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"Micki + Maude" is a warm, lovely little comedy, so sweet-natured and appealing that it's hard to resist. We identify completely with Dudley Moore, who honestly loves both his wives; his behavior never seems smug or calculating. He just can't choose between them, because he cares deeply for both of them. And because of that, the movie becomes emotionally involving. Warning: this isn't the kind of comedy that will make you laugh so much you won't be able to take a breath; it's the kind of comedy that will leave you, repeatedly, with a goofy grin on your face.

Dudley Moore plays a TV-reporter who's married and wants to have kids. Unfortunately, his wife (Ann Reinking) is very career-focused and doesn't want to start a family yet. Moore falls in love with a girl he interviewed (Amy Irving). They meet a few times, not so much later she's pregnant. Moore says he wants her to become his wife. The day he decides to ask his wife for a divorce, she tells him she's expecting a baby. Moore doesn't know what to do, he loves both Reinking and Irving and they are both expecting his baby. He can't cancel his wedding with Irving so he ends up being married to both.

Everyone who loves the romantic-comedies of the eighties will agree: Although some moments are a little boring, "Micki and Maude" is a fun and entertaining movie with great performances of the leading actors (and a well-earned Golden Globe for Dudley Moore). The end is a bit lame, but the hospital scene makes up for that.

A television reporter, married to a lawyer, falls for another sharp lady, a lovely musician. Before he knows it, he has two wives...and both are pregnant! By 1984, Dudley Moore's film choices (mostly comedies) were starting to congeal, and with each new release came a sigh of resignation that he was never going to be Arthur again. Blake Edwards (who directed in Moore in "10") allows his star too much time to work his way into comedic fitful states, and continually dotes on Moore as the diminutive actor scurries from room to room. Still, this screenplay by Jonathan Reynolds has a witty edge (and Edwards, naturally, embraces its wild slapstick bent), resulting in some very bright, often very funny sequences. As the ladies in Dudley's life, Ann Reinking and Amy Irving are both terrific, helping Moore and Edwards turn out their best film in years. **1/2 from ****

I've been punishing myself watching all Dudley Moore's movies from the 80's. His usual unsympathetic movie persona is here: A successful man in his field despite lacking professionalism that inevitably advances on his leading ladies while running and screaming through corridors in labored plots.

Blake Edwards tries to sugarcoat Moore's dubious moral compass in this farce. Moore is a caring husband/lover that desperately wants to be a family man but shamelessly cheats his love interests. This dissonance in values never goes away and kinda ruins the lighthearted tone of this comedy.

I loved Ann Reinking as the innocent perfect wife. The really good acting on her part that kept this movie entertaining. Amy Irving's is not exactly a counterpoint and could be more fleshed out. Moore does a competent job being more awake in the role than in his later movies.

The plot is nothing special and there's a unfortunate shadow of Arthur (1981) in the relationship between Rob and Leo mirroring Arthur and Hobson that is underdeveloped and seems tackled into the movie. Curiously, in Lovesick(1983) Moore's character also has an older figure that his character listen to and try to sort his problems.

Not a bad movie, but not good either.

This movie came out the year I graduated High School. I saw the movie that year and did not find too much humor within. I remember my enjoyment in seeing Andre the Giant (loved him in Princess and the Bride) but that was about the height of my excitement. Now thirty years later, I watched the movie again because basically I forgot the plot. It was not too far into the movie when I remembered; I am not sure how a guy who cheats on his pregnant wife by getting another woman pregnant, marrying that woman, and then trying to hide it is funny but, then again when did Hollywood obtain a diploma in morality? As much as I loved Dudley Moore in ARTHUR, is as much as a disliked his character and the plot of Micki and Maude. The ending did not provide any form of suspension of disbelief; that is about all I can say without providing a spoiler.

This is not a spoiler since this same plot design is in IMDb.

Micki+Maude is one of the most satisfying comedies to come out of Hollywood in the 1980's. It is perhaps Blake Edward's last great film, it is also the film in wich Dudley Moore solidified his position as a like-able Romantic Light Comedian worthy of greats like Cary Grant and Jack Lemon. The plot in itself works thanks to a knockout idea, Dudley Moore + 2 wives = Bigamy x Pregnancy. Any theme like that alone would be funny. Handled by one of the all time great American directors, Blake Edwards and starring Cuddly Dudley, it soars. Amy Irving as Micki, and Anne Reinking as Maude are both very enjoyable and frothy charcters, essential to a romantic comedy. One imagines that if he wanted to Edwards could have made this a straight sequel to his hit 10, with Dud reprising his role as George Webber, with Julie Andrews as Micki and Bo Derk as Maude. But Amy Irving and Anne Reinking do just nicely. Michael Le Grand's themes and songs are nice, and the film amounts to a funny and fitting climax. Edwards employs in the fianl scenes lots of Laurel and Hardy imagery and Dud handles this well. Edwards should be proud because not only has he emulated the greatest work of Stan and Ollie with this film, he has created something that in turn will influence generations of Comedy directors. Why on earth this didn't win any Academy Awards i dont know. I can think of an Actor and a Director who thoroughly deserve them.

Local TV reporter Rob Salinger (Dudley Moore) is married to Micki (Ann Reinking) who is trying to be a high power judge. He wants to have children but she wants to hold off. He is sent to do a piece on concert cellist Maude Guillory (Amy Irving). He has an affair with her and she gets pregnant. He is about to ask Micki for a divorce when she tells him that she's pregnant. He doesn't divorce Micki and marries Maude anyways. Only his boss Leo (Richard Mulligan) knows the truth as Rob tries to live his double lives.

Director Blake Edwards sometimes try to make his cheating protagonists appealing. It's not appealing and I don't like Rob in this movie. He's trying to get points for marrying both women but it's his cheating that started the whole thing. It's not fun. There isn't much screwball humor until the hospital. By then, I only really like Amy Irving.

Dudley Moore is happily married to Anne Reinking who right now doesn't want kids. Dudley meets a sweet woman Amy Irving and before you know it she's pregnant. Dudley decides to plan to leave Anne but guess what she's pregnant too. So Dudley becomes a bigamist. Funny, especially the hospital scene. The ending is kind of lame but this is still a great movie.

I watched with increasing discomfort as the premise of this film started to unfold. My moral compass kept kicking in and I never managed to suspend my disbelief sufficiently to entirely enjoy the film. Dudley Moore plays Rob Salinger very well. Ann Reinking (Micki) and Amy Irving (Maude) play their parts wonderfully too as the situation turns into a farce. I became intrigued to see how the screenwriters might resolve the plot in a socially acceptable way. The story didn't end how I might have guessed; more of a non-ending really. I hope that intrigues you enough to watch it and find out how you react to this movie. It's probably worth watching to learn something about yourself!

Not among Blake Edwards' best efforts (Breakfast at Tiffany's, Victor Victoria, Days of Wine and Roses, Mister Cory, This Happy Feeling, Experiment in Terror, A Shot in the Dark, The Great Race, The Party, The Pink Panther franchise) but still a pure, classic slapstick. A hilarious farce with Dudley Moore in top form, Amy Irving alright as well. It begins slowly but builds well.

"Micki + Maude" is a wonderful comedy with a great comic performace by Dudley Moore as a man who has an incredible mess on his hands. Moore plays Rob Salinger, a TV reporter married to Micki (Ann Reinking), an assistant district attorney. Moore is desperate to have a baby but Micki doesn't want kids at the moment because she wants to work at her job so she can become a judge. One day Rob meets Maude (Amy Irving), a cellist he interviews for a report. When Micki goes out of town on business, Rob begins to have a fling with Maude. Then comes the shocking news. Maude announces that she's pregnant! Rob asks her to marry him and that he'll divorce Micki. When Micki gets back in town, Rob meets her for dinner at a restaurant where he plans to break the bad news to her. Then comes even more shocking news. Micki announces that she's pregnant! So what does Rob do now? Easy. He still marries Maude, stays married to Micki, and becomes a bigamist. "Micki + Maude" has lots of big laughs, especially the scenes in the doctors offices and hospital. This is one of director Blake Edwards' best films. The performance by Dudley Moore is a comic tour-de-force. He won a Golden Globe for his work here. Amy Irving and Ann Reinking are terrific too as the women in Moore's life, and there's a great supporting performance by Richard Mulligan (of TV's "Soap" and "Empty Nest") as Moore's boss and best friend who Moore comes to for advice. "Micki + Maude" is a very funny movie for fans of Dudley Moore and Blake Edwards. Only the silly ending keeps this movie from being a "10".

***1/2 (out of four)

Likable Blake Edwards comedy with Moore who plays a frustrated news reporter with two wives, who are both pregnant at the same time. Yikes! This farce is pleasant and Moore carries it beautifully with his usual timing and flair. One of his best!

Five years after the success of "10", Blake Edwards and Dudley Moore hit another bullseye with MICKI & MAUDE, a stylish and very funny romantic comedy about a newsmagazine reporter (Moore) married to a workaholic attorney named Micki (Ann Reinking) who longs to be a father and begins an affair with an attractive and funny cellist named Maude (Amy Irving) who he gets pregnant. He agrees to divorce Micki and marry Maude until Micki announces she is also pregnant. Since Micki's pregnancy is high risk, he doesn't want to stress her out so he marries Maude without divorcing Micki and that's when his life becomes complicated to no end. The three stars are absolutely wonderful in their roles. Moore won a Golden Globe for Best Actor in a Comedy. Richard Mulligan, George Gaynes, and Wallace Shawn offer strong support as Moore's boss and as the ladies' doctors. Though the film is a little on the long side, it remains thoroughly entertaining from beginning to end with one of Moore's best performances.

A must see for ANY Dudley Moore fan!! This movie is full of laughs and touching moments..this movie also stars the late great Richard Mulligan of SOAP and Empty Nest Fame!!..If you like the comedy of Arthur, Money Pit, or Private Benjamin you'll like this one...A 10 all the way!!!!!

A brilliant comedy, which is without a doubt the best film Blake Edwards has ever made. In a Golden Globe winning performance, Dudley Moore is immensely likeable as the hapless Rob Salinger. He is superbly supported by the always lovely and excellent Amy Irving as Maude, while Ann Reinking had the best role of her confusingly brief career as Micki. A sweet, funny and highly original film.

Reporter Rob Salinger (Dudley Moore) is married to ambitious Micki (Ann Reinking). He wants a baby--she doesn't. He meets sweet Maude (Amy Irving) and starts having an affair with her. Then he ends up getting them both pregnant!

OK bigamy isn't funny--but this is just a movie that's not to be taken seriously. It's (for Blake Edwards) very sweet-natured and gentle. It does have his usual slapstick humor but also has some nice funny verbal jokes and is very romantic. Moore is great--he tones down his usual manic persona and gives a very affecting performance. Richard Mulligan also is great as his boss and pal Leo. Amy Irving is just incredibly beautiful and sweet. There's also a hysterical visit to a doctors office and the end when Moore goes full blast in a hospital. There's also a bit with nude male models with guns that's an eyeopener. This is far from perfect however. It takes its own sweet time getting started and doesn't even have an ending--it just sort of stops. Also Reinking is pretty bad in her role. She manages to overact AND underact at the same time--but she's known more for her dancing then acting. All in all a sweet, funny and romantic comedy. I give it an 8.