clichés that bugged me more now in a way they didn't in 1984. The race to save the farm, and the 'we'll do it despite the odds!' dialogue felt a little too Hollywood this time around, as did the 'perfect' gallery of downtrodden, oppressed outsiders (the single mother, the African-American, the blind man).

At the same time, the subplot of the romantic triangle between Ed Harris, Lindsay Crouse and Amy Madigan, while wonderfully acted, really seemed to have very little at all to do with the rest of the film.

That said, all the acting (Sally Field, Danny Glover, John Malcovich) is terrific, and the details of time and place are rich and vivid is slightly (intentionally) softened by the haze of the passing years (Benton grew up in the town where the story takes place).

And that wonderful long last shot, which gives the whole film a larger context, is still a powerful and brave way to end a story.

This was a wonderful film which unfortunately I haven't seen for some years, so forget many of the subtleties. Sally Field is superb in the role of the Depression era Texas widow, Emma Spalding, and deserved her second Oscar which showed that yes, we really do like her. I always love this actress, who is especially compelling in the dramatic Norma Rae and charming in the romantic comedy, Murphy's Romance.

The film tells the tale of a good, kind, loving, and strong woman, the widow, Emma (who has been left with with two children to raise on her own) and the pair of disparate characters who help her to literally 'save the farm'...the black drifter, Moze, who plants her cotton, and the intriguing blind border, Mr. Will, that she is forced to take on to appease the nasty banker. Because of mortgage difficulties, Emma's farm and in fact, her life are always in the hands of the local bank manager. The unlikely bond between the trio (Emma, Moze, and Mr. Will) and their shared struggle is always the very heart of the film. There are, however, other local small town characters portrayed here, including a sub-plot revolving around a pair of married folk engaged in an adulterous affair.

It's all so much more meaningful than yet another film about a widow's romance. I don't know that the local couple's affair contributes much to the movie, unless, Hollywood style, there just had to be some sexual implications of some sort or other somewhere. Many others seem to agree that this sub-plot is superfluous.

The other major roles are well cast, with Danny Glover and John Malkovich sympathetically portraying respectively Moze and Mr. Wills. As for the man involved in the affair, Ed Harris (whom I actually kinda like) always does a brilliant job portraying any sort of somewhat sleazy character!

Memorable moments...One moving scene has lingered in my mind all these years, when the newly widowed Emma helps prepare the body of her sheriff husband, Royce, for burial. This is of course so alien to us today, when compared with our modern detached funeral parlors. There is an amazing tornado scene, wonderfully photographed, that brilliantly conveys the terror of the characters seeking shelter. Plenty of high drama there! The movie also has anti-racism themes, with a dramatic scenario involving some local Ku Klux Klan members or equivalent, in which Mr. Will plays a pivotal role. And a fabulous, touching scene where Emma dances at a community shindig with her young son, Frank. I recalled it vividly a few years later during a 'first dance' with my own son.

Certainly not an action flick, but a thoughtful, touching, heartwarming story with very sympathetic characters that will engage you and earn a place in YOUR heart. The movie has a quietly dramatic ending some have questioned, but I personally found it perfect. As another reviewer cleverly noted, it 'seals' the film.