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La leggenda della fortezza di Suram

Titolo originale: Ambavi Suramis tsikhitsa
  • 1985
  • T
  • 1h 28min
VALUTAZIONE IMDb
7,3/10
2348
LA TUA VALUTAZIONE
La leggenda della fortezza di Suram (1985)
Dramma

Una versione cinematografica di un noto racconto popolare georgiano. Un ragazzino deve essere murato in una fortezza per evitare che si sbricioli.Una versione cinematografica di un noto racconto popolare georgiano. Un ragazzino deve essere murato in una fortezza per evitare che si sbricioli.Una versione cinematografica di un noto racconto popolare georgiano. Un ragazzino deve essere murato in una fortezza per evitare che si sbricioli.

  • Regia
    • Sergei Parajanov
    • Dodo Abashidze
  • Sceneggiatura
    • Daniel Chonqadze
    • Vaja Gigashvili
  • Star
    • Veriko Anjaparidze
    • Tamari Tsitsishvili
    • Dudukhana Tserodze
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    2348
    LA TUA VALUTAZIONE
    • Regia
      • Sergei Parajanov
      • Dodo Abashidze
    • Sceneggiatura
      • Daniel Chonqadze
      • Vaja Gigashvili
    • Star
      • Veriko Anjaparidze
      • Tamari Tsitsishvili
      • Dudukhana Tserodze
    • 13Recensioni degli utenti
    • 20Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie e 1 candidatura in totale

    Foto52

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    Interpreti principali33

    Modifica
    Veriko Anjaparidze
    Veriko Anjaparidze
    • Fortune Teller
    • (as Veriko Andjaparidze)
    Tamari Tsitsishvili
    Dudukhana Tserodze
    Dudukhana Tserodze
    • Osman-Agha's Mother
    Dodo Abashidze
    Dodo Abashidze
    • Osman-Agha…
    Sofiko Chiaureli
    Sofiko Chiaureli
    • Vardo
    Zura Kipshidze
    Zura Kipshidze
    • Durmish-Khan
    Levani
    Levani
    • Zurab
    • (as L. Uchaneishvili)
    M. Abaishvili
    Leila Alibegashvilli
    • Young Vardo
    G. Ambartsumov
    Mzia Arabuli
    Mzia Arabuli
      L. Arzhanov
      Toma Arzhanov
        Paata Baratashvili
          Gia Burjanadze
            Vladimer Chitishvili
            Vladimer Chitishvili
              N. Chkseidze
              T. Daniela
              • Regia
                • Sergei Parajanov
                • Dodo Abashidze
              • Sceneggiatura
                • Daniel Chonqadze
                • Vaja Gigashvili
              • Tutti gli interpreti e le troupe
              • Produzione, botteghino e altro su IMDbPro

              Recensioni degli utenti13

              7,32.3K
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              Recensioni in evidenza

              Vincentiu

              Boat as bridge

              Way. Search of essence. This world against faith. Death. And the way is not over. Sacrifice as soul of a city. End of circle. Gift of reconciliation. Result - movie as amber sea.Every wave - part of a ladder. Every beach - skin for ambiguous dreams. Every boat - bridge to understand roots of gestures and happiness. An experience and golden peach. As each film by Paradjanov. Basic truth and force of love. As parts of a fairy tale in which end is more than happy. It is fly of soul, leaf of peace, finish of a long trip, answer to old questions, testimony of innocence and rain for new crops.The death of Zurab is same than Manole's Ana sacrifice. The hero is only crumb of huge bread of saints and ancestors. His body is proof. For motherland love. For God sage, For things who must exist behind particular lives . For lost dramas. A film about religion as reflection of a family history
              7frankde-jong

              More a series of "tableaux vivants" than chapters of a story

              Sergei Parajanov has the most personal style of all directors I know of. He firmly established this style with his films "Shadows of our forgotten ancestors" (1965) and "The color of pomegranates" (1969).

              The leaders of the Soviet Union didn't like his style. It didn't fit in with their opinions about (the role of) art (in society). Parajanov spend the '70s and early '80s mostly in jail and labor camps convicted on diverse false accusations.

              When he was released in the '80s Parajanov started a second phase in his career. "The legend of Suram fortress was the first film in this second phase. In a book about the history of film I read about this second phase "and he made another three films". That is in my opinion too short a summary and does not do justice to "The legend of Suram fortress. It is true however that "The legend of Suram fortress" is not an artistic break from previous films. Parajanov does not break new grounds in the second phase of his career.

              Just like in earlier films "The legend of the Suram forttress" is visually hypnotizing. His images are deeply rooted in old mythical and religious stories and icons. This also means that the plot is hard to follow for Western eyes. The film is more a series of "tableaux vivants" than chapters of a story.

              In the films of for exampls Sergei Eisenstein you can sometimes guess that underneath his hstorical stories there was criticism on the current situation. "The legend of the Surem fortress" is plotwise too inaccessible to conclude that it contains hidden criticism on the way the Soviet Union had treated Parajanov in the past decade.

              From all the "tableaux vivants" in the movie I was charmed most by "The prayer" and "The passage of time". The way Parajanov uses the close up in these tablaeux is really beautiful.
              8fwmurnau

              Parajanov -- an inspiration to other creative artists

              SURAM FORTRESS has a bit more narrative than some of Parajanov's films but, as with the others, I still don't always understand what's going on or why. Still, his very eccentricity, breaking every rule of narrative and filmmaking, inspires me in my own work as a playwright and composer.

              His use of striking, associative images -- powerful, even when they don't make literal sense -- recalls the great Tarkovsky, who does something similar in his films, in his own very personal style.

              Parajanov, like Bresson -- another director who can fascinate and baffle me at the same time -- does everything differently from the way it's usually done, infuriating viewers expecting believable characters and comprehensible stories. With both directors, the results can be uneven, but at their best, they really inspire, stimulate, and get your creative juices flowing.

              Bresson, Tarkovsky, and Parajanov prove you can truly try ANYTHING while following your own artistic vision. But, unlike some overpraised fraudulent directors, they are never pretentiously avant- garde for its own sake, phony, insincere, or "different" just to come across as cool, perverse, or faux-profound.

              Parajanov and Bresson's boldly individual styles embolden me to be fresher, more original, and think outside of the box in my own work.
              Kirpianuscus

              more than beautiful

              a Paradjanov. surprising for its force. and as part of a terrible fight against political system. a fairy tale. preserving the light, the pain, the fascination, mystery and force of the source. and the desire to present a testimony about sufferance. that fact transforms The Legend of Suram Fortress in more than beautiful film or embroidery of symbols. because, using motifs who are parts of a folk chain from Balkans to Caucasus, it gives to the sacrifice new connotations. it is not exactly a revenge or expression of sketch of artistic freedom but precise definition of relation who remains basis of power.each theme of Paradjanov's cinema is present in this bitter, delicate gem. like colors of a portrait who redefines the spaces from a drawing.
              8alice liddell

              Another visually ravishing, thematically incomprehensible masterpiece

              Paradjanov's sequel to THE COLOR OF POMEGRANATES. This is more accessible than COLOR, more narrative driven, with a greater use of outside locations. It is still as obscure, with legends, allegories, characters and symbols all weaving into a culturally specific tapestry. It is not as jaw-droppingly gorgeous or formally astonishing as COLOR, and seems much more pessimistic. It is a story of exiles, poverty, serfdom, murder and the supernatural, with stories within stories, and an almost buoyant ending celebrating resistance and culture.

              Trama

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              Lo sapevi?

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              • Quiz
                This was main director Sergei Parajanov's first film in 15 years, having spent 4 of those in prison for lewd acts and bribery.
              • Connessioni
                Featured in Parajanov: The Last Spring (1992)

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              Dettagli

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              • Data di uscita
                • agosto 1988 (Italia)
              • Paese di origine
                • Unione Sovietica
              • Sito ufficiale
                • Parajanov-Vartanov Institute (United States)
              • Lingue
                • Georgiano
                • Russo
              • Celebre anche come
                • The Legend of Suram Fortress
              • Azienda produttrice
                • Georgian-Film
              • Vedi altri crediti dell’azienda su IMDbPro

              Specifiche tecniche

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              • Tempo di esecuzione
                • 1h 28min(88 min)
              • Colore
                • Color
              • Mix di suoni
                • Mono

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