Mosca a New York

As a Russian immigrant myself, I related the story to myself and liked the movie a lot. For those who never had such an experience, you may start to understand how hard it is to adapt to a new culture and why do people want to migrate in the first place. Also, for those who don't get the Russian culture, this might be kind of an introduction to it. Robin Williams is great as always, and I like especially his comedic style in a semitragic movie, which makes it so much easier to watch. If you have something against new immigrants to America and don't get why they come here at all, watch this movie and you'll understand why.

I first saw this film when the Iron Curtain was still firmly in place and of course it was intriguing and funny. Seeing it again, I found it quite prescient if less intriguing and funny. Robin Williams plays a Muscovite who visits the Big Apple as part of a cultural troupe. On a visit to Bloomingdales, he suddenly decides to defect (a very spin is made on this term!). The rest of the film deals with his attempts to settle in the US.

Obviously given the great political changes in the USSR and Eastern Europe since the film was released, it has aged noticeably. However, it is not entirely without merit. The big plus is obviously Robin Williams. He was and is a great actor and seems to have put in great effort on his Russian and spoken English accents. Notice the way he says "Mister". The hot, hot, hot Maria Conchita Gonzalez (Miss Venezuela 1971) plays an Italian immigrant and the love interest. The overall bent of the film is liberal - African-American families are especially realistically and positively portrayed. The central lesson of the film is that the transition from a Communist to a Capitalist mentality is not easy and the adjustment can bring great joy and sorrow. That is a very valid lesson in the largest context of the later collapse of the USSR and the painful transition ex-Soviet states are still going through.

Robin Williams is excellent as a Russian circus performer in New York City with his troupe for the first time, deciding to defect and become a U.S. citizen. After an appropriately dark, though somewhat heavy-handed opening, this comedy-drama from director Paul Mazursky suddenly finds its niche and seldom wavers. It may appear from the early parts of the picture that Williams is giving yet another of his overly-colorful, cartoonish performances, but he too gets into the groove of this project and fleshes out this charming, confounding, complicated man. Maria Conchita Alonso is wonderful as the working girl who falls for Williams (they have terrific chemistry, and Alonso has never been better). A fuzzy, friendly, thoughtful film, a bit too long but occasionally sublime. *** from ****

Robin Williams truly shows his amazing acting skills in this film. This movie is more of a drama than a comedy which is to be expected when you hear the plot of the story. Williams's Russian is quite convincing and the over all acting from the cast must be a 10 out of 10. It is easy to feel for Vladimir and the journey brings you along. The accuracy is stunning for those who lived through those kinds of situations. Vladimir finds that life is not perfect anywhere but he is sure happy to live in the land of opportunity, the land that gave him `Freedom'.

Robin Williams became famous, I think, for his stand-up comedy, like his idol Jonathan Winters, but do you realize how many movies this guy has made over the years? He's really become quite a film star and is especially good playing against-type as a criminal or simply as a wacko (see "One Hour Photo?")

Anway, this was an early Robin Williams film in which he plays a Russian musician defecting to the United States. He ("Vladamir Ivanoff") first hides out in a big store in New York City before being taken in as an immigrant by a black guy (can you say PC?) Williams does an outstanding job speaking Russian, by the way, as opposed to most English-speaking actors.

There really isn't much of a plot here, just slices of life, if you will, some of it with the usual Liberal promiscuous (i.e. "I'm a liberated woman and if I stay the night, don't misinterpret that I want to get involved with you," the Italian tells the Russian. I can think of a few more accurate descriptions that the word "liberated.")

All in all, despite the premise and talents of Williams, this was only so-so. It kind of runs out of steam halfway through and it's hard to maintain interest in the final 40 percent of it. Actually, I like Williams better when he plays more serious roles like this although I'm not sure if he himself was ready to play it straight this early in his career. He's just too tempted in this film to produce comedy. He's a talented and very strange guy; this film reflects that.