Mannen från Mallorca

Lowly Stockholm vice-squad officers, Jarnebring and Johansson, are first on the scene of a robbery and go on to unearth apparent corruption in high places, but the threads are difficult to pull together and the case is hard to crack.

There are so many pleasures in this film that it's a shame that it is so rarely seen. Quite apart from being a good thriller director Bo Widerberg brings twists and slants to what would otherwise be the sort of film that we've seen a hundred times. Although a buddy-buddy movie, J & J's relationship is constructed back-to-front. Instead of going from 'chalk & cheese' to reconciled dream-team, they begin as good friends, with implicit trust between them as colleagues, but the events of the film put this under strain. As a corollary there is no neat ending.

There are some good moments of humour as American and Swedish culture brush up against each other, but the greatest departure from the standard is the insight into Johansson's personal life. Occupying no more than a few minutes screen time, we see the result of his marriage break-up. The scene where he attempts to recapture his relationship with his son is almost painful and his furtive eye contact with another metro traveler is nicely captured. In fact, these brief interludes convey more about the loneliness of a failed relationship than many an entire film. Overall they add a rare depth to this genre. Add to this a great car-chase and the technique of putting a rear facing road-pointing camera on the front of a car, which brilliantly conveys menace.

There is also a well-developed sense of place with all the action set in a wintry Stockholm and it's environs. While we see the city's underbelly (down-and-outs; winos; criminals; alienated youth) it is still an affectionate portrait.

Twenty years on there are some non-P.C. moments as when a suspect is recognised partly as he is seems to be the only foreign-looking person in Stockholm. The ending can also be criticised for leaving a feeling that the ball is still in the air, but this is largely because we cinema-goers are so used to complete resolution.

This is the sort of film that should be made more often. Widerberg rivaled Peter Weir as a director who could make an entertaining yet meaningful and character-driven film.

I am fond of Scandinavian (particularly Swedish and Danish) crime thrillers and I have tried to watch them as much as possible. It is not often that you come across with respective films before 1990ies as the international boom and fame started after that.

Still, Bo Widerberg is a film-maker worth (re-)discovering, as his approach is different from ordinary Beck-Wallander type of series. They have more action and twists, are less static, contain scenes and lines that make you giggle, and policemen are "ordinary" persons with their odd apprehensions and weaknesses... Additionally, a good overview of the 1980ies Stockholm, with the clear domination of Volvos and Saabs. In spite of some similarities with famous thrillers from the prior decade, the film in question is an independent witty story, not a copy or remake adapted for Sweden. Performances are good as well, I particularly liked Sven Wollter as Jarnebring and Ernst Günther as Dahlgren.

Well, the ending is realistic, but creates a kind of discontent, as the story is not round up in "clear" manner. Nevertheless, based on the circumstances above, Mannen från Mallorca is a film that could be shown on TV or cinematheques more often.

Director Widerberg could do very well in widely separate genres. He did a few crime stories on cinema, but never just for the 'who dunnit'. There had to be a burning social message, something rotting in the kingdom.

Here it sure is. The Leif GW Persson novel, on which the film is based, is about misuse of power, all the way up. The novel is actually loosely based on a political scandal in Sweden, which Persson was involved in revealing.

Widerberg's movie has got several qualities, way beyond that of creating a thrill. With a very firm grip, of the kind only somebody that skilled as a director can have, he tightens the suspense, intensifies the conflict, broadens the importance of what takes place, until the film becomes an unpleasant, but in its own way accurate, revelation about modern society. And it's a good thrill, too.

A trivia of interest to none but me, I guess, is that one of the locations is my apartment at that time.

Surprising, far from Hollywood clichés and expected, predictable lines, this Scandinavian - Sweden - crime thriller is so exciting, as was COP ON THE ROOF, from the very same director, a brilliant, sophisticated film maker, who did not make only crime films though. Such a shame. You are always surprised here, nothing foreseeable, and maybe that contributes to make it a bit complex to follow for "southern" or "western" audiences. The only thing maybe borrowed from Hollywood is the cop in tandem crew, some kind of buddy movie, but without being LETHAL WEAPON either. Not an action genuine crime flick but with action scenes however. I highly recommend it.

Great dialogue, very exciting story and a superb cast - especially Von Brömssen, Vollter and Günther!!

This movie is an excellent time document full of critic towards swedish society in the early '80s.

I've seen it 20-25 times and I always enjoy watching it again!