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Maybe I've begun to appreciate movies from the 70, 80, and 90's. It's probably they seem more emotionally realistic. In a time today high school aged children are often depicted as mature with all the answers. It wasn't true then and it isn't now. It's nice to see a movie where the intricacies of a relationship overwhelm someone that doesn't have the life experience to understand. Truly it takes a very long time and an ability to forgive and subordinate to each other at times.

John Cryer really nails his role and Demi is terrific. Even though Cryer's character in some respects is far more mature than his peers, he still has the excitement and awkwardness of a first love. You never forget your first love.

I've seen this film about five times now and I never cease to be delighted by its charms.

Where do I start? Firstly Jon Cryer is truly excellent as the precocious adolescent amateur photographer who spouts sophisticated adult dialogue but is really naive on the romantic front. The way he blushes at the right moment is very credible. He plays the blushing virgin with gusto - we don't doubt for a moment that he's never had sex or kissed a girl.

Firstly I must admit here to being a major fan of Demi Moore's films in the 80's. I've seen all of them from that period and I adore the characters she plays - Moore is what I call 'value added'. Whatever role she plays she brings something special, whether it is a brilliant range in temperament, downcast eyes, the husky voice, the tearful eyes the shiny hair. Most Hollywood actresses can't manage this, but Demi manages to be the girl next door and screen siren all in one.

Anyway she plays this aspiring niteclub singer with bad taste in 80's clothes and even worse taste in music. To her credit she doesn't sing any of the songs as they were recorded by other people, so she just lip syncs along quite nicely. That song 'Hotheaded' is actually quite catchy in that Michael Bolton, Bar 'rawk' sort of way. Overall her character, Laura Victor comes over as a really likable human being. And the final scene at the airport is truly touching. Moore's says two simple words 'thank you' and we know she means it.

Another to reason to love this film is that it was filmed entirely on location in San Francisco, and studio interiors are very few and far in between. Most of the shots are on real locations which adds to the movie's overall charm. This combined with the corny dialogue: that scene where she barges into the High School language laboratory dressed in a coctail waitress (read hooker!) outfit in very high heels and pulls Cryer out of the language lab is really funny - especially when she says "F*** Off ez Vous" to the French teacher.

Some of the scenes are chauvinistic, including the one with frat boys and the hired hooker - which really doesn't have any relevance to the overall plot. And I agree with a previous poster who says that Cryer's on screen mother is one of the most irritating characters to appear in movies. That line about the sausage of Cryer's brother going cold is truly risible. When I watch this film I try very hard to ignore the flaws!

This is corny, cheesy and highly entertaining. It really captures the spirit of the 80's. I'll never stop watching it - I love it.

Bonus: watch out for Jennifer Tilly and Tim Robbins in bit parts playing Cryer's classmates. Robbins was 28 when he played this role. Teenage high school student he ain't! But it's still good to see him in this. Also the very catchy song 'Eiffel Tower' by Malcolm McClaren and the McClarenettes.

Moore wears some wacky clothes and has that 80's penchant for long evening gloves with hundreds of bangles, very Material Girl! I love that cabin on the boardwalk apartment she lives in while working at Jakes's as a singer. Very bohemian, very cool, very 1984!

John Cryer plays a young photographer who's older brother is intent on making him a man when Cryer's affections lay elsewhere.

Shot around San Francisco's more popular areas (there are no apartments on the aging SF docks, and never were) with some fictional locations, the film, to me, feels like a budget version of Ferris Bueller's Day Off. Cryer even feels and looks a little like Mathew Broderick, only the film with Broderick came out two years after this one.

The truth is it's a nice little film with some token nudity for the young male audience, and in spite of that it has charm, notably with the taxi add sequence.

For the geeky young photographers, gamers, science club and chess club types, this film is for us. It's designed to encourage the young shy types with solo shy oriented hobbies and pass to, as a fellow SF Studios intern once told me, "don't ever deny yourself to anyone..." I wish I had followed that advice thirty years ago, ah, but the Saudis and Turks had different plans, but I digress.

Anyway, it's a good hearted film that some of the more conservative might find ever so slightly offensive, but again the film means well.

Check it out on a weekend night if you have nothing better to do. If nothing else it'll remind you of how San Francisco used to be at one time.

I've been trying to get my paws on this one for years now but they don't ever give it on TV .ill have to get the DVD whenever i got the cash.this has everything i love about movies-it is a child from the eighties,its got jon cryer-an icon of teen pictures of the decade-it is a sweet love story,the one you-well,i-wish could happen in real life.demi moore would never be sweeter. well,maybe in One Crazy Summer. at the time i watched it-hell,even now as i write-i had gone thru my first crush on an older woman(in my case,my ninth grade math teacher-she was 23 and i fifteen)and i felt i was the only one who though of that kind of relationships,so when i saw a Hollywood movie dealing with it in such a great way i fell for it all the way.it will remain one of my all time favorites until the day i die,a throwback to an era full of possibilities,however practically unattainable.

"No Small Affair" was a movie made at the height of the Brat Pack popularity. John Cryer and Demi Moore, two of the most prominent members of the group are showcased in this whimsical comedy about obsession. Jerry Schatzberg directed the film, which has a San Francisco setting.

The movie is in a way, the coming of age of Charles Cummings, a young amateur photographer who one day discovers a beautiful young woman while taking pictures at one of the piers. He will do anything in order to meet Laura, who at the beginning doesn't feel anything for him, but who is intrigued by his obsession, especially when he spends all his savings to have her face, and telephone number, plastered all over the tops of taxis. He was only trying to get Laura exposed to possible offers for a recording career, but the plan backfires and all she gets are sexual propositions.

John Cryer as Charles Cummings is charming. Demi Moore does good work as Laura. George Wendt, Peter Frechette, Ann Wedgeworth, Jeffrey Tambor, Jeniffer Tilly and Tim Robbings are seen in supporting roles.

The film is an entertaining way to spend a couple of hours.