VALUTAZIONE IMDb
6,1/10
8284
LA TUA VALUTAZIONE
Un tecnico di ascensori si ritrova avvolto in una rete di misteri e pericoli mentre indaga sugli sconcertanti incidenti mortali che si stanno verificando negli ascensori di un nuovo palazzo ... Leggi tuttoUn tecnico di ascensori si ritrova avvolto in una rete di misteri e pericoli mentre indaga sugli sconcertanti incidenti mortali che si stanno verificando negli ascensori di un nuovo palazzo di uffici.Un tecnico di ascensori si ritrova avvolto in una rete di misteri e pericoli mentre indaga sugli sconcertanti incidenti mortali che si stanno verificando negli ascensori di un nuovo palazzo di uffici.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Recensioni in evidenza
An elevator seems to have a mind of its own, and it is deathly. The director builds a solid horror movie on people's fear of elevators. This is clearly a B-horror movie, but as such it is good. There are various truly shocking scenes.
The story line is very simple. The main character is an elevator-repairman and he must repair an elevator that caused an accident. What he finds out is truly bizarre and unbelievable, but scary nonetheless.
One of the best dutch made horror movies (but frankly, I don't know many other dutch horror movies).
The story line is very simple. The main character is an elevator-repairman and he must repair an elevator that caused an accident. What he finds out is truly bizarre and unbelievable, but scary nonetheless.
One of the best dutch made horror movies (but frankly, I don't know many other dutch horror movies).
A superb Dutch film, with truly suspenseful moments! Nothing is quite so sinister as stretches of silence in movies, especially when they accompany Hitchcockian (which is to say here, predictable) suspense sequences. From the moment you read the synopsis, and figure that a film about bewitched microchips cannot expect to be taken seriously, you'd be forgiven for laughing at yourself for even contemplating seeing the film. However, If you're like me, and you consider that music, background noise, post-production, lipsynching, subliminal messaging goes too far in films, rendering terrible scenes risibly hyperactive, then you'll get off on the real-time sparsity of effects used here. Each delay to the denouement, agonisingly adds to the deathtoll. Is this going to change the world? Would a suspiciously murderous lift, in the real world? Tell the director, I'd like to see more.
What do you get when a new elevator is installed and the evil of Stephen King's Christine? You get...THE LIFT. Dick Maas directed a stylish thriller about an elevator with malicious tones. Try suffocation, a blind man falling down the shaft (nice sound FX for this scene) and the famous decapitation scene. My friend was grossed out after seeing the decapitation scene. Nevertheless, it is up to our hero Felix (Huub Stapel) to find out what is wrong with the lift. After seeing this, I want to check out the 2001 remake DOWN, also directed by Maas with James Marshall in the role of the maintenance man in search of the lift's problems.
A new lift has been installed recently. A few people get stuck in it. A few days later, a blind man falls into the shaft. A guard is beheaded by the same lift. 'What we have here is a killing machine...!'
Director Dick Maas is a big fan of Steven Spielbergs films (same here, but only his earlier movies). 'De Lift', describable as another alternative for the JAWS-formula, makes clear that Dick Maas lacks a lot in comparison to the most successful Hollywood-director.
The movie has a few good scenes which are shocking, but the majority of the movie is surprisingly dull and tedious. As long as the story keeps to the elevator, it's OK. However, there are a lot of scenes about family problems and interminable discussions about elevators. Those do not build up tension, they're just very, very boring and though I am not much of a sadist, I only kept watching because I was anxiously waiting for the next person to be killed by the lift. In a very cruel way of course. One should not watch this movie for the story-line in the first place. The plot doesn't make ANY sense: how would you explain a killer lift? Anyhow, there IS some kind of explanation in the movie, but only kids under 8 years old would believe that nonsense. Under 8, for I watched this movie first when I was 7 years old and I was scared to death. Perhaps I am too old for this movie now..
Director Dick Maas is a big fan of Steven Spielbergs films (same here, but only his earlier movies). 'De Lift', describable as another alternative for the JAWS-formula, makes clear that Dick Maas lacks a lot in comparison to the most successful Hollywood-director.
The movie has a few good scenes which are shocking, but the majority of the movie is surprisingly dull and tedious. As long as the story keeps to the elevator, it's OK. However, there are a lot of scenes about family problems and interminable discussions about elevators. Those do not build up tension, they're just very, very boring and though I am not much of a sadist, I only kept watching because I was anxiously waiting for the next person to be killed by the lift. In a very cruel way of course. One should not watch this movie for the story-line in the first place. The plot doesn't make ANY sense: how would you explain a killer lift? Anyhow, there IS some kind of explanation in the movie, but only kids under 8 years old would believe that nonsense. Under 8, for I watched this movie first when I was 7 years old and I was scared to death. Perhaps I am too old for this movie now..
I agree with John Hartl's review about the quality of this movie. It could easily have been silly, but it definitely is not. The last part, with Felix lit only by his industrial hand lamp in the enemy's own domain, is completely engrossing. The - quite sparse - music is eerily effective and the photography very good, as are the performances. In the version I saw, the dubbing is well done and convincing. Another winner from the Netherlands. About time we high risers took the lift seriously!
Lo sapevi?
- QuizDick Maas was fired halfway through the production because of continuing arguments with producer Matthijs van Heijningen about casting and because Maas insisted that he do the music himself. However, Maas kept on working during that day and was rehired the day after, because Van Heijningen couldn't do it without him.
- Blooper(at around 34 mins) When Felix arrives at the Office from 'Nieuwe Revu' we see the sound technician moving in the back of the van.
- Citazioni
Head Waiter: These damn machines will be the death of us all some day!
- ConnessioniFeatured in Allemaal film: De gouden jaren (2007)
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Dettagli
Botteghino
- Budget
- 350.000 € (previsto)
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