VALUTAZIONE IMDb
5,3/10
3687
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young American hustler pursues the girl of his dreams to Oxford, where he must enroll to obtain her.A young American hustler pursues the girl of his dreams to Oxford, where he must enroll to obtain her.A young American hustler pursues the girl of his dreams to Oxford, where he must enroll to obtain her.
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Recensioni in evidenza
OK. I know that the wanna-be John Hughes movies of the 80s were all unilaterally flat, so the expectations for this film ran pretty low.
Still, after sitting through this crap there's one key thing I can't seem to get out of my head:
I just sat through an 80s Rob Lowe movie that had no nudity and only hints of sex in them.
The acting is awful, the characters boring and flat, the portrayal of Oxford an absolute insult, and the rowing scenes unexciting, uneventful, and inaccurate.
Unless you've got some wierd Ally Sheedy or Amanda Pays (or I guess, Rob Lowe) fetish, there's really no reason to see this one.
Still, after sitting through this crap there's one key thing I can't seem to get out of my head:
I just sat through an 80s Rob Lowe movie that had no nudity and only hints of sex in them.
The acting is awful, the characters boring and flat, the portrayal of Oxford an absolute insult, and the rowing scenes unexciting, uneventful, and inaccurate.
Unless you've got some wierd Ally Sheedy or Amanda Pays (or I guess, Rob Lowe) fetish, there's really no reason to see this one.
What most impresses me about this movie and a few others from the 80's
like Breakfast Club and St. Elmo's Fire is how they lack all the brash,
rude and obnoxiousness found in movies today! The young generation of
that time ( and every young person has thier time) didn't fill the
screen with crude language and remarks degrading to each other. In this
movie they still had enough good sense to not curse like uneducated
heathens! Seems like all the movies today just seem to fill the screen with one
F**k and a$$hole and sheeet and every other imaginable word you could
use just to see how many they can say in 90 minutes! It surely is a time gone by and perhaps we do live in a world that is
more realistic and streetwise, but it sure isn't going to make the world
a better place throwing obsceneties it in our face all the time! Oxford Blues was refreshing because it had some class even though it was
a simple plot and a simple movie. And Rob Lowe was one heck of a goodlooking
like Breakfast Club and St. Elmo's Fire is how they lack all the brash,
rude and obnoxiousness found in movies today! The young generation of
that time ( and every young person has thier time) didn't fill the
screen with crude language and remarks degrading to each other. In this
movie they still had enough good sense to not curse like uneducated
heathens! Seems like all the movies today just seem to fill the screen with one
F**k and a$$hole and sheeet and every other imaginable word you could
use just to see how many they can say in 90 minutes! It surely is a time gone by and perhaps we do live in a world that is
more realistic and streetwise, but it sure isn't going to make the world
a better place throwing obsceneties it in our face all the time! Oxford Blues was refreshing because it had some class even though it was
a simple plot and a simple movie. And Rob Lowe was one heck of a goodlooking
This film in my opinion shows Rob Lowe for teenager fans. The rest lacks of script, hooks, actings, even the history is plain and uninspired. The nice guy travel to England to know the girl of his dreams and the British despised him (In Oxford) but he succeed. Also the British characters are boring, tedious, predictable. I don't want to spoil but it's only a film to remember the eighties and Rob Lowe and Ally Sheedy (Maybe the strongest point). The rest can't be much more accomplished and has some real flaws... specially on the script aspect. The scenes of rowing towards the river and competitions are the best of this movie. Only for fundamentalists of Rob.
Yes, I know this is not a fantastic movie. My 7 out of 10 is more nostalgic than actual story-driven.
Rob Lowe acts like a bull in a china shop at all times in this story. The entire movie he moves from con artist to rowing prodigy to sexual dynamo to demigod status -- all while carrying the "ugly American" thing quite too far. And I'm American. Embarrassing would be a better word I think. Kinda sets a negative tone that stays the entire movie. Yet... I was spellbound by this movie in the theater in 1984 (saw it twice actually) and am still in love. :-) I'm sure it is due to the gorgeous cinematography and stunning on-location sequences at Cambridge. The rest of the cast (with the exception of Ally Sheedy, whom I've never gotten the hang of despite people oohing and awing over her) is simply perfectly British upper-crust snootiness with the right amount of classy condescension toward that crazy Yank. The movie just feels so British lovely - with an uber-caveman running amok. I love it. I can't watch it enough actually. It's one of my top guilty pleasures actually.
Don't get me wrong. Rob Lowe isn't a complete waste. His swagger and brashness is somewhat necessary, but he just comes across as TOO cool and TOO narcissistic as he barrels toward the inevitable bedding of our fair maiden, played by the heavenly Amanda Pays. Lowe just runs over wonderful characters at every turn to get everything HE desires at the expense of anyone/any institution standing in his way. BUT... with that aside, the movie is really enjoyable. It's like enjoying the magical "Peggy Sue Got Married" despite the awful presence of Nick Cage. Sometimes you've got to look past one major issue to get to the soft, lovable, special movie lurking beneath the ego of the lead.
I love this movie. I'll always love this movie. Watch it if you love Great Britain. Watch it if you love Cambridge. Watch it if you enjoy rowing. Watch it if you were (are?) still in love with Amanda Pays. And watch it for the simple chance to see Rob Lowe do one of the funnier "switcheroo" wardrobe changes set to music in the mirror during the end credits. Classic cheese that I would recommend for anyone looking for silly '80s goofiness!
Rob Lowe acts like a bull in a china shop at all times in this story. The entire movie he moves from con artist to rowing prodigy to sexual dynamo to demigod status -- all while carrying the "ugly American" thing quite too far. And I'm American. Embarrassing would be a better word I think. Kinda sets a negative tone that stays the entire movie. Yet... I was spellbound by this movie in the theater in 1984 (saw it twice actually) and am still in love. :-) I'm sure it is due to the gorgeous cinematography and stunning on-location sequences at Cambridge. The rest of the cast (with the exception of Ally Sheedy, whom I've never gotten the hang of despite people oohing and awing over her) is simply perfectly British upper-crust snootiness with the right amount of classy condescension toward that crazy Yank. The movie just feels so British lovely - with an uber-caveman running amok. I love it. I can't watch it enough actually. It's one of my top guilty pleasures actually.
Don't get me wrong. Rob Lowe isn't a complete waste. His swagger and brashness is somewhat necessary, but he just comes across as TOO cool and TOO narcissistic as he barrels toward the inevitable bedding of our fair maiden, played by the heavenly Amanda Pays. Lowe just runs over wonderful characters at every turn to get everything HE desires at the expense of anyone/any institution standing in his way. BUT... with that aside, the movie is really enjoyable. It's like enjoying the magical "Peggy Sue Got Married" despite the awful presence of Nick Cage. Sometimes you've got to look past one major issue to get to the soft, lovable, special movie lurking beneath the ego of the lead.
I love this movie. I'll always love this movie. Watch it if you love Great Britain. Watch it if you love Cambridge. Watch it if you enjoy rowing. Watch it if you were (are?) still in love with Amanda Pays. And watch it for the simple chance to see Rob Lowe do one of the funnier "switcheroo" wardrobe changes set to music in the mirror during the end credits. Classic cheese that I would recommend for anyone looking for silly '80s goofiness!
This is an excellent film with fine acting throughout. While the initial plotline might be slightly unlikely, the interactions of the main character while at Oxford are the real point of the movie, despite his initial reason. It is interesting througout the movie with a variety of well-rounded characters. The movie is well balanced between the action and excitement of the competitive scenes with the drama and romance at the heart of the story.
Lo sapevi?
- QuizThe film was a remake of a Un americano a Oxford (1938) and was made and released about forty-six years after that original film.
- BlooperDuring the "Matriculation Ceremony", students/extras are seen wearing the undergraduate academic dress, and most are wearing their mortarboards. However, undergraduates at Oxford do not wear their mortarboards on their heads, but instead carry them, as they are not yet holders of their degrees.
- Citazioni
Nick De Angelo: Look, I didn't travel 10,000 miles to spend my first morning in England talking to some wiseass chick from Weehawken, New Jersey.
- ConnessioniReferenced in To Make a Killing (1988)
- Colonne sonoreOxford Blues
Words and Music by Paul Jabara and Harold Wheeler
Produced by Paul Jabara
(c) 1984 Paul Jabara Music BMI
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Dettagli
- Data di uscita
- Paesi di origine
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- Celebre anche come
- Oxford Blues
- Luoghi delle riprese
- Broughton Castle, Broughton, Banbury, Oxfordshire, Inghilterra, Regno Unito(Lady Victoria's family home)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 8.793.152 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.486.418 USD
- 26 ago 1984
- Lordo in tutto il mondo
- 8.793.152 USD
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