Phenomena

(****1/2 out of *****) My personal favorite Argento picture, this stars a young Jennifer Connelly (who would later go on to win a best supporting actress oscar for "A Beautiful Mind") as an American student in a snobby Swiss boarding school that is being terrorized by a brutal serial killer. Helping Connelly find the murderer are crippled Donald Pleasance, his intelligent primate assistant, and the entire insect world, with which Connelly has an unexplainable psychic connection. This movie may be short on sense and logic, but it more than makes up for it with outrageous style and bizarre uniqueness. It's like a twisted fairy tale, with heroic flies, disfigured killer midgets, and vengeful chimpanzees with straight razors. As in Argento's "Opera," some of the use of annoying late ‘80s metal bands (like Iron Maiden and Motorhead) doesn't work half as well as the ominously beautiful score composed by Claudio Simonetti. Argento's never been a great writer of dialogue, so some of the lines seem pretty stilted, and you also have to put up with some so-so acting from a good majority of the cast (also, unfortunately, typical of a lot of Argento's movies), but these things are easy to overlook in the midst of the nightmarish beauty and creepy atmosphere on display here. Also stars Daria Nicolodi in a more wicked role than usual and Patrick Bauchau as a police detective.

HIGHLIGHT: The plot becomes more and more freakishly surreal until Connelly finds herself, first, in an underground tunnel, following the extension cord of a telephone (a scene reminiscent of Alice in a seriously frightening Wonderland), and, later, in a filthy pool full of human bones and maggots.

This Is A Review Of The Uncut Version.

Dario Argento has enriched the Horror/Giallo genre by quite a bunch of brilliant films, including such stunning pictures as "The Bird With The Crystal Plumage" (1970), "Profondo Rosso" of 1975, "Suspiria" of 1977 or "Tenebrae" of 1982. While the brilliant Giallo "Profondo Rosso" and the supernatural Horror masterpiece "Suspiria" are Argento's greatest achievements, "Phenomena" is a personal favorite. Accompanied by one of Goblin's most outstanding scores, "Phenomena" is a visually stunning and incredibly suspenseful blend of Giallo elements and supernatural Horror, and a must-see for every Horror-fan.

Jennifer Corvino (Jennifer Conelly), the daughter of an American movie star, is sent to an elite girl's boarding school in the Swiss mountains, more precisely in a part of Switzerland referred to by locals as 'The Swiss Transylvania'. The area is currently terrorized by a serial killer of girls, whose victims are always heinously dismembered. Although a friendly and lovable person, Jennifer does not make too many friends in the boarding school, and due to her sleepwalking most of the other girls think of her as weird. But sleepwalking is not her only unusual characteristic. Jennifer loves insects, and insects also seem to have a strong affection for her. While Inspector Geiger (Patrick Buchau) is investigating the brutal murders, Jennifer befriends wheelchair-bound entomologist Prof Mc Gregor (Donald Pleasence), who helps the police with their investigations...

Argento is a master of suspense and atmosphere more than he is a master of logic, but Phenomena is intense enought to forgive some logical flaws. While the plot may not be the most logical one ever written, it works perfectly. Then 15-year-old Jennifer Conelly is outstanding in this, a perfect performance from the beginning to the end. The supporting cast is also very good, the great Donald Pleasence's performance as Prof Mc Gregor is just one of many very memorable performances in "Phenomena". As usual for Argento, the movie is impressively photographed on great, scary locations. Dario Argento has always placed great emphasis on impressive colors (especially red, of course), and hardly ever have I seen a horror film as visually and acoustically stunning as Phenomena. The brilliant Progressive Rock Soundtrack by Goblin manages to even intensify the suspense, and is one of the best scores I have ever heard in a horror film.

Partially a Giallo, and partially a horror film with psychic and transcendental elements, "Phenomena" is creepy as hell from start to finish. It is also easily one of Argento's most brutal movies. Phenomena was also released under the title "Creepers" in the US, but that was a mutilated version cut by 29 minutes, so the 111 minute version is essential. Stunning and absulutely phenomanal!

This movie seems to be either loved or hated. Those that love it seems to be Argento fans that have succumbed to the style and imagination. Those that hate it seems to get annoyed at script flaws, soundtrack, actors etc.

Most of the criticizers seems to have missed the point. Dario Argentos movies is supposed to be watched and experienced, not dissected looking for flaws etc. which is true for most movies. I have the ability to turn the criticizer off when I watch movies, especially when it comes to horror/fantasy/scifi. They're movies, not documentaries, and they're not supposed to reflect your reality. Think of them as dreams, and we all know that dreams are most often illogical, strange and wonderful. That's the frame of mind I have when I watch Argento movies. And Phenomena is great in that aspect since it builds upon imagination.

Phenomena was the first Argento movie I watched, and it turned me into a big fan of his work. Donald Pleasance is great as useful, and Jennifer Connelly made many of us aware of how much we all want to meet her (at least the male audience). I watch this movie in much the same way as I did Suspiria (masterpiece), as a fantasy horror, a sweet nightmare. The first scene, where the Danish girl misses the bus and looks for help is unforgettable. The fact that the rest of the cast is a bunch of young and inexperienced teenagers is something most of the viewers familiar with Italian horror are used to.

Would I recommend this? Absolutely, it's one of the better Argento movies. Who would like it? Anybody with an open mind and interested in prime italian fantasy/horror.

Memorable and different to modern horror An eerie film with a good cast, some fun practical effects and a nice premise. The soundtrack was also very memorable and different.

The film is basically an 80s slasher, however with teenagers who are actually played by actors the right age which makes a nice change.

Of course there's not much character development but the film does have some scary bits. There's some rather bad ADR and dubbing too.

Jennifer C is really good in this film I thought, there's one really memorable scene involving a lot of insects. Another scene too is utterly horrifying and gave me a terrible shock. I do recommend this film actually but you will need to bare with it a bit.

Dario Argento is a genius... this is a fact. The film starts off with a beautifully gory scene, then somewhat mellows out for a while. Some great scenes of night walking/dreaming/etc stand out, but it's not until about 2/3 of the way through the movie that it becomes a classic.

Beheadings, stabbings, and a pool of body parts ensue. But by far the creepiest thing of the movie is when the son who is left alone "with his crazy thoughts" turns around from his corner, revealing his face. This is possibly the scariest thing I have EVER seen on film... even scarier than the robot-butler-doll from Deep Red. And that's saying something.

An amazingly spooky and incredibly gory battle follows, leading up to the gorgeous, bloody end.

Dario Argento can do no wrong.