Le stagioni del cuore

At the time this film was released I was 20 years younger. I liked it but it did not stay in my memory of good movies to watch. I just saw it again today and could not leave my seat. Was it the story? Yes. Was it the acting? Yes. More than anything it was the situations that the characters faced. Art imitating life and doing a very good job of it.

What I liked most is that I did not think that the performances took away from the story. It's about how your life can change in a split second. Change in a way that challenges you to look at yourself deeply. It's about personal values. It is the type of story that moves me most these days. Stories about humans. It is a stunning film.

This is a beautifully told story about life in a small Texas town during the Great Depression. Sally Field's husband dies and it's up to her to raise their children and harvest the cotton crop in time to save the farm. It's a fine story, but at the end, the film springs a surprise. Who'd have thought a movie could have a coda? The last scene of the movie is so powerful that when I left the theater I literally felt like my breath had been taken away. I suspect the scene is unique in the movies, and it affects me every time I see it. I've shown this film on videotape to friends a few times, and I always whisper, "Please don't say anything to me during this last scene." It never fails, though; my friends always begin jabbering away in astonishment right in the middle of the best scene in the movie. It's not a big problem, though. They always shut up in wonder and understanding just before the credits start to roll.

I watched this movie because from the short synopsis on Sky's information page it sounded as though it would be a good one. Plus Sally Field and John Malkovich are two of my favourite actors.

And it was a good one. Not once throughout the course of the film did I find myself glancing at the clock in boredom. It's a remarkable movie from start to finish, although I must admit - the end scene somewhat confuses me.

The movie in short, a woman (Sally Field) is widowed and will be forced to sell her farm unless she can pay off the debts her husband left. The movie is set in 1935, and the woman takes the advice of a Negro traveller (played by Danny Glover) and sows acres of cotton. She also takes in a blind man (John Malkovich) as a border to make a few extra dollars. The events which follow are extremely well written, and excellently played by the chosen cast. Sally Field is the perfect choice for the role that she plays, as are Danny Glover and John Malkovich, who is ever so believable as a blind man.

I thoroughly enjoyed it and recommend it to others. If you enjoy heart-warming, touching stories, you'll definitely enjoy this one.

I was sad to find I didn't love this as much as I had remembered from its release nearly 30 years ago.

The acting is terrific, and the film looks great. But the main plot has elements of familiar melodramatic clichés that bugged me more now in a way they didn't in 1984. The race to save the farm, and the 'we'll do it despite the odds!' dialogue felt a little too Hollywood this time around, as did the 'perfect' gallery of downtrodden, oppressed outsiders (the single mother, the African-American, the blind man).

At the same time, the subplot of the romantic triangle between Ed Harris, Lindsay Crouse and Amy Madigan, while wonderfully acted, really seemed to have very little at all to do with the rest of the film.

That said, all the acting (Sally Field, Danny Glover, John Malcovich) is terrific, and the details of time and place are rich and vivid is slightly (intentionally) softened by the haze of the passing years (Benton grew up in the town where the story takes place).

And that wonderful long last shot, which gives the whole film a larger context, is still a powerful and brave way to end a story.

When Robert Benton wrote and directed Places in the Heart he created his own Citizen Kane. Like Orson Welles he will spend the rest of his life trying to better it and won't succeed.

Places in the Heart takes place in Waxahachie, Texas in 1935 and our director was born there in 1932. The film is a personal vision of his childhood in that small Texas town. It bears a whole lot of resemblance to To Kill a Mockingbird, except that the adult protagonist is not a widower lawyer, but the widowed wife of a sheriff left to fend for herself after her husband is killed.

Benton creates his characters with a loving hand, but that does not mean he doesn't see the flaws in the people there, the racism, the sexism, the hypocrisy and the pettiness. Field's husband, Ray Baker, is killed by a drunken black man accidentally. Killing a law enforcement official probably would have gotten him legally executed in any event, but the town administers its own brand of justice to the perpetrator.

That being said, it still doesn't solve the problem of a woman who has no education or training to support herself and her family. Sally gets the idea to grow cotton on the few acres her husband left her and gets a pair of strange allies in John Malkovich and Danny Glover to help her.

Glover is an itinerant hobo who is the one who if he knows anything knows cotton from his sharecropping background. He's who really holds the family together in the crisis. John Malkovich is a blind man whose brother-in-law is unctuous town banker, Lane Smith, who essentially dumps him on Field because he doesn't want to care for him. Malkovich who was nominated for Best Supporting Actor proves to be a faithful friend.

Lindsay Crouse was nominated for Best Supporting Actress as Field's sister. There's a subplot in the film involving her and her philandering husband Ed Harris.

Robert Benton won an Oscar for Best Original Screenplay and was nominated for Best Director and Sally Field won her second Oscar for Places in the Heart. Her character isn't as feisty as her first Oscar winner, Norma Rae, but Edna Spalding certainly has the same grit.

Period country and gospel music make up the soundtrack for Places in the Heart. Old line Protestant hymns Blessed Assurance begins the film and In The Garden is the theme for the surreal ending.

I can't describe the ending except that it is one of the most beautiful in the history of cinema. It's a vision of what promise we have either in heaven or a utopia we make on earth where the things that divide humankind are washed away and we are in fellowship with each other and our Maker.

You have to have a heart of diamond if you are not moved by Places in the Heart.